Vincent Henry has written a book that is a valuable contribution to the understanding of Compstat.

Compstat was a 1996 winner of the Innovation in Government and has been listed as one of the major contributing factors to the "turn around" of police productivity in the New York Police Department in the mid-1990s.

Compstat has been the subject of several rumors, half truths and outright distortions. In a book whose audience is primarily college level students of policing and police management, Henry methodically explains the organizational context in which Compstat developed, actual implementation tactics and strategies used and assesses the future utility of the Compstat process in a variety of private and public settings.

Henry clearly establishes that Compstat is more than a "dog and pony show" or a staff meeting supplemented with computer graphics and statistical analysis. Rather it is one of several tools necessary to produce effective results in modern policing, " Compstat must be seen as one facet of a comprehensive and carefully orchestrated array of management strategies and practices".

This book is handicapped to an extent by the several audiences it serves simultaneously. First, nine of the ten chapters close with "Questions for Debate and Discussion", which serves the academic audience well but is bothersome to the general readers. Second, the use of sidebars tends to dilute the impact of the author's primary discussion at several points. However, the tenth chapter "The Compstat Paradigm: Summary of Basic Principles and Precepts" is one of the best short summaries of Compstat to be found anywhere in print. Those seven pages make the cost of the book worth very cent.

The New York City Police Department has achieved great reductions in crime through the Compstat process. Major crimes have declined 66%, and homicides are down 77% since 1993. These statistics translate into thousands of lives saved and significantly improved quality of life for all the people of New York. Those who argue that factors other than the police were responsible for this decline ignore the significant institutional changes in the NYPD and its method of policing.

It was not simply hiring thousands of cops and putting them on the street, it was a matter of changing the way those cops worked. This involved not only technological change, such as the use of computer pin mapping, but also managerial and cultural change within the NYPD. The result was a more analytical and focused NYPD, a more responsive and flexible department, better able to serve the people of New York. Compstat was driving force behind those changes.

Vincent Henry is a friend and coworker of mine for ten years, since I was a student in his class at CW Post College. While he has academic credentials, he also has the experience and perspective of a street cop. He was well placed to observe significant developments in the NYPD and its strategies over the years. He has an in-depth knowledge of the history of the agency and the personalities involved in the development of Compstat. This background provides insight into the subtleties and nuances of Compstat (and the NYPD as a whole) that an outsider may miss. The Compstat Paradigm is not only a description of the development of Compstat, but also a history of the NYPD over the last two decades. This historical context increases understanding of the political and personal forces that influenced the development of Compstat.

I have attended dozens of Compstat sessions as both an observer and a participant. I have read other books on Compstat, including NYPD Battles Crime by Eli Silverman and Managing Police Operations: Implementing the NYPD Crime Control Model Using Compstat by Phyllis Parshall McDonald. The Compstat Paradigm is the most comprehensive and thorough description of Compstat available, and provides the best overview of what the Compstat process is, how it developed, and how it works in the New York City Police Department.

The Naxos production of Great Historical Shakespeare Recordings offers the listener a unique and superbly presented compilation of some of the greatest recordings of Shakespearean material dating from the very beginnings of the recording era. Here you will find Shakespeare being recited by such legends of the stage as Henry Irving, Ellen Terry, Herbert Beerbohm Tree, John Barrymore, John Gielgud, Sybil Thorndike, Hugh Cassohn, Laurence Olivier, and many more. Also included are performances by such unlikely but gifted Shakespearean performers as Charles Laughton, Edith Evans, Laurel and Hardy, Bransby Williams, Dylan Thomas, Sarah Bernhardt, and others. In addition to Shakespeare enthusiasts and scholars, Great Historical Shakespeare Recordings is highly recommended to students and the non-specialist general listener who would enjoy sampling the variety of impressive performances over the past several decades.

Of especial interest to students of the theatre and certainly to actors is a Naxos collection of (NA 220012) on two CDs or tapes.

The first one gives us the voices of such Shakespearean luminaries as Herbert Beerbohm Tree, Arthur Bourchier, Lewis Waller, Frank Benson, Johnston Forbes Robertson, John Gielgud, Sybil Thorndike, Lewis Casson, John Barrymore, Laurence Olivier, Henry Irving, Edwin Booth, and Ellen Terry. The last three are preserved on cylinders and the Booth one is scarcely audible. All of these readings are in the grand style, and it is instructive to compare the "Once more unto the breach" of Waller and Benson with that of Olivier. Terry's youthful delivery belies her age, but too many of the readers came to the recording session far past their prime. Still, this is living history and utterly fascinating as such.

The "Miscellany" is a mixed bag indeed. We have pairs of actors such as Noel Coward and Gertrude Lawrence in "Private Lives," Fred Terry and Julia Neilson in a poorly chosen scene from "The Scarlet Pimpernel," John Gielgud and Edith Evans in the marvelous handbag scene from "The Importance of Being Earnest," and even Laurel and Hardy recording in London. (Strange bedfellows indeed.)

Solo "turns" are performed by Tree as Svengali, Bransby Williams imitating Irving in "The Bells" and several (then) notable theatre personalities in his monologue "The Stage Doorkeeper," Henry Ainley reading "The Charge of the Light Brigade," and Charles Laughton reading (of all things) The Gettysburg Address (from the film "Ruggles of Red Gap").

The last foreign-language selections will not be of great interest to many listeners and of immense interest to students of European acting styles. We have Sarah Bernhardt reading "Phedre," Jean Mournet-Sully as Oedipus (in French), Constant Coquelin, the original Cyrano, racing through the Ballade of the Duel, Feodor Chaliapin reading a poem in a language I cannot identify, and Alexander Moissi doing excellent readings from "Faust" and the "Erlkoenig."

The notes are brief but informative and were written by David Timson, whose "History of Theatre" is also available on Naxos and reviewed on its appropriate web site.

William Shapkespeare's Henry V receives a gratifying full-cast narration and production which brings to life the underlying ironies and contrasts inherent in Shakespeare's play. The complete text here has been fully dramatized from the New Cambridge Shakespeare text and is truly outstanding.

William Henry Harrison, second book in the Young Patriots Series, doesn't disappoint, but makes an excellent read, and both entertains and educates. The illustratins are simply wonderful and truly enhance the story. Geared to the 8 to 12 year old, it's a must on every family bookshelf!

William Henry Harrison holds the distinction of being the United States President who delivered the longest inaugural address and served the shortest time (30 days) before he also became the first president to die in office. William Henry Harrison: Young Tippecanoe is a superb biography for young readers ages 8 to 12, written by the late Howard Peckham, and originally published in 1951. Featuring the childhood adventures of our ninth president (including the thrilling rescue of his sister from drowning when he was only seven, and the courageous capture of a British soldier just one year later when he was eight, William Henry Harrison is a welcome, very highly recommended addition to school and community biography collections for children and part of the Patria Press newly designed "Young Patriots" series.

JB Priestly wrote a book about time ('Man and Time') and in it he referred to a WH Hudson novel called 'A Crystal Age'. His couple of paragraphs about 'A Crystal Age' stimulated my interest but nowhere could I find the novel he referred to. However, I did find 'Green Mansions' and I have read it several times. It is a beautiful novel with an undertone of darkness (is death the darkness that we all live with during the beauty of life?). Perhaps 'Green Mansions' disappointed me a little after triggering my romantic nerve. I did, however, keep exploring the writings of WH Hudson - 'Long Ago and Far Away', 'The Purple Land', 'Idle Days in Patagonia' and the wonderful 'A Shepherd's Life'.

I have just finished reading 'A Crystal Age' at last. I concur with JB Priestley's assessment. 'A Crystal Age' is worth the effort of pursuing - it is a surprising first-person utopian novel in which Hudson's love of nature does not render him oblivious to the fact that there are downsides in all worlds - all imaginable worlds. Just like the dark shadows in 'Green Mansions'. The end of 'A Crystal Age' is so surprising - I believe very few readers would see what is coming - I certainly didn't as I rushed on towards it. There is a certain illogic to the ending, but there is also something that haunts me continuously.

'A Crystal Age' is a stronger less romantic novel than 'Green Mansions', but it is also exceptional for many reasons. I don't hesitate in recommending 'Green Mansions' but I also urge readers to pursue 'A Crystal Age'.

Let me just tell you this book kept 8th graders loving literature like no other literature could. There is violence, love, jealousy, family, struggle... in practically every story. Lots of great nonfiction, too. A wonderful wonderful item for read aloud even.

I became a Christian in 1978. Though not a Catholic one of the first books I read after my conversion was Merton's Seeds of Contemplation. I don't claim to have understood it all at that time. As a new Christian I was just trying to learn. I didn't even have the slightest idea who Thomas Merton was, I just found the book in the community college library and started reading. In the intervening years I have gone through many changes and have read many Christian authors. I have come to the point where I am not so concerned with the denomination of the writer or whether or not he or she shares my particular background. What has become important to me is that if I can detect true reverence and submission to God in the writer's words then I will read and benefit. Though I am Protestant and, theologically speaking, Reformed in my thinking, I love Thomas Merton with all my heart.

A few months ago I listened to his autobiography The Seven Story Mountain on tapes. Before that I listened to The New Seeds of Contemplation. Merton stirred up things in me and gave a voice to private thoughts that, unfortunately, can hardly be expressed even in most churches. When I ran across this new book, The Inner Experience, I bought it immediately. I finished it in a couple of weeks, savoring it slowly. Merton is not bound by any lables, denominational or otherwise, yet he remains Christian. This does not make him an enemy of the non-Christian and he never comes off that way. He is wide ranging, yet Christian. In this new work Merton is like someone who pulls you to the side and fills you in on all the details that are really important but were left out of what we've been told is really important. He never hides weakness, never claims to have the definitive answer. He let's you know he's acting as more of a guide, as someone who is clearing mental debris so that you can get a better picture of not so much what he is telling you but what you can become by following God yourself if confusion is lessened. I found myself constantly underlining passages and putting the book down just to let cetain words sink into my thoughts. When I finished the book I knew I would have to read it again. I felt a tinge of sadness as if I was saying goodbye to a friend, but also joy that one who has been dead for over thirty years still spoke with such quiet strength. And isn't that precisely what Scripture says about those who were truly faithful, that they being dead yet speak?

I also found William Shannon's scholarship and guidance helpful. He relates to you the circumstances surrounding the writing of this book, which was actually a rewrite of an earlier work of Merton's (What is Contemplation?) that took on a new form and thrust. Mr. Shannon used different type fonts to let the reader know when the words were part of Merton's revision. These are cataloged neatly by chapter in the back of the book. Merton speaks to our time just as poignantly, maybe even more so, than he did to his own. There are certain people who are ready, indeed who hunger, for the words in this book. You will know who you are when you read it. As Merton says on page 3...

"But if in some sense you are already a contemplative (whether you know it or not makes little difference) you will perhaps not only read the book with a kind of obscure awareness that it is meant for you, but you may even find yourself having to read the thing whether it fits in with your plans or not. In that event just read it......and pray for me, because from now on we are, in some strange way, good friends."

Though Merton is gone I do feel that in some stange way we are good friends. And I feel a little saner in a mad world.

My Father bought Up Front when it was released and I read the cartoons numerous times. Later, I read the text. This book does more to capture the human experience of war than any other of its time. It prefigures and anticipates the recent oral history books such as, "The Good War", "D-Day" and most recently, "Citizen Soldier". The last two, by the way, are well worth the read. Through Willy and Joe, Maulden protrayed the absurdity and the eternal human spirit in the everyday events that make up so much of the experience of war. The cartoons alone make this a book which even the most casual student of WWII should read. His text captures the experience on the ground, the mud and cold, the rain and heat, the boredem and fear and the workman like approach to war that made up the GI's life. Get it. Read it.

This book is, without a doubt, the greatest book on the World War II infantryman ever written. Why? Because it was written by and infantryman, for infantrymen. Sgt. Bill Mauldin claims on the first page that his business is drawing, not writing, and that his text is only there to back up the cartoons. However, the text is some of the most endearing, personal, and excellent works on WWII ever. Mauldin brings the war down from the lofty views of Generals and reporters to the personal level, to the point of giving you a basic narration of the average day in the life of an infantryman. The cartoons, naturally, are the main power behind the book, and they are, even to this day, still hilarious. Hilarious, but at the same time showing you the gripes and hardships of the average GI during the war. If you want to experience World War II from the GI's perspective, read this book!

I first read this book 20 years ago, as a senior in high school. My uncle, a Korean war-era Ranger, gave it to me. My Dad, a Vietnam infantryman, liked it too. Sadly, I lost that old, faded copy somewhere along the years.

Imagine my joy to find a reprint! The book means much more now that I can understand it. I've got 13 years in the Army myself, in Infantry and Special Forces. I'm a Major now, and I pay close attention to what Mauldin writes about officers. I want to be the kind of officer that he respects: always putting the welfare of my men first, respecting my men, and leading from the front. His narrative and comments are a constant reminder to me of the responsibility I hold for my soldiers.

If you are from the World War II era, you already know about Willie and Joe, and there's nothing new I can tell you. If you are an old soldier and you somehow have missed this book, then you are in for a treat. If you are a young soldier, or a prospective soldier, or the family of a soldier, then you NEED to read this book. For anyone else, it's a great window into a world that, thanks to some brave men 50 years ago, you will hopefully never have to see.

Required to read Henry for my AP English Language class, I came into the play with a bias. I honestly felt that it would be a boring political play. I was utterly wrong! A huge fan of Shakespeare, I found Henry V to be a formidable match for the Bard's more critically acclaimed plays, such as Hamlet and Macbeth. Henry has it all! Shakespeare's attitude toward Henry the King is certainly one of admiration. By communicating the fact that an effective monarch must have a complete understanding of the common subjects (Pistol and Bardolph and Quickly), Shakespeare sets up Henry to be the ideal Christian king. The controlled language of Henry's speeches, particularly his response to the Dauphin's idiotic insult, also glorifies Henry. I certainly recommend this play to anyone, fan of Shakespeare or not.

Written by Shakespeare for Queen Elizabeth I amidst a time of Irish rebellion, Henry V more than adequately serves its intended purpose of galvanizing nationalistic fervor. It proved itself to be an unwavering and unfaltering impetus of patriotism in Shakespeare's day, during WWII, and still today it continues to resonate and reverberate this provocatively telling tale of the most gloriously revered monarch in English history.

Henry V's stirring orations prior to the victorious battles of Harfleur("Once more unto the breach") and Agincourt("We few, we happy few, we band of brothers") astonish and inspire me every time I read them. Simply amazing. Having read Henry IV Parts I&II beforehand, I was surprised Shakespeare failed to live up to his word in the Epilogue of Part II in which he promised to "continue the story, with Sir John in it." The continuing follies of the conniving Bardolph, Nym, & Pistol and their ignominious thieving prove to be somewhat of a depricating underplot which nevertheless proves to act as a succinct metaphor for King Harry's "taking" of France.

Powerful and vibrant, the character of Henry V evokes passion and unadulterated admiration through his incredible valor & strength of conviction in a time of utter despondency. It is this conviction and passion which transcends time, and moreover, the very pages that Shakespeare's words are written upon. I find it impossible to overstate the absolute and impregnable puissance of Henry V, a play which I undoubtedly rate as the obligatory cream of the crop of Shakespeare's Histories. I recommend reading Henry IV I&II prior to Henry V as well as viewing Kenneth Branagh's masterpiece film subsequent to reading the equally moving work.

On D-Day British officers read Henry's famous words to their men as they approached the beach. When Churchill needed material for his famous "Few" speech, his thoughts turned to the pages of Henry V. From "once more into the breach" to "we happy few, we band of brothers" this play resonates with Shakespeare's paen to England's warrior king. Oh, you'll be a bit confused at the start if you haven't read Henry IV parts 1 and 2, but this is primarily the story of Henry V's victory at Agincourt. Whether the play glorifies war or just Henry you will have to decide. There is much food for thought here for the perceptive reader. But then Shakespeare is always provocative.

I thought I knew my American history reasonably well until Henry Mayer taught me how much I had missed. Garrison certainly was far more than the hot-headed crusader on the nut fringe I read about in one text after another. But this book also is more than a correction of an historial footnote; Mayer breathes life into the moral arguments about slavery before the Civil War and weaves America's history from the signing of the Constitution to the passage of the 14th Amendment into a colorful, lively tapestry. This is biography raised to its finest form.

Henry Mayer has written a definitive account of the life of William Lloyd Garrison, the great abolitionist. While I have a Master's Degree in American History, and have read extensively about 19th century America, I had not until now read anything of this power and scope about this great central figure. In many ways, the Garrison portrayed here is the epitome of an American ideal: fierce and unswerving in the constancy of his views about great and weighty matters, willing to not only stand up for his convictions, but to live them every day of his life. Mayer does a particularly good job in delinieating the early days of Garrision's life and the surprising--at least to me--roots of both his background and his passion. While we can learn a great deal not only about the conduct of an intellectual life from Garrison, we can also learn a great deal about the conduct of family life as well. Gentle, kind, loving and doting, Garrison at home stood in marked contrast to his public personna of "Garrison the Madman," as he sometimes introduced himself. We also find a cast of peripheral characters in this biography (William Herndon, Ralph Waldo Emerson, Frederick Douglass, Abraham Lincoln, Harriet Beecher Stowe, etc.) which enliven it and give it the necessary depth required for a weighty and detailed biography. Taken in all, this is a terrific biography, and one of the best books I have read in some time.

I cannot recommend it highly enough. A rich read about a great American hero for all times. Mayer obviously loves and admires Garrison, but this did not keep him from portraying this hero with his blemishes as well as strengths. The most startling thing about this great read is just how important Garrison was to America's most tumultuous time --- the abolitionist of all abolitionists, a leader who appreciated how deep religious beliefs and moral politics go together, who believed in the power of the written and spoken word, who helped perhaps as much as anyone in our history to move our nation and free it of slavery. Truly a companion biography to go with the best biographies of Lincoln --- no understanding of the Civil War can be complete without knowing about Garrison, and this is definitely the way to know about Garrison. To say it simply: no one can claim to be a Civil War buff without knowing about Garrison, and no one can know about Garrison any better way than by reading this book. Highest kudoes to Mayer!