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By all means, pick up 'Cut My Hair'. You won't be disappointed. Jamie is a rare talent. Bravo.
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And indeed it was.
As described in the back cover blurb, Frumpy is not your typical clown. He isn't jolly. He isn't ... clownish. Instead, he is a cynical, chain-smoking, vegetarian (though, this seems to waver), animal-loving, motorcycle-riding clown. And, don't forget, a favorite of every child he encounters. "Sure, of course they like him. He's a clown," you might say. But that isn't it. Kids love Frumpy because Frumpy remembers that they are people, perhaps a bit on the short side, but people nonetheless.
There are plenty of antics in this comic, both on the part of Frumpy and on the part of the children, but there are also great human moments to remind you that not only is Frumpy not your typical clown, this isn't your standard rambunctious kids comic.
(Not to say there isn't plenty of rambunctious kid action. I promise you, there is.)
A great read, though you might want to be careful about giving this to a precocious child, as there are entirely too many pranks in the comic, which might plant seeds of ideas. =)
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Although it's in black-and-white, and the renderings are relatively simple and cartoonish, 'Barry Ween' still ranks as one of my all-time fave reads. In this instance, the quality or detail of the artwork is not necessarily the most important part of the comic book. Writer-artist Judd Winick seems to have had the time of his life crafting the strange adventures and hilarious predicaments of a conceited, foul-mouthed ten-year-old with an IQ of 350. From closing an interdimensional rift in the basement, to rescuing classmates from terrorists in an art museum, to changing his best friend into a dinosaur & back to a human, ol' Bar' never seems to catch a break...
If you're into 'South Park' at all, you'll likely be entertained by 'Barry Ween: Boy Genius' as well. Both have the crude, obscenity-laden humor that takes no prisoners. I found myself laughing aloud at several of the more wretched moments contained within the confines of this tome. Which might have explained why that comic shop guy yelled at me to buy the book or get the hell out of the store...
'Late
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First, Barry finds that the unusually large ape in the local zoo is not entirely what he seems. In the process of finding out exactly what's going on, Jeremy once again commits Barry to a course of action he otherwise would not have followed. But then, that's what Jeremy's there for, right? Once that crisis is averted, Barry must save his family from the terrors of the woods. (Haven't you always wanted to know the truth behind bigfoot?) And if that isn't enough, there's a school dance in Barry's future, and something about an ebola-infected monkey.
As with the rest of the Barry Ween series, this volume has all the craziness surrounding a foul- mouthed, world-dominating, charmingly insecure, arrogant, 10 year old genius and continues to hold on to those solid bits of humanity and sympathy that make Barry such a loveable character.
Barry's third TPB outing features our titular ten-year-old genius and his slightly-thick sidekick Jeremy getting into all sorts of simian shenanigans. From helping a giant extradimensional gorilla get back home, to saving the 'rents from a famished sasquatch, to racing against the clock to capture an ebola-infected lab monkey that crashes the school dance, Bar' and Jer' produce plenty of laughs with their profane banter and the bizarre predicaments they get into. Also included to help lighten the tone are scads of movie references, sex-ed jokes, the funniest take on the 'tastes like chicken' cliché I've ever experienced, and other things you shouldn't laugh at, but do anyway!
Fair warning, though- be sure read this in the privacy of your own home. There's nothing worse than getting your hysterical laugh-on at the local comic-book shop and having the other geeks stare at you like you're some kinda weirdo (Now THERE'S a case of the pot callin' the kettle black if I ever saw one)! Trust me on this, I'm speaking from experience! (=)
'Late
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Judd Winick was on MTV's "The Real World" and a good friend of Pedro Zamora, who later died of AIDS complications. Winick took up the lecture circuit regarding AIDS as he'd agreed to do for Zamora, and later did a book about the friendship called PEDRO AND ME. While on the show, Winick also launched a weekly comic strip, NUTS & BOLTS, and a later spin-off, FRUMPY THE CLOWN. He did ROAD TRIP, an Eisner nomination, and THE ADVENTURES OF BARRY WEEN, BOY GENIUS. Working with DC Comics, he has been writing the GREEN LANTERN monthly title, a ten-issue backup in Detective Comics, JOSIE MAC, and has upcoming projects for Vertigo and a Green Lantern/Green Arrow crossover. Mike McKone has worked on several X-Men titles, VEXT with Keith Giffen, SUPERMAN, MAGNUS ROBOT FIGHTER, HULK, PUNISHER, THOR, SPIDER-MAN, JUSTICE LEAGUE, and many others.
EXILES gathers the first four issues of the monthly comic series into a graphic novel that stands well on its own. The story is familiar to many fans of comics and science fiction, and it's interesting to see the different way worlds and characters could have gone. Winick's handling of Morph, the team funnyman and pratfall king, stays just this side of going over the top. The two worlds revealed in the graphic novel are interesting. Featuring Charles Xavier, the founder of the X-Men, was a given, and the rewriting of the Dark Phoenix saga wasn't too surprising. Where the book really succeeds, though, is in Mike McKone's art, especially with long-time pal and partner Mark McKenna laying in the inks with Cannon and Jimmy Palmiotti. The panels explode off the page in color, vibrancy, and immediacy. Another nice touch is that no one in this series appears to be safe. One of the main characters is killed halfway through the graphic novel, only to be replaced almost instantly with another twisted version of someone near and dear to the X-universe. The potential of the series is great and can bring about the same sense of wonder that powered the WHAT IF series.
Given the overall framework of the comic series, these first two stories lack a little. They're not overly original and despite the premise, there isn't enough real tension or development of character. Of course, Winick is trying to introduce his characters and the concept at the same time, and even kills off one of the major players. There is also a tad bit of long-windedness from time to time that covers over the beautiful artwork.
Regular readers of Marvel's X-books will definitely want to take a look at this spin on their characters and their worlds, and Mike McKone's artwork is absolutely worth collecting for any comics fan.
For long-time fans of the X-Men this book is a no-brainer. The plot is a mix of Avengers Forever and Quantum Leap. X-Men are plucked from different realities and times and brought together to "fix" different realities that used to only happen in What If? comics. None of the heroes know who has chosen them. They are only guided by a mysterious entity called the Tallus.
The cast list is a fun diverse group of X-Men. Blink, from the Ages of Apocalypse storyline a few years back leads the team. Mimic is very different from the one in the normal Marvel U. Morph is definitely the comic relief probably in his best written appearance since the old cartoon. The daughter of Nightcrawler and the Scarlet Witch, Nocturne, is probably my favorite character. There are many more characters, but telling you all about them will ruin half the fun of discovering them on your own.
If you are a newcomer, don't worry. There is not a lot of back continuity to be concerned about since all of the worlds and characters do not follow normal Marvel continuity. It's kind of fun to see even the characters having a hard time dealing with that.
Overall, I would say buy this book. You will be happy you did.
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The book centers around former Jordan sidekick/Green Lantern wannabe/offensive racial stereotype Tom "Pieface" Kalmaku. (Can you believe there was actually a time when it was OK to call an Eskimo "Pieface"? Jeez!) He is wallowing in self-pity over the loss of his friend Hal; He's a destitute alcoholic, he's just lost his job, his Wife, his Kids......and now, out of nowhere, he's handed a child that is allegedly Jordan's, and a note from Hal reading "Tom- Fix it. Hal" Who is this kid? What does the note mean? What can one man do in a world of super-powered God-like beings? Tom is about to find out....
The art is nice, the book is attractively designed, and the reappearance of my favorite ever Green Lantern (I won't spoil the surprise, poozer!) is much appreciated and very unexpected. Writer Joe Kelly even manages to end the book on a note of triumph, with a hint of a bright future for The Corps. My only problem is that if I weren't aware of the twisty Green Lantern continuity, I'd have been lost. The book just doesn't seem new-reader friendly. Who is The Spectre, and what does he have to do with Hal Jordan? Who is the big yellow guy that blew up Coast City? What did Hal hope to accomplish by killing off The Corps. and The Guardians? I knew the answers to these quetions, but a new reader wouldn't.
Longtime fans should be satisfied, though.
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Judd Winick is a cartoonist, so the story is told in a comic book format. Though a bit too sentimental at times, and certainly a tear-jerker, Pedro and Me seems to be a sincere and realistic depiction of Judd Winick and Pedro Zamora's lives, their experiences with instant celebrity, and the ways in which HIV and AIDS affect peoples lives. In addition to some behind the scenes information about the filming of The Real World, you also get background information about Pedro and Judd's childhoods as well as an update of what has happened since. If you were a fan of Real World 3, San Fancisco, I wholeheartedly recommend Pedro and Me.
Pedro and Me is the story of their extraordinary friendship, told in Comic-Book form. Winick starts by giving us a brief background on himself, and then we learn about the amazing childhood of Pedro....I won't spoil anything; I'll just say that some of the facts we learn are incredibly interesting. Winick covers the Real World pretty well, thankfully not giving the loathsome "Puck" any attention at all, and moves forward to Pedro's death and beyond, letting us see how this courageous young man changed so many lives.
This is truly an amazing book, and hopefully it will reach an audience that generally doesn't read comics. Pedro seemed like a truly good person, and the world is a poorer place for his passing.
The book recounts the days before, during, and after the tulmultous months spent living in the crazy house "Real World" house in San Franscisco. We learn a little bit about Judd growing up, and how he came to be a "bleeding heart liberal". But here is the first suprise! Coming to learn that he might be living with a gay man with AIDS, Judd is forced to confront not only his own fears about the disease, but his own prejudices about everything. That I believe is the complete brilliance of his story. He shows us his own growth, not in a preachy, "you-need-to-do-this" way, but in an honest "this-is-what-happened-to-me" way. It is through his honest struggles that we as readers are carried through with him.
But lets not forget Pedro in this as the engine that powers the story. We see a deeper Pedro not shown in the show, a sicker Pedro, a frail Pedro that is truly struggling on a daily basis with his health. We see a human Pedro, instead of his role on the show, "gay man with AIDS". The respect and love Judd has for Pedro comes across beautifully in the book, and we love both of them all the more.
Don't worry, you need not have seen the Real World San Francisco shows to be impacted by this book. Judd draws us a portrait of his own Real World, with the hopes and the joys and the pain for all of us to share and see. And we leave his book "Pedro and Me" truly transformed about how we see and act in our own Real Worlds.
Thanks, Judd. And thank you Pedro.
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After reading and laughing like a mental patient at all of the other Barry Ween offerings that writer/artist Judd Winick & Oni Press has thrown out to the public, I was pretty stoked to get my hands on the latest TPB of the boy genius' further adventures. This time 'round, Winick does things a bit differently with this titular anti-hero. The art is still relatively crude and reminiscent of comic-strip cartoon illustrations, but the dialogue is just as mean-spirited & profane as ever! This time 'round the reader is treated a single story arc, rather than three stand-alone issues. From Barry's kindergarten memories of his first hook-up with his best bud Jeremy to a somewhat-accidental trip through space and time to a Conanesque realm to rescue an 'old' friend and back again, there's plenty of laughs to go 'round, although not quite as many as in the previous 'Monkey Tales' tome.
I found the first act to be the funniest as Barry flashes back to his toddler days and introduces his new-found playmate Jeremy to the joys of mags, virtual-reality circuses, cursing Tickle-Me-Elmo dolls, and turning the babysitter into a giant mutant ape. Then the story segues back to the present, where things get a bit more serious and dire-well, more so than the usual Barry Ween story-arc, anyway. Although the funny moments thin out significantly after the kindergarten adventure, there're several moments filled with enough good, clean (ahem) fun to keep you from taking things too seriously. Throw in a surprisingly touching epilogue, and-- well, you're just gonna hafta experience it for yourself...
Although I don't consider 'Gorilla Warfare' to be the best entry in the Barry Ween series, it's still a pretty good read if you're lookin' for a little dollop o' obscenity-laden humor to help you get your yuks!
I've bought several copies of this book; the first lost when it was loaned to a friend, one to replace it, and two to give away -- one as a gift, one to be loaned. I won't lose another copy again.