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This book will help with reading comprehension and writing of Spanish. All of the verb tenses are covered, and accompanied by exercises that solidly reinforce the material. All you need to do is sit down with a pencil or pen, start reading and then start writing. The exercises are designed to reinforce your learning, and you'll be surprised how much you retain from completing them. I am almost completely self-taught (I had some help from some native speakers with conversation), and this book was a part of my language-learning arsenal that helped me more than get by with Spanish in South America and Spain.
LIttle by little the book goes through the various Spanish verb tenses starting with the present (hablo, hablas, etc). Before that the book goes over some basics like pronouns to provide a foundation (yo, te, me, elle, etc.). From there the book goes on to cover every Spanish verb tense I've ever heard of, including an elucidating few chapters on the subjunctive. You can literally start with almost no knowledge of Spanish. The book will not help you with speaking, however, nor will it teach you everything. Believe the words on the cover: this book is about verbs.
Verb conjugation may not be the most exciting thing humans have come up with, but this book almost makes conjugation fun (did I say that? No, not me, must have been someone else).
You certainly can't go wrong for the price.
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I'm now an editor who reads books for a living, so this book definitely started me on the right track!
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Enter the American Cotton brothers, who are wealthy and have just inherited the nearby estate of Scoatney, as well as the landlordship of the Mortmain's dwelling. Rose Mortmain and her stepmother see nothing but dollar signs as they scheme to marry Rose off to Simon, the eldest Cotton. But Cassandra has fallen for Simon herself...
I was skeptical of this book because the cover was so outdated and plain. The story itself is set in the 1930's, but the book was published in 1948, and it seemed so dated. But once I started reading, I could scarcely put it down. This is classic English literature at its best, with a storyline that will pass from age to age without ever seeming old-fashioned. I highly recommend it and plan to keep my copy forever!!
On my top-40 list, certainly, if not my top-10. I can't recommend this one highly enough.
"I Capture the Castle" is beautiful in every way a book should be. It's gentle without being sappy, humorous without being mocking, gorgeously (although a bit painstakingly) written without digressing into flights of narcissistic prose. The narrator is both an ordinary child and an extraordinary woman, and her greatest strength as a character is the believability of her weakness. The other characters are interesting and unusual and completely human. The setting, a barely-refurbished medieval castle, is very nearly a character in its own right, and it informs and interacts with the story in a way I've rarely seen outside of the works of Gabriel Garcia Marquez.
The book, with all of its lyricism and innocence and wise optimism, teaches a gentle and almost invisible lesson. It's about learning to love fairly and accept love gracefully, about being faithful to your friends even when it hurts, about who constitutes a family and how one goes about caring for them, about how growing up is not the end of a the road but the beginning. It's not a new lesson, but it's one we all need to learn a little more.
But "I Capture the Castle" is more than a beautiful book, and more than a lesson. It's an experience. It's as if Jane Austen had been reborn 130 years later and rewritten "Sense and Sensibility" with a compassion and magic her original work missed. Or as if "Little Women" had been written for adults: just as so many little girls start their own "Pickwick Papers" and take to eating apples in attics after reading Alcott's book, after reading "I Capture the Castle" I wanted to find a ruin in Britain, fit it with indoor plumbing, and spend the timeless days of summer sitting in the tower and penning a journal of my own days and dreams and loves.
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She was sent to her cousins, the Putneys, in the middle of her story. They began to teach her how to think for herself.
By the end of the story she could think about anything she wanted to without explaining it to anyone. This is a very well written story. It's a wonderful book relating to life at the turn of the century. It shows how schools, homes and lifestyles have changed over the years. This is one of the top ten books on my personal list.
I received this book as a Christmas present in 1997 when I was eight years old. I thought it was an excellent story because Betsy really improved in her new one-room school. Her teacher is really nice because she let Betsy read with the seventh graders, do second grade math and third grade spelling!
This story really makes you feel like you are Betsy's friend Ellen. I also like how she and the other girls in her one-room school joined together to make new clothes for the boy whose stepfather is an alcoholic. All the people are really caring in this book.
Written in 1916, "Understood Betsy" immmerses the reader into rural life in the 1800's. Elizabeth goes from the city to live with farmer cousins, who call her Betsy. She then becomes a girl who learns to do things for herself, think for herself, and take care of others.
Most interesting, the book shows the older view of treasuring common day moments, such as making the applesauce or playing dolls. If you always enjoyed the "Little House" and "Caddie Woodlawn" books, then you will LOVE "Understood Betsey", which delves even more into the everyday life of girls in that time.
Elizabeth Ann, known as Betsy to her farm relatives, was orphaned as a baby. Her city relatives scoop her up to save her from being reared by the 'Putney Cousins' (our heros in Vermont). But fate sweeps Elizabeth Ann away from the only woman who *understands* her, and takes her to the dreadful farm in Vermont, where children have been known to *do chores*. How does Betsy fare?
That's the children's part of the story. For the adult, especially one who is unfamiliar with children, the lesson is given that you *can* love a child into the the fearful person you yourself are. But you *can* also love a child to let that child find things out for herself, and become aware, that she is aloud to find things out for herself. Isn't it amazing that children have brains, and they do not have to be programmed by 'pre-warning' them of every consequence to their behavior?
Please read, and see Betsy grow into a useful engine (for those of you who know Thomas the Tank Engine). Please read and learn yourself, how to help your children, by learning to leave them alone to find things out for themselves.....
Princess Irene meets a mysterious but loving old lady at a spinning wheel (have we heard this somewhere before?), while Curdie proves himself a useful ally to her King-papa. Her faithful but outspoken nurse, Lootie, learns some bitter lessons, as she is almost dismissed by the king and (even worse) by Irene herself. Grown ups must learn to believe what they hear from honest children; children must learn to believe what can not always be seen or what makes scientific sense. Any little girl who sees herself as an unrecognized princess can learn to behave with the grace and dignity of a True Princess. Boys will admire the courage and resourcefulness of the miner's son--the only one in the kingdom to realize what the goblins are plotting. A quaintly spun yarn (with gentle edification for children) for readers of all ages.
George MacDonald, a Congregational minister turned novelist, who seems nearly forgotten now, was one of the seminal figures in the development of Fantasy. His influence on other Fantasy authors is obvious, he was a childhood favorite of JRR Tolkein, who especially liked this book, and C.S. Lewis named him one of his favorite authors. His own stories draw on many of the themes and characters of classical European fairy tales. But where they were often merely horrific and meaningless, MacDonald adds a layer of Christian allegory. Thus, Irene and Curdie are eventually saved by a thread so slender that you can't even see it, but which leads them back to safety, teaching Curdie that you sometimes have to believe in things that you can't see.
The book would be interesting simply as a touchstone of modern fiction, but it stands up well on its own and will delight adults and children alike.
GRADE: A
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For anyone interested in social responsibility, spiritual growth, the power of dreams or even parapsychology, I highly recommend that you buy this book, read it and pass it on to your best friend.
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Or at least why I do: to become lost in story, among fictional characters and situations that for the duration of the turning pages are more real than reality, a dream you finally leave richer and wiser -- and better understanding your own world -- then when you first entered.
Price of admission to this one is steep -- the five previous Lymond Chronicles are excellent novels all, but tally a dense 2500 pages. What isn't clear until this sixth is how much those serve merely as set-up for its breathtaking conclusion.
The emotional distance of the past two volumes is gone, revealed as an authorial ploy to finally bring us closer to Dunnett's peerlessly charismatic and mysterious characters. Here, the swashbuckling and history take a backseat to one of the most compelling gothic love stories in literature. Everything from the previous books pays off spectacularly, leading to a final hundred pages without comparison in suspense, heartbreak, and genuine thrills.
Taken as a whole, the six Lymond Chronicles form a wonderously intricate, moving mosaic, steeped in historical storytelling traditions yet completely unique, a complex, shimmering gift to anyone who loves to read.
Do yourself a favor: read Checkmate only after you've read Game of Kings, Queen's Play, Disorderly Knights, Pawn in Frankincense, and Ringed Castle first, in that order. You won't ever regret it.
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Gaudy Night is mainly a novel of Oxford, despite its being ostensibly a mystery. Harriet Vane is the main character of this novel, though of course Sayers' best creation, Lord Peter Wimsey, plays an important part in this book. The dialogue is as clever and wonderfully piffling as ever, the story thought-provoking, and best of all it is here that Peter is finally successful in wooing his Harriet. (The punt scene! And the finale...)
There never was a better mystery writer. I would suggest, before reading this, that you read Strong Poison and Have His Carcase for the full effect. Oh, and follow Gaudy Night up with Busman's Honeymoon.
I think anyone who's pondered the very real problems in reconciling Harriet and Peter and how Sayers could approach them while remaining true to both will feel as I did--bought the book, liked it, will keep it.