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One of the main themes threaded through the collection is loss--the characters struggle with loss of culture, loss of independence, loss of the self, loss of a parent or a child, and the loss of love. Some of the characters experience loss while driven by acculturation, duty and family loyalty
My favourite stories--in order--are: "Ingrid, Face Down," "Core Puncher," and "Snow Angels." And it was not an easy feat--either making the selection or putting them in order. These three stories are unforgettable.
"Ingrid, Face Down" is the story of a schoolteacher who finds herself taking a long weekend getaway alone--and not with her boyfriend--as originally planned. The author creates a languid pace with language as the teacher, Ingrid, gathers the courage to try scuba-diving. Ingrid physically explores the silent beauty of the ocean while simultaneously analyzing her inner, emotional life and the inevitable shortcomings of her romantic relationship with her duty-driven boyfriend.
"Core Puncher" is the story of a grieving parent who spends her holidays chasing tornados in Oklahoma. Family and friends simply don't understand the drive--or the need--Lillian has to face death and then record the event. Lillian meets a fellow traveller on the road, and they share a moment of recognition.
"Snow Angels" takes place in France and concerns a quartet of young students--Kate (the narrator), Matthew, Aaron, and Dave who meet and befriend a fellow American, Daria. Daria finds herself abandoned in a strange country, and she quickly joins the group. However, Daria's presence upsets the existing dynamic, and both Matthew and Dave find her rather annoying. Kate's relationship with Aaron is also spoiled by Daria's presence, but some serious lessons await them all when they leave for a skiing holiday in the Pyrenees.
For many years, I've found that reading short stories is a tried and true method for discovering new authors. Some authors I have discovered through reading short stories ... To this list, I shall now add Debbie Lee Wesselman. As a reader, I am in awe of a talent that can create a perfect, unforgettable tale within the structure and confines of the short story format ...
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Some stories were written in first person, while others were written in third person. The third person narratives kept us close to their protagonists, but I felt even closer to the first person protagonists. I was more so able to crack in to the thoughts of the first person narrators and really understand what they were feeling than I was able to with the protagonists who were told about in third person.
Wesselmann definitely seems familiar with the other countries she writes about (it says in the about the author section at the end of the book that she has traveled the world many times, which came as no surprise to me after reading the book), and her descriptions of other cultures/countries are easy to visualize and seem believable. She especially likes to compare how different Americans are from other cultures. Many of her stories include American characters in a foreign place or vice versa. And in a couple of stories we see the Americanization of people from other cultures. If I hadn't read the about the author section at the end of the book, I still would have guessed the author was American, although there are some stories that do not feature Americans at all, which if I had read those stories on their own and not as part of this collection (for ex. "Rosa's Vision" which takes place in Chile), I might have thought the author was from that country and cultural background, instead of being American.