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If you have gone to Haiti, or will go to Haiti, whether as a missionary, journalist, diplomat, or foreign aid worker, don't go ignorant. Read The Rainy Season (and more recent publications as well) first.
In addition to the internal political movements and terrorism, Willentz shows us the ties between Haiti's troubles and the United States. If you are not familiar with American policy in regard to Haiti, you will be in for a disappointing and infuriating surprise. We sucked!
The book also covers the standards to be found in every book on Haiti: voodoo, illiteracy, slave revolution rememberings, hunger, poverty, exploitation, class and racial imbalances.
Perhaps its greatest asset is the datedness of the text. Written after Duvalier and before Aristide, the view of both is fairly unbiased. If you want to learn more about Haiti's past, present and future, you should check this one out.
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To be sure, Wilentz never comes right out and asks these questions--instead, her beautifully plotted story subtly raises, explores, and offers insight into all of them, by offering a wide range of intelligent characters from varying ages, backgrounds, and experiences, who are arriving at a multiplexity of conclusions and viewpoints while facing intricately intertwined human dilemmas.
I know this book will provoke animated and thoughtful discussion in my book club.
I was first attracted to the book (when browsing in the "New Book Section" of our library) by Wilentz's beautiful writing style, as well as her very evident intellectual depth. She has clearly spent much time living in and reporting on Israel/The West Bank, but more importantly, she has thought long and respectfully about disparate approaches to politics, patriotism, and violence.
This is not a heavy, depressing book, it's a love story--in fact a compilation of moving and convincing love stories about the varieties of passionate human relationships. It's gripping--at times seeming to move inexorably toward a Greekly tragic conclusion (although I found the end surprisingly heartening.) I felt I understood each character's struggle to find integrity and meaning; Wilentz works hard to give each viewpoint a human face and a convincing history and testimony.
Wilentz has a talent for character and for realistic thoughts/dialogue. She makes all her characters appealing and believable (sometimes grotesquely so), all worthy of respect and understanding, in their individual struggles to make sense of the most difficult human challenges.
Although I'm fascinated with the political and spiritual questions Wilentz raises, and although I've read urgently in the areas of war, peace, politics, religion and philosophy, I have never been to Israel and know no Palestinians. I felt that Wilentz's pen was painfully sharp, cynical, and for the most part balanced, when aimed at the hypocrisies of both "sides," and also strongly empathetic and sympathetic, when focused on the pain and grievances of both sides.
But ultimately, this is not a book about Jews and Palestinians. It's a book about home, and integrity, and about the personal qualities, values, and actions that make a person deserve to call a building and a child and a spouse and a friend and a city and a land, "his/her own."
And although Wilentz never directly mentions the word "nationalism," I believe this is also a book about whether the concept of nationalism is ultimately helpful or hurtful to human life.
I couldn't put this book down. I loved the story, the style, the characters, the author, and learned a great deal about important issues I care deeply about. This is great writing from a great writer. I hope someday to read many more of her books....
There are terrorists here, and terror, and the cold political calculations of men determined to hold on to power, willing to exploit any tragedy if it serves their purposes. But Wilentz's humane and gripping narrative is a million miles from the wooden gestures of the politcal thriller. The center of her attention, and ours, is the boy's mother, Marina, American born and educated, but drawn back to the Palestine described by her father, a Harvard professor. Wilentz's description of the tensions and passions between father and daughter is superb, as is her portrayal of the almost unendurable sorrow of a mother powerless to keep her child alive. But what makes the novel even more exceptional is Wilentz's equally compelling portrayal of the Israeli who first keeps Marina from passing his checkpoint (and getting her son to the hospital) then valiantly, but vainly, attempts to help.
Wilentz offers no easy answers. Instead, she allows both sides the full weight of their tragic collision. Beautifully written, and clearly informed by careful reporting, this is a triumphant fictional debut.