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Meanwhile, Princess Iona has spent a pampered life, totally unaware of her duty. Her mother died when she was only little, and the knowledge of her true nature died with her. During her confinement she looks into a magic mirror, which shows her Princess Anora. Finding a companion, in her time of trial is a blessing for Iona. Finally she learns of her potential, but she can't contact Anora without the mirror. How will they ever join? They've to become one if Anora is to save her kingdom and Iona to save her father.
This book is portrayed in realistic details in excellency. The plot also has some nice twists.
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Contents: Introduction -- The Symbolic Approach -- The Approach to the Unconscious -- The Objective Psyche -- The Complex -- Archetypes and Myths -- Archetypes and the Individual Myth -- Archetypes and Personal Psychology -- Psychological Types -- The Persona -- The Shadow -- Male and Female -- The Anima -- The Animus -- The Self -- The Complex of Identity: The Ego -- The Ego-Self Estrangement -- Ego Development and the Phases of Life -- Therapy -- Notes -- Bibliography -- Index
"Active thinking brings a representation (i.e. a likeness or image rising from perception) to a process of ordering and sequencing which establishes a cause-effect relationship between a given event and that which appears to [but does not necessarily] follow it."
Whitmont's next sentence points out that this interpretation [i.e. the assignment of a cause-effect relationship] is "imposed" upon the facts and because of this may or may not be a true and valid interpretation of them. "Pretentious" can mean "making demands on one's skill" - though I doubt that is what Redwood City reader means to say. In the sense of "unjustified claims of value" - which is probably what was meant, he is in error; but in the former sense, it is true, the book makes demands and offers great rewards.
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Those very familiar with Jungian dream theory will find the first couple of chapters slow and basic. Others will welcome the exposition of why dreams do what they do.
Dreams, not just as imaginal compensations for the narrowness of conscious daily life, but as completions, as fillings-in to be lived as night-time dramas; dreams as metaphoric missing pieces of what we neglect in our journeys toward wholeness; as messages, or letters, in the Talmudic sense, we must open to understand: all this is here, and warmly recommended.
I can't write a book review without at least a brief comment on style. In this case, nothing close to the poetry of a Hillman or a Romanyshyn. Adequately expository, though. They do a good job of seeing to it that the reader gets the ideas.
The authors claim to have written for clinicians, but the educated non-therapist unacquainted with the tools of dreamlife can find real gold in this book.
If you're curious beyond the simple "did I dream that because I ate a bad hamburger" or "I can't understand my dreams, so they don't make any sense," then begin here.
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