This text provides a quick, concise review of the pimary topics covered on emergency medicine exams. I found it to be a good way to prepare for inservice exams and the written boards.

Mary Barton is the first novel of Elizabeth Gaskell, a female writer who left her influence upon other English writers of the 19th century, like, for instance, Charles Dickens. The book is only an average view about Manchester life in the 19th century, focusing its attentions over the extreme poverty of the working class, the first labor conflicts in the pre-dawn of the Industrial Revolution, all this connected with a tender love story between the young Mary Barton and his old time friend Jem Wilson.
In fact, the murder of the young mill owner, Mr. Henry Carson - he too an admirer of Miss Barton - is not well developed and is not the central point of the novel because the reader knows all the time who is the real murderer. So, it's not a surprise at all the ending of the trial and the revelation of the real murderer in the last chapters.
Miss Gaskell has a simple and an almost näive vision of the social problems that harassed the working class in England when the Industrial Revolution started. Even though, we must recognize that she made a good work trying to denounce the insensibility of the English government about the problems of the workers and their families and the inflexibility of the mill owners and other high economic classes to negociate with their subordinates.
Mary Barton is a book that will hold the attencion of the readers, men or women, because Miss Gaskell has an elegant style and really knows how to tell a good story. Another great vintage of this novel are some great characters portrayed with flavour and undeniable charm, like the old and friendly Mr. Job Legh and the hard and anger John Barton, Mary's father.

Gaskell wrote one of the most vivid descriptions of the gap between rich and poor in this novel of the Manchester 'hungry forties'. The plot is driven by the device of a murder of young factory owner's son, but this story line is more an excuse to present the story as a novel (and to serve the demands and expectations of the novel form as it was understood at the time) than it really is the center of the book. The romance and the mystery (although still well-written) are cursory in comparison to the loving detail that Gaskell lavishes on Alice Wilson, the temptation of Esther and all the little points of life in deep poverty.

Worth reading, particularly if you're a fan of the novel (or history) of the period.

Actually I read this book in three days' time (it can be even faster if I don't have to go to school). Anyway, Mrs. Gaskell's depiction of the working class people in Manchester during the 19th century was so vivid that you can just *see* and *feel* how the rich and the poor's lives were like back then by turning the pages. I believe no one who had read this book will not to some extent feel pity for the tragic hero, John Barton, in the story. But aside from this formal social theme being presented in the novel, there is also a very strong sense of religious/moral theme in it (espeically near the end of the story), as well as some drama and romance in it. Definitely worth a read, especially to those who are interested in Victorian Literature.

As a younger person in the nineties, I dipped into the plays of Shakespeare, and this book let me get into the classic stuff. It was interesting, put into kids' stories so as not to intimidate the younger enthusiast, and altogether, it was a good book. I suppose you have to be in to Shakespeare to enjoy it wholly though....

A gentle, relaxing dip into Shakespeare. I'll give two stars.

Charles and Mary Lamb's classic book on Shakespeare retains too much of the archaic language of the actual works to interest grade school children. While the work might appeal to upper grades and high school students anxious to find an alternative to reading the actual plays, as an introduction to Shakespeare for young children, the book is a failure. It compares unfavorably with Ian Serralier's out-of-print classic THE TEMPEST AND OTHER TALES: STORIES FROM SHAKESPEARE, which uses modern language and glowing imagery to effectively communicate the universal appeal of Shakespeare to the very young. I can testify to this since it was Serralier's book, read in the third grade, that first interested me in the Bard. I stumbled upon Lamb's book later. If I had found Lamb's book first, I would have concluded that Shakespeare was something dry and dull for grownups, and it would have been forced down my throat in the upper grades. As things turned out, I have a lifelong love of the Bard thanks to Serralier's book. A publisher with any sense would reprint it

Although this book is written for children it is great for all ages and is great to get the basic story line before you go to a play. I read most of the plays in this book (I have not yet read all of them) when I was 11. Now that I have been reading the actual plays of Shakespeare I always start by reading the short version of the play in this book and than read the actual play. I can understand what is going on much better that way. I also recommend "Beautiful Stories from Shakespeare for Children" by Edith Nesbit which gives about ten page versions of each story verses the thirty pages per story in this book and also has a smaller vocabulary which makes it better for younger children.

I was very surprised when I ordered this book and found out that yes, indeed, it was merely a very tiny portion of what I had expected. I suppose I should have known from the price, but the description (at least at that time) did not make it clear that it wasn't the entire dictionary.

While this may be a very thorough source for the words it covers, it should be noted in the basic information that this is ONLY 128 pages of a 15,000 page work. The description above is very misleading.

itz a dictionary. what more can i say