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The only problem was that every where I went, even to places I had never seen a tourist in, were now full of tourists with her book on the table, ordering the exact meal she had recomended.
a truly powerful pen
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Telesco first describes the folklore surrounding wishing. People have cast wishes in various forms since they first walked the earth. Only the customs have changed over the ages. She then explains that "wishing isn't a cure-all for the bumps and bruises of life." People need to have realistic expectations when they make a wish. She says they "must remain active participants in the process of change." For example, it's okay to wish for a new job, but along with the wishing, you need to prepare your resume and go on job interviews.
Effective wishing also requires setting a goal. If your wish is to be happy, first decide what it is that will make you happy and wish for that. Wishes that are very generalized can still come true, but often in ways completely unanticipated by the person doing the wishing.
Telesco then gets into the details of wishing, including the use of symbols and tokens, picking the best time, asking for divine guidance, using invocations and chants, and follow-up. She includes a section on "artistic wishing" where various forms of artwork are used to strengthen your wish.
The remainder of the book is an extensive listing of "wish symbols and traditions," which includes everything that can be used to help manifest particular wishes. For example, one may hold birdseed in one's hand while concentrating upon a wish, then sprinkle the birdseed clockwise on the ground. "Birds will grab the seed and take your wish to the gods." The listing includes objects, colors, crystals, animals, holidays, plants, and places that may be useful. Telesco also includes a list of the various deities that may be called upon for assistance.
Readers will find that Wishing Well provides all the details they need to "create, cast, and release [their] own wishes into the universe." Sandra I. Smith Reviewer
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The key to these seemingly simple recipes in "The Paris Cookbook" is good ingredients, a knack for combination, some fundamental traditional ideas, and a passion for excellence. For example, some of the most interesting recipes to me were for peasant cooking from Provence. There was a soup of spelt (a wheat-like grain with many healthful properties.) It was combined with barley and the green French de Puy lentils to make a Mediterranean-style meal-in-a-pot soup. The use of spelt is more common in Germany --however the Provencal use it as one would use rice, in risottos or as here, in a soup. There is also a recipe for a simple version of bouillabaise fish soup that I really want to try.
The other recipe that got me excited was for an ordinary gazpacho cold tomato soup but...with a savory mustard ice cream as a garnish. Now THERE'S an interesting idea. If you have ever had a blob of cream in a tomato-based soup, you know how nicely cream blends and smooths the flavor of the acid fruit. But to add the cream in the form of ice cream, but unsweetened and with a spicy mustard, now that is exciting! I will be making that for my next summer dinner party. I also got the idea to modify the recipe and make wasabi green tea ice cream (wasabi is the green Japanese mustard you get with sushi.) I can pair that with a cold cucumber-crab soup.
That's what I adore about this cookbook. Not only great recipes, but they are in essence, fundamental and can be adapted with your own creative ideas.
The author also includes information about each restaurant where she obtained the recipes--chef, address, notes. So if you go to Paris, you essentially have quite a good restaurant guide.
The only caveat about this cookbook is that to make any of these recipes, you must get top-quality ingredients, as they are the backbone of each dish. This means a trek to the farmer's market, to the specialty shop, the farm, your backyard garden, the dairy or mail-order as many grocery store items will just not measure up. I can tell you from experience that the quality of the ingredients is paramount to success, and grocery store cream and butter in most of the US just can't do the job. And don't get me started on the vegetables.
As dedicated chefs will know, one cannot rush in the preparation of these recipes and the downside, for most of us who are career people, is finding the time and energy to prepare most of the recipes contained here. They are by no means ones you can whip up in thirty minutes or less. Some take the best part of the day to prepare so perhaps these recipes are best set aside for special occasions, week-ends or for some event where time is not a factor. "The Paris Cookbook" will make a great addition to any library. Most of the recipes tried to date are excellent such as the Bonaparte's Chicken Salad and the Zucchini and Curry Soup; however, you might want to pass by the White Bean Soup - it left a lot to be desired and had the same appeal as wallpaper paste! Oh, well, we cannot expect every recipe to be perfect.
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A few years ago, my family and I made a pilgrimage to the rue Cherche Midi to sample the bread in Poilane's bakery. I was amazed to find that the baguette tasted almost exactly like the one I had been making at home in my own oven for more than 20 years!
I own many bread books, but this is the one I love best because these are the recipes that give me the greatest pleasure to make.
The recipes are clearly written and easy to follow. The writer puts you at ease with each page. Besides, who wouldn't want to make the Poil'ne renouned to be "... the best bread in the world"?