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Joyce Treiman was both a draughtsman, an iconoclast, and a painter of such dexterity and creativity that even today she remains 'unclassifiable'. Painting in the 1960s, 70s, and 80s, when figuration was considered retrogressive, Joyce Treiman painted magnificent canvases that paid homage to Eakins, Sargent, Bonnard, Tiepolo, and Rembrandt - all with a flare for homage and tongue-in-cheek wry humor. Her later paintings almost always included an element of self portraiture and it is this aspect of her style which gifts the art students of today with a sublime example of 'The Painter's Progress'.
The essays in this magnum opus are erudite and entertaining. Theodore F. Wolff writes lovingly of Treiman's life and talent while Michael Duncan details admiration for a woman who just went about her art of painting without regard to varying styles or schools. Terrific examples of Treiman's drawings are interspersed with drawings by the masters to show the influences on her evolving technique. The plates of her paintings are color-true and plentiful. And the book includes an extensive biography and exhibition section.
This is a magnificent volume on art of the 20th Century and for Treiman's cadre of devotees it is a heartwarming tribute. For those unfamiliar with her work, it is a startlingly fine introduction. Highly Recommended!
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