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Author Betty Webb writes about the evils of polygamy and child abuse with authority while fully integrating these into an intriguing mystery. The prophet made plenty of enemies and had enough money to make even his best friend want to murder him. But who would he have trusted enough to lend his own shotgun to? Jones finds that the code of silence is in effect in the compound. The men barely talk to the women, and the women live in fear of more abuse, and in fear of one another as they scrabble for what little authority any woman can hold in a male dominated sect.
Serious mystery readers will quickly guess the killer, but will want to keep reading to see how Jones finally guesses the identity. Jones' terrible taste in men makes me glad she's not my detective, but it also makes for a more interesting read.
All pretty straightforward so far, but Webb ("Desert Noir") takes a turn into the all-too-real surreal as Lena, determined to find the murderer, infiltrates the community by posing as a polygamist wife. In absorbing detail, Webb sets out the daily minutiae, the religious tenets (the more children, the better heaven), domestic routines, casual brutality, and the abject position of women, whose daily humiliation and powerlessness (including the offloading of widows onto other husbands) stacks up as nothing against the monstrous secret Lena finally uncovers.
Webb's writing is lively, well-paced and suspenseful. Dark humor accentuates the bleak setting. An afterward gives the background on Mormon polygamy and the state of law-enforcement disinterest. Powerful stuff.
Last year, DESERT NOIR, made my Top Ten list. This year, DESERT WIVES makes the list again. Keep 'em coming, Betty!
HIGHEST RECOMMENDATION
There were also many gut-wrenching glimpses into Lena's childhood in foster care; the book made me thankful for my own loving family, and helped me become more empathetic to those les fortunate. Although parts of the book seemed unbelievably far-fetched, it nonetheless held my interest to the very last page, and makes me hope that it will become a series, and eager to read
subsequent books.
My one and only quibble is with the vulgarity of the language. I don't expect violent criminals to say "Golly, gee, he shot me!" -- but, to put it mildly, every character doesn't have to use vulgarity/profanity on every page. However, I'm admittedly a prude. The book was unusual as well as outstanding, and I grealy enjoyed it.
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This book is unique, in that it is not a detached, academic look at the grieving process. Wylie's personal anger and pain at her loss are evident. Although this book is depressing to read at times, it also seems realistic and practical.
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