List price: $26.95 (that's 30% off!)
Used price: $13.35
Buy one from zShops for: $18.28
List price: $21.00 (that's 30% off!)
Used price: $7.97
Buy one from zShops for: $13.63
Although I'm not a huge fan of the latter's movies (with the exception of "Paper Moon," which I loved ever since it came out when I was eight, and fell in love with tomboy Tatum O'Neill forthrightly), I have begun reading about half of this book over the past few days, and find it better than my previous favourite, the Hitchcock/Truffaut book. Of course, much favoured above Wilder/Crowe, namely because of Crowe's incessant name dropping of "Jerry Maguire" and "Tom Cruise" every other irritating sentence, which prevented the reader from finding out what
Wilder had on *his* mind.
What impresses me about the Welles/Bogdanovich volume is the raucous sense of humour Welles brings to the conversation, always as lively and as larger-than-life as Welles was. Also, Bogdanovich has laced the book with pertinent interviews, articles, anecdotes that elucidate certain points of the text, as well as Welles' lines cut from "Magnificent Ambersons" and the long memorandum he wrote to Universal studio chiefs and cc'd to Chuck Heston, trying to save what I consider his masterwork,
"Touch of Evil" from falling prey to overzealous editing by indifferent studio hacks.
But most of all, I am touched that when all the world was dumping on Welles, when he was being derided as a has-been and a spendthrift, that up-and-coming director Bogdanovich gave him his friendship and accorded him the respect he was so shamefully denied. Even Pauline Kael couldn't resist savaging Welles, and she wrote a particularly nasty and libelous article that Welles didn't write any of the screenplay to "Citizen Kane."
Of all Hollywood's sins (and I retain in memory a cross-indexed catalogue of them), the fact that even when Welles started getting "lifetime achievement" accolades, he still couldn't get any financing for his movie projects, on which he worked until his last days, leaves the bitterest taste in my mouth. There must be certain people destined to the lowest rungs of hell -- or at least purgatory -- for creating a world in which Orson Welles' last paid acting role was as the voice of the evil planet in a "Transformers" movie.
What entertained me the most was Welles' genius for story, which he not only used in such mastery on stage, radio, and film, but also in telling us of his own personal stories. I didn't realize the extent of Welles' accomplishments, which include some of theater and radio's finest moments, as well as film. Before making Citizen Kane at the ripe age of 26 (or 23?), Welles had a fuller, more distinguished life than most people manage to squeeze into a lifetime. Most importantly, this book can give a film fan some general insight to all those great "lost masterpieces", the films in which Welles often lost control over (which basically are the majority of his films). He explains his original visions and where the studios altered his work. Watching these films with this book as my guide, I noticed more of his touch and his genius than I would have without it. A great book and gift to filmmakers everywhere.
List price: $18.95 (that's 30% off!)
Used price: $4.75
Buy one from zShops for: $3.90
List price: $14.95 (that's 30% off!)
Used price: $2.98
Collectible price: $6.95
Buy one from zShops for: $5.25
Used price: $4.00
Collectible price: $9.50
This book is very attractive, and is a good resource for young children. However, I must make clear that there is very little information here, which means that older students will not find this book useful. Contrary to the recommended reading level of 9-12, I would suggest that this book would be most valuable for reader between the levels of 7-9; my seven-year old son enjoyed this book immensely. So, I would give this book a qualified recommendation.