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Published primarily for use in environmetal philosophy/science courses at the university level, this book is very useful in providing a well researched, diversen sampling from some of the most important theorists in the field. Essays by J. Baird Calicott, Tom Regan, author of the revolutionary work "The Case Animal Rights", Holmes Rolston III, author of the seminal text "Environmetal Ethics", the Norweigan philosopher Arne Naess and , the so-called founder of the deep Ecology movement, Aldo Leopold, author of the famous "Sand County Almanac", as well as works by other important scholars such as George Sessions, Warick Fox, the famous eco-feminist historian Carolyn Merchant, John Clark and Gary Snyder along with many others.
Although the essays contianed in this text can be challenging at times, in the end the payoff definitely makes it worth the effort. This difficulty is, at least, in part due to the fact that what this book requires is a new way of examining our relationship with nature and a willingness to examine problems from a more holistic perspective, which can sometimes be a hard thing for those taught that the world is here simply for man's exploitation (gender specificity intended). This volume is particularly effective in giving students a well-rounded introduction to many of the most important issues in environmental writing today. As the seriousness of our ecological problems persist and even worsen, this book will continue to be a highly informative source of information for students and instructors for years to come.
I'd recommend this book as both a teaching tool and as something you can pick up to learn on your own. It's more difficult than most pleasure reading but the subject is particurarily heavy.
This kind of education is essential to the environmentalist or someone trying to understand the movement.
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There are actually two books in one. The second part is a catalog raisonne of his work.
It is highly recommended for art lovers in general and those who like the not so ordinary.
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Absolutely ANY Daikaiju eiga film released in the U.S. that you can remember (...and some that you no doubt have forgotten about! ) are described in this book. From the studios of Toho and Daiei, you will find ALL of the 20+ Godzilla and 7+ Gamera films as well as EVERY other sci-fi movie made by the incredible team of Tomoyuki Tanaka, Ishiro Honda and Eiji Tsuburaya (producer, director and SFX master of the original Godzilla films). Some of the lesser known but still wonderful films discussed include The Mysterians; Attack of the Mushroom People; Kwaidan; Onibaba; The Magic Serpent; Majin Trilogy; Atragon; The H-Man; War of the Gargantuas and Frankenstein Conquers the World.
With 424 pages laid out chronologically, Mr. Galbraith provides in-depth detail on more than 103 films including storyline, actors and their roles, production background, release notes and comments from contemporary reviews. Also included is a filmography of the genre from all Japanese studios including cast, crew and Japan/U.S. release information. A rather large bibliography and index complete this masterful work. This book was obviously written with great love and affection for the films at hand - I am quite sure that Daikaiju eiga fans will not be disappointed with their purchase of this book!
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On a related note, readers might be interested to know that this book inspired Stewart O'Nan's great novel 'A prayer for the dying' (also available through amazon.com).
The book is essentially photographs and news clippings from a newspaper in Wisconsin from about 1890 to 1910. Interspersed are snippets from novels dealing with life during the period.
Turning the pages, reading the articles, and looking not at the pictures but into the eyes of the people in the photographs, one gets a sense not of some sterilized, backward glance at these people as some great societal force, not as a band of pioneers, but as very human people, who die in childbirth, die as children, die of diseases that sweep through whole towns and infect the entire state with fear, go insane, murder, and still maintain enough inner dignity to be able to look into the lens of a camera and mask most of their emotions long enough for the half-second exposure but not long enough to pierce the heart of people living a century later. It is pain. It is a death trip.
The book speaks for itself. Actually, it doesn't. The people in word and image speak for themselves.
Titleless, identified only by numbers, these poems have vivid metaphors and imagery ("let not winter's ragged hand deface," "gold candles fix'd in heaven's air"). The tone of the poetry varies from one sonnet to the next; sometimes it focuses on old age, to love that "looks upon tempests and is not shaken," and simple expressions that can't really be interpreted any other way. Some of it is pretty well-known ("Shall I compare thee to a summer's day?/Thou art more lovely and more temperate") but most of them you won't have seen before.
Even if you're not normally a fan of poetry, the delicate touch of Shakespeare's words is worth checking into. Fantastic.