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Tennessee Williams' ability to place passionate and visual poetry into the mouths of the commoner and gentry alike makes his work, in my opinion the finest ever produced by an American playwright. The towering and beautiful fragile characters of his plays combined with his devotion to the utter magic the physical theatre provides, allowed America through Tennessee Williams to finally place itself rightly next to Ibsen, Strinberg, Chekov and The Bard himself.
Of course "Tom" did not develop in a vacume and what Leverich provides here in this excellent biography wrapped in the guise of a psychological thriller worthy of so great an object, is a portrait of a man often crippled by acute sensitivity who saw the writing muse as a means for survival. Leverich manages to paint the man behind the myth, bring him down into a real space and time while also managing to lift him to the angels.
This is one of the greatest biographies ever written about a theatre artist- of which Williams was a supreme being. I, and many others, eagerly await volume two.
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Dr. John Lloyd Ogilvie, U.S. Senate Chaplain
-Wilma Dykeman, Tennessee State Historian
-Governor Winfield Dunn
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If you are interested in presidential history, this is the book for you. Dr. Williams has done a lot of intense research about the U.S. presidents who hail from Tennessee.
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In this collection one can find three of his most famous plays, two of which, unhappily, do not seem to be revived very often. So although it is always better to SEE a play rather than READ it, that may not be very easy.
"Orpheus Descending" deserves to be rediscovered--a highly poetic, gothic horror story of the battle between art, spirit, soul and sensuality, sexuality. Originally written for the brilliant Italian actress, Anna Magnani, it was in fact played on Broadway by the equally brilliant American, Maureen Stapleton.
"Suddenly Last Summer" was actually the basis for a very long, very self-conscious study I did for a college psych. class. Here in one of Williams most "symbol-laden" plays is his cry for an unfeeling world to accept human beings with all their faults (BECAUSE of all their faults, perhaps?) told through the disturbing memories of a woman whose family wants those memories shut up at any cost.
All three movie versions of these plays are faithful to the originals UP TO A POINT. Try to see the plays, but if that is impossible do yourself a favor: read all of Williams, including his poetry and short stories, and start with this thrilling volume of 3 of his best plays. HIGHLY RECOMMENDED.
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