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Fragments of poetry written by Sappho still exist, but most are damaged or illegible. Hence, here as in other previous works of the poetry of Sappho, the reader is left with only fragments of what clearly must have been delicate and breathtakingly beautiful poetry. As Ms. Carson says in her introduction to her translations, the reader is left with a profound sense of wonder when confronted with the small snippets of Sappho's poetry. For example, all that survives of poem 36 is "I long and seek after". What, we wonder, does the rest of the poem pertain to? What flowing scenes did she paint with her words that we can never know?
I personally am not a Classicist, though I HAVE read through many of the surviving texts of the ancient worlds: Beowulf & The Odyssey, for example, and occasionally I'll attack some texts in Latin and have a go at the translation. However, for the most part, I am not a scholar of ancient times or texts. I'm here to say that one does NOT, even for a second, need to know much about ancient Greek culture, text or times to thoroughly enjoy these translations. Granted, you will find that most poems are little more than bits of a whole (sometimes only a word or two survives), but even these small pieces will cause your imagination to soar.
Ms. Carson has also boldly gone where no translator has gone before (to my knowledge). In previous translations of Sappho's poetry that I've read, the pages are crammed tight with the fragments themselves, explanations and footnotes. In Ms. Carson's book, each page is dedicated to one fragment of Sappho's poetry, regardless of it's length. In this respect, a poem that is only three words long has an entire page dedicated to itself. This is a wonderful touch, as it means that the reader's entire attention can be focused only on that poem, no matter how small, without the distraction of commentary by the author (Ms. Carson puts an extensive appendix at the back where she adds her thoughts and comments on the fragment's origin, word meaning and characters). Opposite the English translations are the original fragments in their original Greek characters. I myself cannot read Greek, but I found it a beautiful and thought-provoking touch to be able to look at what Sappho wrote in her own language. Though I'm not able to read Greek, it made the text more alive to have it there for me to look at and examine.
In conclusion, anyone who enjoys ancient Greek culture, ancient history or simply enjoys reading poetry should not hesitate to add this book to their collection. I'd personally go so far as to say that if you've got a different volume of Sappho's poetry, make some shelf space to add THIS book as well. For the clean, uncluttered page and lyrical, moving translation, I highly recommend this work and highly compliment Ms. Carson on her work.
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By Anne Connelly & Maureen Winter Publisher: Target Funding Group, Inc. 218 pages, $$$
Special events are often staff and volunteer labor intensive. Details and multiple niceties can make the difference between a good event and a great event. Special events can be overwhelming to an organization and can become the focus of its development if staff members are not careful. However, they can be great friend makers and publicity opportunities and if done right they can even raise money.
Auctions are a popular event. They can also present some of the highest demands in staff and volunteer time. This book is a handbook designed to help staff and volunteers get a handle on the planning and execution of the numerous details involved in an auction. It is full of structural ideas of committees and lists of responsibilities. However, it pushes heavily to hire a consultant and to purchase the computer software that happens to be designed and sold by the publisher.
In spite of its sale pitch, this book could be valuable to anyone who runs special events. It examines not just auctions, but it could be used to plan other events such as benefit dinners, concerts, raffles, and seeking sponsors. It has nearly 70 lists, samples and schedules. It has ideas on themes and how they could be used in multiple events. It takes you step by step from the planning stages to the appreciation at the end of an event.
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Molly leaves the hospital to return to Winter's Edge, the only home she has ever know. Yet suddenly, she is a stranger there. She does not recall her husband, nor the various people in their lives, and she especially does not to know the woman everyone says she is. She does not like the clothes she wears, does not like the bedroom she supposedly decorated, and she cannot believe she behaved as everyone said she did. She knows Patrick, her husband hates her, but not why. And she does not know who is trying to kill her.
Stuart delivers as she always does, just wishes this one had a little more room to deliver fully.
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Patrick O'Shea thinks he's found the perfect job. But it turns out, his past and a dangerous old friend have found him in Northern Ireland.
In Southport, England, Ken O'Shea steps off a train to begin new mission work. He faces a brand new set of challenges far more difficult than he left in Scotland.
Ruth O'Shea boards a plane in America, determined to face her brother and confront him about her abusive past at his hands. Her meeting with Gerald comes as quite a shock to her family and the whirlwind circumstances even surprise her.
As Patrick fights a hopeless battle with extremists, Ken attempts to teach a willing family about the church. Ruth begins her path to England, in a last-ditch effort to begin her own healing.
The events that bring the O'Sheas back together involve deceit, courage, disaster...and even death.
Chamomile Winter is Anne Bradshaw's follow-up sequel to Terracotta Summer. Catching up with the O'Shea family is like following the lives and adventures of your closest friends.
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