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The whole gang is here; Renton, Sick Boy, Spud, and Begbie along with some other great voices that went unheard in the film version. If all you know of Trainspotting is the film, then you owe it to yourself to read this book. The perspective changes chapter to chapter and the voices are distinct and hilarious. This is a literary tour de force with Welsh pulling out all the stops and stopping at nothing to shock, inspire, and warn.
I have never been able to read a novel that is the basis for a film after seeing the film. Trainspotting is so inventive, complex, and fresh that this was not the case. The novel and the film are both distinct and wonderful pieces of work, enjoyable for many different ways.
The language is a little hard to get for the first few chapters, but fighting through it is well worth it and lends to a great reading experience. The language is original and fresh, recalling the distinct narrative of "A Clockwork Orange". A modern classic.
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This book is not as comprehensive as The Joy of Cooking, which tries to tell you how to cook absolutely everything under the sun. But this book IS inclusive of everything that's important in classic British Cooking (and in traditional American cooking, as well)'soups, sauces, cheese and eggs, vegetables, fish, meat, poultry, picnics, puddings, cakes and baking, and preserves and pickles. In addition, it has chapters on The Great British Breakfast, Savories and Snacks, Sunday Lunch Roasts, A Festive Christmas, and Afternoon and High Tea.
As an American, I learned SO much from this book. I learned about the ORIGIN of bacon and eggs for breakfasts, about the histories of many different vegetables (quite different information than is included in The Joy of Cooking), HOW and WHY British cuisine got a reputation for being bland (it wasn't always so), and many things about the history of eating which have just been plainly lost to us in America. For example, I did not know before that the origin of certain foods sometimes being served on a piece of toast was from the 'trenchers' used in medieval times--'trenchers' being big slabs of bread which were laid directly on the table, and food put on top. The reason for the use of trenchers was that plates were too expensive for ordinary people to use. Not only are so many interesting discussions about the origins of different foods and customs included in this book, but ALL the recipies are interesting and FANTASTIC!
British readers will enjoy the depth and style of this book, while American readers will really learn a lot about the origin of our own traditional cuisine. I will treasure this book for many years. I am buying four more copies to give as gifts this Christmas. I bought the paperback edition. This book is so wonderful and will be used for so many years, that I highly recommend to other readers to spend the extra money and get a hardcover edition, if it is available.
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The book's author, Jerome Badanes, died halfway through the sequel to The Final Opus of Leon Solomon. What he had written, and revised himself, was a pretty amazing 100 page novella called Change or Die which appears in Issue number #5 of Open City in its entirety.
It is always a peculiar thing when you take a piece of writing that has so much peculiar character and substance, and lump it in with all the other stuff that happens to comprise that issue of the magazine.
This issue has some absurd wild cards - when seen in the light of its central feature, "Change or Die," - such as an Irvine Welsh story he wrote shortly after completely Trainspotting, and this wonderful piece of non-sense that Delmore Schwartz wrote about T.S. Eliot's anti-Semitism. That is the one interesting thematic thread in this issue--Both Shwartz and the academic protagonist of Change or Die (a man trying to recover from Shakespeare,) have a certain lovely fatedness about them.
And Change or Die has one of my favorite short lead sentences:
"The Blik family was a dream and an education."
What a great beginning to such a great story!
(And what a concise and honest use of the short sentence, which has been bastardized and beaten up on any number of fronts, from Hemingway imitators to the cold pragmatism of news providers).
If this whole computer as a means to shop for books is to have any good side, then it is that finding a book like, "The Final Opus of Leon Solomon," or getting your hands on the novella "Change of Die" is something you MUST GET! If only to make use of the fact that you are sitting in front of a computer and perusing.
Jerome Badanes. He is coming back in the only way he can.
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Yes, it was dark. Yes, it had naughty, naughty language. Yes, parts of it depressed the hell out of me. But parts of it also touched me and even made me cry....
The characters were more real than those in any other book I have read to date. I have finally found an author who can rival Douglas Coupland at people-making! Mr. Welsh deserves a hurrah for his incredible talent for seeing and writing people as they truly are. Everybody knows somebody from Trainspotting, whether or not said someody is a heroin addict.
I think that, for many, the attraction to this book lies in the fact that we are all addicted to something...people, places, books, love, hate...and we have all been "kicking" something. Therefore, this novel can speak to anybody...if you listen to it.
Oh, and it's the first time I have actually been attracted to a literary character. C'mon, ladies, wouldn't Renton be just the IDEAL man if he'd just kick that nasty habit of his???
Read this book! If nothing else, you will feel that you are prepared to travel to Scotland and talk with the natives.
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Marabou Stork Nightmares is not my favourite Irvine Welsh book. That belongs to 'Filth', which should serve as a better intro into the world of Mr. Welsh for those wanting the challenge. However Marabou Stork Nightmares an enjoyable, bizarre read.
...This book will grab you by the balls and pull you down into hell, it will spit you out in the only way possible... insanity. READ THIS BOOK
But these stories are pock-marked all over with irony, humour and the infallible bad language and vernacular put into use by Irvine Welsh, author of that classic (which I won't name here). This book should be read without that other book looming behind it with a knife to it's back.
This is a good read, and that should be enough. But there's people out there who think it could be better, that Welshie disnae have a grasp of the short story, etc, etc... but they're all missing the point something chronic. How often do we get the lives of Eurotrash thrust into our face? Not many of us get to witness first hand a drug raid, or indeed, a baby with a dirty mind... but herein lies Welsh's appeal. See, it's funny. It's so sick that it's funny...situations we'll never get into ourselves. It'll make you squirm and grin in revulsion. Come on people, admit it to yourself. You only ever read Welsh for the kick. Don't kid yourself about what is deemed to be literature or Booker Prize material or politically correct... just enjoy it and stop your whining.
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