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This book has everything: time travel, bioterrorism and interesting thoughts about our environment and the way it is slowly being destroyed. It will make you think and in light of September 11, it is relevant for the times. The writing in this is literate and top-notch and the story so interesting you will find yourself unable to put it down.
All in all, a great novel that is beautifully written, thought-provoking, and good to the last page. Excellent!

True horror lives in the human mind. True horror lies in the discovery that a good friend is a monster, or in the realization that a wonderful dream is about to be shattered. True horror waits in the pages of "Second Chance."
Williamson has created a group of very believable, very real characters, and it's very easy to get swept up in the events which soon surround them and the choices they eventually must make. Give it a read. I guarantee, the story will stay with you for a long time to come.


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If things get too bad, they all have emergency keys that will release the steel plates closing off doors and windows. But very soon, their numbers are lowered. Those left struggle to survive until two men stationed outside the house open the doors. If only they weren't the only ones making plans.
Soulstorm is a quick read, a real page-turner, with believable characters. Readers who like this book might also enjoy Williamson's Ash Wednesday. Both may be out of print, but they are worth finding.


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Clearly, this book owes its existence to the success of The X-Files (as does Charles Grant's Black Oak series). But that's just a marketing issue. The important question becomes: can an author like Chet Williamson take advantage of X-Files' popularity, producing a story that slakes the public's thirst for similar stories while still creating something new and distinctive? In this case, the answer is a resounding yes.
Certainly, the nature of the mystery the characters find themselves exploring heads into areas network television would hesitate before entering. No matter how edgy X-Files gets, I can't see them even suggesting the possibility that the mysterious prisoner in this book might be who the book suggests he might be. (How's that for not giving anything away?) And the characters are a lot more violent and ruthless than one would expect to find on TV. These characters are charming and likeable, and it always comes as a shock when the reader is reminded that they are professionals, and part of the job means killing.
It's also a good, exciting adventure story. After the first couple of chapters introducing the background stuff, things proceed at a fairly leisurely pace as we meet the characters and follow them on their first mission together. Once everything is in place, though, the book takes off like a rocket and only slows down for a page or two at a time. Williamson brings in a number of different mysteries and paranormal ideas, but manages to integrate them smoothly into one story without things seeming overly cluttered or tied together artificially. Along the way, the book manages to get the reader thinking about proof versus faith in religion.
All in all, City of Iron is a fun, fast-paced start to what I hope will be an exciting trilogy. I just wish I didn't have so many other books to read before I buy the next part. (I hate having a backlog build up.) Speaking of which, I should probably mention that the story doesn't so much end as reaches a stopping point. I expected as much; the cover clearly says that this is book one, so I assumed there would be stuff left over for future volumes. I like that sort of serial storytelling. However, if you're the sort of reader who insists that everything be wrapped up by the final page, with no loose ends, you're going to be disappointed or upset.


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The main problem with a murder mystery in a magic rich world like the Forgotten Realms is that magic opens up too many possibilities. A temporary clone spell could create the perfect alibi for any criminal. Victims can be resurrected. Culprits can teleport from practically anywhere and to practically anywhere.
Of course, the presence of magic, or technology, does not on its own exclude a murder mystery. Isaac Asimov did it in his one of his Spacer novel "The Robots of Dawn". The Realms Anthologies have some good short stories which could be termed as murder mysteries.
As Agatha Christie's Poirot once commented, a study in crime is a study of characters. An entertaining murder mystery is not marred by technology or magic making the impossible possible, but by interaction of characters.
Chet Williamson appeared to be aware of this formula. However, he fumbled rather badly in his delivery.
The narrator was one Jasper of Ghars, a slop-boy of halfling-human ancestry, apprenticed to retired Cormyrean war-wizard Benelaius after a failed attempt to raid the latter's home.
The scene was Ghars, a hardly noticable village on the Cormyrean side of the border with Sembia, soon to host the annual meeting of Grand Council of Cormyr's Merchants' Guild.
Somewhere in the story was a legendary headless ghost of a brigand leader who was supposed to guard his hidden loot in inhospitable marshlands.
It began with the discovery of the murder of an impersonator of the ghost. Then Grodoveth, King Azoun's envoy-at-large within the kingdom, was found dead.
Chet Williamson painted a colourful picture of a normally idyllic village beset by misfortunes on the eve of trying to make a name for itself hosting a merchants' conference. The characters involved were diverse from money-grubbing barkeepers to lovely daughter of the local tycoon.
Jasper found himself assisting his portly master in the investigation. Theirs was a contrast of methods, Jasper trying to emulate a fictional detective who employed deductive reasoning and logic to solve his crimes, and Benelaius apparently just sitting back and unhurriedly gathering his information mostly through others. Mystery fans should recognise the caricature of Sherlock Holmes and Hercule Poirot, or rather more aptly, Arthur Hastings and Hercule Poirot.
Unfortunately, though Chet Williamson gave a lot of attention on character interaction, he failed to negate the possibilities played by magic. There were clues around to be sure, but they were not significantly crucial enough, and were open to alternative explanations.
Fortunately for Chet, his endings did tied up these loose ends, though leaving mystery fans not quite satisfied.



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I hadn't seen much from Mr. Williamson in recent years, but I remember his Ash Wednesday as one of the more literate and emotionally powerful horror novels of the past couple decades. It's good to see him back in top form.
There's no question that these are inspired by the X-Files, but they bring a literacy, craft, and intelligence to paranormal fiction that we see too rarely. Now that the final volume is out, buy them all and read them all together.