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We begin with the murder of a man who had no life: Leonard Dykes, fished out of the river on New Year's Day, a confidential clerk in the law firm of Corrigan, Phelps, Custen, and Briggs. No family (other than a married sister in California), no lovers, no unsavoury habits, no money problems (neither debts nor a large net worth), no problems with his job. Somebody somewhere, though, hit him on the head before leaving him to drown, and ransacked Dykes' apartment, but the only thing the Manhattan homicide squad could find was a single sheet of paper in a book, with a list of men's names, none of whom could be found in New York City.
Stuck, Cramer pays a call at the brownstone, but Wolfe can only suggest that Dykes or someone he knew had tried to come up with an alias for someone, but never used it. Cramer, frustrated (and embarrassed at having sunk so low as to ask for help without getting anywhere), leaves it at that.
Six weeks later, John R. Wellman hires Wolfe to find the man who killed his daughter Joan; he's not satisfied with the Bronx's handling of the case. From a letter, he knows that after Joan rejected a manuscript - "Put Not Your Trust", by Baird Archer - for her publishing firm, Archer had made an appointment to see her privately and get feedback on how to improve it, and the appointment coincided with her death. But nobody can find either the man or the manuscript. Wolfe has no information that the police don't have - collectively, between Manhattan and the Bronx - but he remembers that "Baird Archer" was one of the names on Dykes' list. So begins the hunt for "Put Not Your Trust", beginning with a search of all the typing services in the city - and soon another murder is added to the tally, that of typist Rachel Abrahms, only minutes before Archie could speak to her.
Stout has given us a real story here - where the lives of the survivors have been torn up with the loss of their daughters, with a man who's going against the advice of his pastor and his wife in hiring Wolfe. Not that it's a tale *only* of human suffering; Archie's telling it, after all. As balance, Wellman's a bit disturbed by Wolfe's tactics at times, particularly when Wolfe decides to have Archie go to work on extracting information from the female clerical staff of Dykes' law firm. Fritz nobly offers to help with the ladies, since there are so many. :)
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This is an excellent book. Equally enlighting to Muslims and Non-Muslim. I recommend it.
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This is the seventh entry in the Wolfe series, and it is an entertaining one. Wolfe is in his usual beer-drinking, orchid-loving form, using that brilliant mind of his to sort out any difficulty. In this book, we begin to see a little more depth in two of the recurring minor characters in Wolfe's employ: First, Fred Durkin, the lumbering, bumbling guy who is not too bright, but is always there when Wolfe needs him. Second, Saul Panzer, who is probably just as good a detective as Archie (well, almost), but is completely no-nonsense. (And Archie thinks he's better looking than Saul.)
I'd give the book 4.5 stars if I could. The only problem is Wolfe says a few words and lines that really aren't in character for him. This would only distract readers who have read a lot of the books. Since this book is still fairly early in the series, Stout can be forgiven. 'Over My Dead Body' is definitely a Wolfe book not to be missed.
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I want to praise the publisher for mixing two well-known names (William J Mann and Micheal Thomas Ford) with two names I am not familiar with (Sean Wolfe and Jeff Mann). The diversity of the stories and writing styles are fresh and keep the reader engaged. Much better than reading a long book with one style from one author.
The two Manns (William J and Jeff) have a similar style. Both of those stories, though decent, are my least favorite. They seem to try to be more than what they are. A little superficial for my taste, but not badly written.
I like Sean Wolfe's story very much. It doesn't take itself too seriously, and is comfortable being a short entertainment piece. It doesn't try to be more than what it is. I was entertained and appreciate the "humanness" that the story brings to erotic vampirism. It is both erotic and interesting. Though I haven't heard of Wolfe before, I'm sure we'll hear more from him in the future.
It is Ford, though, who is the star of this book, and a good reason for naming him as the main author. Most of us are familiar with his non-fiction material, which has won several Lambda Literary awards. His fiction writing here is no less brilliant. Ford's talent for putting the reader in the middle of the story and for character description are perfect. I love his story, and look forward to more fiction from Ford in the future.
If you're a fan of vampire fiction at all, you'd be crazy not to get this book. The variety of stories and writing style is fresh and refreshing. The writing is good. It is both erotic and frighteningly engaging. A must have for serious fans of horror, and especially vampire fiction!
"His Hunger" by William J. Mann. Thirty years ago in Cravensport, Maine murders and disappearances occurred with no explanation. Jeremy thinks the story will make a good human-interest piece, but he also has a personal stake in the story as one of the vanished was his father. However, he is in peril after visiting Bartholomew, a vampire who plans to enslave Jeremy and convert the writer's lover.
"Sting" by Michael Thomas Forge. Following the suicide of his lover, Ben becomes head librarian in Downing, Arkansas. He sees customer Titus put his hands into beehives. When the two men become lovers, Titus explains that he is a vampire and the bee venom prevents his blood craving. Titus feels strongly about stopping his kind who kills innocent children.
"Brandon's Bite" by Sean Wolfe. His father was a vampire while his mother was mortal. His father taught him how to survive as a vampire. As an adult Brandon discovered he was gay so his father disowned him. Brandon can choose any victim he wants but fears love because he believes he cannot control his urge for blood.
"Devoured" by Jeff Marin. Three centuries ago two Scottish lords shared a secret passion for one another. When they were caught, Angus was killed but Derek was changed into a vampire. He avenged his friend's death before immigrating to West Virginia. Now an affluent businessman, he finally has a chance to love again but must first take care of Matthew's homophobic enemies.
Harriet Klausner
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I recommend you get this book from the library before you spend the cash at a store.
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Rex Stout was in the midst of an unusually interesting life (including being a child math prodigy and serving on President Theodore Roosevelt's yacht) when he created one of the great detective series of all time, introducing Nero Wolfe for the first of 72 adventures in Fer-de-Lance. The brilliance of Stout's creation lies in the blending of Wolfe--an eccentric, elephantine, misanthropic, misogynistic, beer guzzling, gourmand--and his footman, Archie Goodwin--a classic, wise cracking, hard boiled dick. The combination, sort of like teaming Mycroft Holmes and Sam Spade, allowed him to use the best elements of both the British drawing room mystery and the American private eye novel. The result has enchanted readers for almost 70 years. Fans include everyone from Oliver Wendell Holmes to PG Wodehouse, James M. Cain to Kingsley Amis.
Nero Wolfe, logging in around 280 lbs and quaffing 6 quarts of beer a day, rarely leaves his 35th Street brownstone in Manhattan, preferring to tend his orchids and worry over the exquisite meals prepared by his butler/chef Fritz. To support his high living, Wolfe takes on investigations in a very unofficial capacity, relying on Goodwin to do the physical work and periodically summoning the principals in a case to his home for an exhibition of his deductive genius. His arrogant manner is nicely captured in the following admonition to a sporting goods salesman who has condescendingly demonstrated the proper use of golf clubs:
You know, Mr. Townsend, it is our good fortune that the exigencies of birth and training furnish all of us with opportunities for snobbery. My ignorance of this special nomenclature provided yours; your innocence of the elementary processes provides mine.
Meanwhile, Archie narrates the stories in the familiar sardonic banter of the great noir novels:
When I consider the different kinds I've seen it seems silly to say it, but somehow to me all lawyers look alike. It's a sort of mixture of a scared look and a satisfied look, as if they were crossing a traffic-filled street where they expect to get run over any minute but they know exactly what kind of paper to hand the driver if they get killed and they've got one right in their pocket.
This sets up an amusing dramatic tension between the two, as when Nero tells Archie:
Sit down. I would prefer to have you here, idle and useless...As I have remarked before, to have you with me like this is always refreshing because it constantly reminds me how distressing it would be to have someone present--a wife, for instance--whom I could not dismiss at will.
Lest it seem that Wolfe is to much of an egomaniac to be tolerated, Archie makes it clear that he stays around just for the sheer joy of watching the elephantine savant in action and Wolfe himself acknowledges that much of his facade is mere pretense when a District Attorney commands his presence in Westchester, he tells Archie to refuse, saying "I understand the technique of eccentricity; it would be futile for a man to labor at establishing a reputation for oddity if he were ready at the slightest provocation to revert to normal action." And Wolfe sometimes lets slip his admiration for Archie, telling a witness in the case, "Mr. Goodwin is a man of discretion, common decency and immeasurable valor."
It has long been a theory of mine that if you create characters of sufficient interest to enrapture your audience, you can get away with not always cranking out a top flight story, we'll show up just to spend some time with familiar friends (this carried Magnum PI and Cheers through some mighty lean episodes & even whole seasons). Nero and Archie are always worth a visit, never more so than in this their inaugural case.
GRADE: A