In this collection of poems, writer/editor/teacher Julia Penelope uses words in unexpected ways. She often creates long lists of verbs or verb phrases that reflect a struggle to claim language and identity for all people--not just white, male heterosexuals. In doing so, she asserts her own identity as woman and lesbian and her own power over language in a world that often leaves both female and homosexual voices silent.

The language she creates seems almost alien at times, though she mostly relies on common words. I certainly wouldn't call this "casual" or "light" reading, but I also wouldn't call it intentionally difficult. I would call it defiantly original. Penelope's writing draws power from its uniqueness and unpredictability.

(Review reposted, so it would appear with my "main" Amazon profile, and more people would learn about this great book!)

In this collection of poems, writer/editor/teacher Julia Penelope uses words in unexpected ways. She often creates long lists of verbs or verb phrases that reflect a struggle to claim language and identity for all people--not just white, male heterosexuals. In doing so, she asserts her own identity as woman and lesbian and her own power over language in a world that often leaves both female and homosexual voices silent.

The language she creates seems almost alien at times, though she mostly relies on common words. I certainly wouldn't call this "casual" or "light" reading, but I also wouldn't call it intentionally difficult. I would call it defiantly original. Penelope's writing draws power from its uniqueness and unpredictability.

"...if men knew about her, they might clandestinely worry that she could be the 'superior' strain...they would have no more idea what they were thinking than ever they've done" (pg 544). A magnificent anthology for Hags of the Revolution. Remembers and revives our Separatist past and fuels the Lesbian laughter (Marilyn Murphy, 'Looking for Lesbians' ), Lesbian knowledge (Pat Parker,'Boots Are Being Polished') and Lesbian anger (Ruth Byrn, 'The Warexx') of our future. In the words of Elana Dykewomon, 'Lesbian culture is the manifestation of appetite let loose in womyn' - this anthology is a fine record of these Dyke feedings. It also strengthens our Labryth against the queer, liberal and s/m onslaughts. Long live editors Julia Penelope and Susan J. Wolfe........and Valarie Solanas!

This is simply a marvelous collection. I was very moved by the raw honesty of these coming out stories . . . their courage, their strength, their wonderful moments of humor, as well. Perhaps it has been argued that one coming out story is much like another -- and indeed, there are numerous moments of affirming and empowering commonality that run like a bright connective thread throughout these pieces -- but what is truly amazing about this collection is the range, variety, resonance, and undeniable uniqueness of each of these womyn's voices. This is a terrific book . . . don't miss out on it.