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Illustrated with dozens of photographs, several of which are captioned with memorable quotations, "Shadow Ball" is a nice addition to your collection of baseball books, whether as an introduction to the history of black baseball in America or as a chance to learn more about the topic. This is one of a series of three volumes based on the "Baseball Documentary," the others being "25 Great Moments" and "Who Invented the Game?" (the latter is grossly misnamed since it is essentially a history of baseball and pretty much a condensed version of the documentary).
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List price: $19.95 (that's 30% off!)
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I especially liked that the book didn't shy away from some of these women's more controversial stands, such as taking on the black person's cause.
All in all, a very good book.
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List price: $34.95 (that's 30% off!)
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He was born in 19th century Missouri and raised during a time when major political, economic, social, and cultural issues were forging America's identity. The rugged 19th century also molded Twain into an outspoken critic of those forces, providing him with an unending stream of material for his cogent and waggish observations.
Amid a collection of excerpts from his novels and speeches, articles and essays, as well as numerous pictures and illustrations, the authors present an insightful analysis of the man best known for writing TOM SAWYER and HUCKLEBERRY FINN. What becomes obvious is the relevance, creativity and importance of all his work, not just the books we were assigned in high school.
This book is a treasure; the kind of book that can be referred to often. It can give food for thought for hours of reflection. It is Highly Recommended.
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MARK TWAIN: AN ILLUSTRATED BIOGRAPHY is a companion to a two-part, four-hour documentary film, directed by Ken Burns, on the life and work of Samuel Langhorne Clemens and his "famously, irrepressibly rambunctious alter ego Mark Twain."
Ernest Hemingway once said that Twain is "the headwater of American fiction" and called THE ADVENTURES OF HUCKLEBERRY FINN "the best book we've ever had. There was nothing before. There's been nothing as good since."
George Bernard Shaw referred to Twain as "America's Voltaire."
William Dean Howells described Twain as "incomparable, the Lincoln of our literature."
Susy Clemens once wrote of her father: "He is known to the public as a humorist, but he has much more in him that is earnest than that is humorous. He is as much of a Philosopher as anything, I think."
In this reviewer's considered judgment, Twain is the greatest literary genius America has produced, a thinker of remarkable depth and substance.
Twain's life was filled with many travels, adventures ... and tragedies. Born in 1835, when Halley's comet made its appearance, he lived for 75 years, until 1910, when Halley's comet returned. He survived, and suffered, the death of his beloved wife "Livy" (Olivia Louise Langdon), and three of their children: Langdon, who died in infancy; Susy, who died of spinal meningitis at age 24; and Jean, who died of a heart attack evidently brought on by an epileptic seizure.
"The secret source of humor itself," wrote Twain, "is not joy, but sorrow. There is no humor in heaven. ... [Our] race, in its poverty, has unquestionably one really effective weapon--laughter. Against the assault of laughter nothing can stand."
Laughter and sorrow: Twain was well acquainted with both. Known superficially to many admirers as merely a humorist or funny man, Twain was essentially, as he described himself, "a moralist in disguise" who preached sermons to "the damned human race."
Twain's literary corpus abounds with excoriating criticisms of racism, anti-Semitism, religious hypocrisy, governmental arrogance and imperialism, petty tyrants, and Philistine culture. His often deadpan humor bristles with barbed satire and withering sarcasm.
In addition to its narrative text, this volume includes five bonus essays: "Hannibal's Sam Clemens," by Ron Powers; "Hartford's Mark Twain," by John Boyer; "The Six-Letter Word," by Jocelyn Chadwick; "Out at the Edges," by Russell Banks; and an interview with Hal Holbrook, "Aren't We Funny Animals?"
MARK TWAIN: AN ILLUSTRATED BIOGRAPHY is a rich and rewarding book.
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1. It is way overpriced. Too thin, not enough info for [price], even if Amazon discounts it. Ideas are repeated over and over again.
2. These authors (and others who review their buddies' books on Amazon and give biased reviews) are making a living off you buying into XP. It is funny how they say the last thing you want to do is adopt XP only partially.
3. So don't waste your money on more than one book from this group of XP diciples who are rehashing the same info over and over in about a dozen different books.
4. You can adopt only some of the principles provided in XP without adopting the whole practice. I've seen it done successfully in many places. These principles existed before XP and they can exist without it.
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- Design Improvement: " Refactoring: Improving the Design of Existing Code " by Martin Fowler;
- Test-Driven Development: "Test Driven Development: By Example " by Kent Beck;
- Sustainable Pace: "Slack: Getting Past Burnout, Busywork, and the Myth of Total Efficiency" by Tom DeMarco;
- Pair Programming: "Pair Programming Illuminated" by Laurie Williams and Robert Kessler;
- Whole Team: "Agile Software Development" by Alistair Cockburn;
- Planning Game: "Planning Extreme Programming" by Kent Beck, Martin Fowler;
- Small Releases: "Software Project Survival Guide" by Steve C McConnell.
This book covers most of the XP practices at a glance, but with sufficient level of details. It tells in practice:
- How to introduce XP, how to overcome managers' and developers' resistance, how to set the right attitude (Part One);
- How to remember XP core values, how to handle exceptions if something has broken, e.g. the customer won't write stories or the number of developers is odd, how to do pair programming or stand-up meetings, how to steer and how to plan the whole project and the individual iterations, how to write tests, to create the pair-friendly space, how to refactor, and how to reduce the risk (Part Two);
- How do design the simple, what collective ownership means, how to automate acceptance tests and not get distracted by the code, why the overtime is not the answer and how to coach and keep the score (Part Three);
-How to "sell XP" (commercial aspects of XP projects, e.g. how to bill the customer), how to "scale XP", and how to "measure XP" (Part Four).
Enough said, this is the most practical book among all the XP books ever published.
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Some parts of the book assume that you know a little about XP at the start and you have to wait for a fuller description further on in the text to gain understanding. I didn't find this too much of an issue but you may want to buy one other introductory XP book to help.
I enjoyed the authors writing style and liked the use of guest experts in reinforcing the methodology.
Well worth the cost as you only need to buy this book and perhaps one other to get the XP story.
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Used price: $4.24
Collectible price: $10.70
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The book is a visual delight, with pictures and maps everywhere. As someone who has complained vigorously of the lack of maps in other war books (see my complaints about Keegan's World War I history), I was quite happy with the care shown in this area. There is great first-hand information on the life of the grunt. You really get a feel for what the war felt like, from a wide variety of perspectives.
I also appreciated how the political/military relationship in the Union is covered. Lincoln did many things militarily due to political reasons. Those reasons are explained wonderfully.
Two major flaws in the book. The Shelby Foote interview is a waste of paper, he comes across sounding like a senile old man in a wheelchair, rambling on and on. The other issue I have is the way Gettysburg is covered. In the book, Gettysburg comes from nowhere. Why did both the Union and the Rebels see this as a big battle BEFORE it was fought. What did each side hope to gain from the battle outside killing the other army? There had to be some overall strategy, but the book gives none.
Overall, a great 1-volume starting point to learn about this time in American History.
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"The Civil War: An Illustrated History"is an outstanding book - like its film counterpart, an excellent work of history, powerfully written by gifted writers with a genuine passion for their subject. Ward and Burns have written a graceful and eloquent basic survey of the Civil War that even the most battle-hardened Civil War buffs will find a wonderful reading experience.
The authors provide a straightforward narrative of events without much historical interpretation of events. That doesn't mean there isn't any analysis of historical events, however. In what I consider an act of literary genius, Ward and Burns enlisted the help of some of America's greatest Civil War historians - writers like James McPherson , Shelby Foote, Barbara J. Fields, and the late C. Vann Woodward. These outstanding historians, and others, wrote a series of essays that provided outstanding analyses of the causes, effects, and events of the Civil War.
"The Civil War: An Illustrated History"is far more than a few hundred pages of stuffy historical text. It's as visually appealing as it is wonderful to read. Nearly every page is crammed with Civil War era paintings, photographs and maps. The paintings add tremendous color to each page, but the photographs that pack the REAL emotional wallop! Many of them were taken by famed Civil War photographer Matthew Brady. In this book you'll see famous photographs, like Brady's renowned portraits of Lincoln, Grand and Lee; and other, starker, but less famous pictures, like the Fredericksburg, Gettysburg, and Petersburg battlefields as they appeared in the days following their respective battles.
"The Civil War: An Illustrated History"is one of those rare "companion" books that not only complements the PBS film series from which it originates; it towers alongside it. Readers should have no hesitation in reading this book without having first seen the film series.
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To respond to some of the criticisms I've read: yes - the documentary does focus heavily on baseball in New York and Boston. But guess what? Until expansion, and the Dodgers and Giants up and heading to California, 5 of 16 major league teams played in those two cities. And those teams *always* won in the early years. And yes, Burns does overdo it with the 'talking heads.' Some are great (I especially like Robert Creamer, and, of course, who can resist Buck O'Neill....) But Mario Cuoumo? I'd have really appreciated more interviews with players and plain old fans, not folks with other agendas.
But I still give it five stars. I pull this out and watch an episode at least once a month, and I can't watch anymore without keeping a copy of the Baseball Encyclopedia near at hand. It's an absolutely stunning film.
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Using excellent still photos and real game footage, Burns brings the game of baseball to life as only he can. This excellent set is definitely worth the money. I highly recommend this series. Baseball fans everywhere will definitely enjoy it.
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One of my favorite episodes is "Shadowball" which focuses on the Negro Leagues and the admission of minorities into Major League Baseball. Buck O'Neil, the charismatic player, coach, and historian has some great insight to the old game. By the way, if you are ever in Kansas City, stop by the Negro League Hall of Fame. Chances are Buck will greet you personally and spend time discussing baseball with you for as long as you like. It was one of my most cherished baseball moments.
Burns triumphs with a granular look at the various eras in baseball. For the die-hard fan, this is a must for your collection. I tear up every time I hear Gehrig's "luckiest man alive" speech, sing along with the "Say Hey" song, etc. Burns puts you right in the moment.
You'll love it. I just wish Burns would add one more volume to update until the end of the century. But we would always be going back for more as long as the game is played.