To find a man like William Law in 17th century England is as unexpected as finding a violet blooming in the Arctic. It's almost beyond anyone's powers to fully describe the beauty, benevolence, and wisdom--and good solid sense--of his spiritual advice. Consider instead the character of those who have praised him: there's Samuel Johnson, who took up Law in a frivolous mood in his youth and found himself nearly bowled over; or closer to our own age, C. S. Lewis and Aldous Huxley. The most memorable parts of the _Serious_Call_ are those where Law (following the model of Theophrastus's _Characters_) describes several spiritual types and how their natures relate to the pursuit of the devout life. The _Spirit_of_Love_ is a later work, written after Law had been influenced by the German mystic Behmen; if you're not acquainted with Christian mysticism, it might be hard to follow. But do not miss Law's account of the Atonement, particularly if you're one who has always felt scandalized by the "blood sacrifice" theology emphasized in traditional Protestantism.

This is the most challenging book I have ever read on following the teachings of Christ practically in every day living. The conviction was so fierce that it was hard to get through the first chapter. His words bear so much truth it motivates you to want to be more like Christ himself.

I came to Wheelwright, as I suppose many do, after coming across John Ashbery's various references to him. One can only say that he should be read, while understanding that he won't be. A weird, risk-taking poet, whose best lyrics achieve a kind of negative comprehension.

Warning: Some minor parts of the plot revealed

The first thing you will notice when you start reading this book is the words used. This book will certainly drain your mind, and force you to look up many words they used in Nathaniel Hawthorne's time, but are not used today. The work pays off though with a good story.

It tells the tale of what happens after an adulterous affair between a young women (Hester Prynne) and a preacher (Dimmesdale) in Boston's Puritan society. Chillingsworth (Hester's husband), a scholar from England, comes into the story when Hester is being punished in front of the town. He makes it his mission to find who did this with his wife.

The story turns out to show what guilt and revenge can do to people. Chillingsworth and Dimmesdale are both affected by their obsession. Both men allow their obsession to put both pysical and mental pain on them. The effects can be seen in their actions and how they deteriate.

This is a story you will long remember. Do yourself a favor though, have a dictionary close by. I warn you: Do not expect an easy read.

I enjoyed reading The Scarlet Letter. I was not forced into by a Literature teacher; I picked it up on my own because I heard it was a great American classic; and, indeed, I have to agree. It is truly timeless. It has been almost five years since I have read this book and I can remember the scenes and words so vividly. Hawthorne's dizzying imagery provides an adventure into the life of a Puritan woman, Hester Prynne, that one does not soon forget.

Hester, practically abandoned by her husband is left to take care of herself in a lonely new world. She is flesh and bone with desires and passions like any other human being. Hester commits adultery and is found out by a cruel, judging community. She must wear a Scarlet A on the front of her dress; A for Adultery. Hester refuses to give the name of her lover Dimmesdale so he goes free and untouched by the damning society, but must face the tortures of his own conscience.

Hester is humiliated and must suffer the consequences for her actions but she is not a broken woman. She stands, brave.

Dimmesdale comes through in the end and admits his role in the dangerous game. Hawthorne takes the readers on a spinning ride to get to this point. Read it and know the exact ending for yourself. I recommend it; highly.

One of the American classics, THE SCARLET LETTER tells of a woman named Hester Prynne in late 17th century who committed the then-unforgivable sin of adultery. She had been living in Boston for two years and had been found guilty of bearing a child (Pearl) by an unknown father. As punishment for her sin, Hester was forced to wear a scarlet A (adultery) on the bodice of her dress and to stand on a public scaffold before Boston's townspeople.

The opening chapter "Custom House" seemed irrelevant to the rest of the novel the first time I read the book. It was not until a couple of years later I found it not true when I re-read the novel. I do have to admit that Hawthrone's writing style can drag at times, the once-seemed boring opening chapter significantly set the mood for the rest of the novel.

"Custom House" does not seem to be an integral part of the story; yet the passage in which Hawthrone tells of having discovered, in the Salem Custom House, the faded scarlet A and the parchment foolscap sheets containing the facts which he says he used as the basis for this novel. The two landmarks mentioned at the beginning: prison and cemetry, point to the central themes of punishment and death, which will be combined in the climax of the novel. Prison might symbolize how Hester Prynne, who wore that scarlet A on the bodice, was forever locked in by her sin.

This entire tale is filled with symbolisms. The prison is described as "the black flower of the civilized society". The tombstone at the end of the book implies that crime and punishment may well bring about the death of such civilized life. The most popular and conspicuous symbol that is well sustained throughtout the book is the scalet A that is worn by Hester Prynne. Initially it is a red cloth letter which is a literal symbol of the sin of adultery. But the author makes the symbol A much more richly symbolic throughout the rest of the tale. The scaffold is not only a symbol of the stern Puritan code, but also a symbol for the open acknowledgment of personal sin. Night and day are symbols for concealment and openness. The sun symbolizes happiness and freedom of guilt. The list goes on and on....

Arthur Dimmensdale, Roger Chillingworth, Hester Prynne, and Pearl themselves, are symbols as well. They reflect certain view of sins and effects on humans and society. The book might take strength and effort to read; but it's not quite a bad read.