This book is very engaging and thought provoking. I'm sure the apologists for bigness dislike this book a great deal. Unlike most business and economics texts this book is chock full of references. The apologists for bigness have nice sounding philosophies but they rarely have any real world data to back up their grand ideas. The authors of this book have the facts to back up their argument that bigness, in and of itself, is bad. A very persuasive argument that will be difficult to counter in a rational manner.

This was an excellent and thought provoking book. They challenge the assumption that big is better by showing fact after fact after fact that proves otherwise. The best part of the book is that, unlike most management, business, and economic texts, it isn't just theoretical philosophizing with no basis in reality. Every chapter is laden with dozens of references to real world events and published facts. If only the Bigness apologists had so much evidence it would be easier to take them seriously....

This book is a must read for anyone concerned with health care allocation for the geriatric population. The chapters present a wide range of view from the casuist approach to the pure utilitarian.

I'm saddened to discover this classic is out of print. Walter Hurst really knew how to weave through the technicalities and legalities of Hollywood Show Biz during the 1970's and 80's. Newcomers to the biz have lost a valuable resource. I certainly benefitted from the sample contracts and forms provided in this and about fifteen other books he published.

The authors did an excellent job of taking a topic so broad, such as school finance and education policy, and presenting it in a concise format. Professors using this text book have the freedom to delve deeply into specific chapter topics as needed, while also having the opportunity to cover the broader spectrum of school fincance and education policy as permitted by the course calendar. An update of the book would be greatly appreciated.

There have been other books and journal articles written about this remote Mexican village, but with the publication of "The Many Faces of Mata Ortiz," a more comprehensive exposure is given to the talented artisans living there. No longer will Americans snub their noses at the Made in Mexico country of origin trademark.The incredible pottery of Mata Ortiz has done much to dispel the notion of Mexican art as being inferior to American art.People the world over can now appreciate the beauty of the works that are produced in the village since the book clearly shows the artists with full-size colored photographs of their creations. In addition, but not less important, the authors introduce us to the potters in such a personal way that we can't help but feel an attachment to them and to their lives.We also learn of the historical importance of the ancient Casas Grandes ruins from which Juan Quezada, the founder of the movement, first explored and experimented. This nearby pre-Columbian city was an important trading center from Mesoamerica to the Southwest and was noted in the 12th to the 15th centuries for its high quality pottery production. Now, people will have a greater understanding of the connection between the tribes of Mexico to the tribes of the Southwest. This book has it all and is most welcomed by experts and collectors alike.

This is the best pottery book I have ever found! It is layed out in an informative, and beautiful manner. Not only is the pottery exquisite, but the photographs represent the pieces at their best. It is easy to understand, and gets one passionate about an art movement, that we can actually be a part of, in this twenty-first century. It is highly unsual to be living during a time when a new art movement is going on, and still striving for it's pinnacle. We see this with the unequalled workmanship of the Matiz Ortiz people in their Casas Grandes/Matiz Ortiz pottery. I really enjoyed getting to know each potter by name and photo, coupled with seeing their work, and feeling a part of their extended family. Juan Quesada, the founder of this artistic movement, is a highly spiritual individual, generous and gifted beyond belief. He is the reason that this wonderful pottery is being shown to the world. I am an artist that does pottery, and a retired teacher. I would recommend this book to all art teachers, and anyone who appreciates great art.

This book was my introduction to the world of the artisans of Mata Ortiz, Mexico, and their amazing ceramic creations. While the decorative motifs and other aspects of the pottery were familiar to me, I found that the photography, which I suspect was done with specialized "light painting" techniques, brought out the form, texture, and pattern of the pieces with wonderfully rich detail and nuance. The images were clearly created by a photographer who was very intent on rendering a physical, tactile sense of the objects she was recording. Coupled with other photographs of the artisans at work, and the surrounding Mexican landscape, the book is a compelling portrait of both the people who create the works of art and the art itself.

After reading the back cover and introduction of this book, I expected a rather harsh portrayal of neoclassical economics. This book does not end up being too crtical of the Chicago school. Of course there are a number of strawmen in this book, portions where the expert is portrayed as an out of touch academic oblivious to the effects of his theories. Perhaps my greatest criticism of this book is that it does not adequately exlore the "sovereign's charter" - the government maintained monopolies. The authors refer to the concentration in the airline industry without really considering the effects of regulation that excluded foreign airlines from domestic routes. In addition, the authors do not seem to commit enough attention to the availability of substitutes for virtually any commodity or service. Even if the major airlines offer fewer flights from a particular airport in the long run smaller air lines will establish routes. If not, there are alternatives like high speed rail. At the exteremes, one could consider technological advances like teleconferencing and electronic data exchange reduce the need for certain forms of business flights. Overall, however, the book only takes a few hours to read and introduces the major debates of this subject.

This is the same topic the authors have tackled in their other books, this time presented in a somewhat screenplay-ish format. Once again it is an argument between theory and evidence. As you read the discussion between the lawyer and the economist you wonder why the economist always retreats to theory in the face of evidence. It would interesting to hear a Chicago economist's explanation of the facts Adams and Brock bring to bear.

Very few surgical fields demand a complete and comprehensive knowledge of the entire human body. Plastics and reconstructive surgery is right up there when it comes to that. A successful Plastic surgeon incorporates knowledge of Gross anatomy, microscopic anatomy, tissue physiology, physiology of the patient itself and the innate aesthetic sense to recreate from tissue and prosthesis alike.

Grabb and Smith's text offers a comprehensive and engaging review of the essential aspects of Plastic surgery. Each Chapter starts with a review of clinical anatomy and leads on to Clinical aspects of diease. Historically important surgical approaches as well as current techniques are discussed. Disease classification is also described in excellent details through the use of tables.

I do firmly believe that this book is a worthwhile investment of time and money.

When I received the Book with Cd I thought that Cd will contain some interactive materials or MCQ self test kind. To find the CD as exact version of the book makes me wonder whats the idea behind.

I picked this out of a "Bargain Books" collection, and it sat at my bedside for over a year. I finally got around to it and loved it!!

The author has retranslated and EXTENSIVELY annotated Verne's original story. You'll learn all sorts of fascinating detail about the history and science of the era. Well worth a few nights of insomnia

I used this book to study for the ID boards in 2001. I found
it well organized and thorough enough for most topics. The travel medicine sections were excellent as were the sections on
bacterial infections. The chapters on viral infection could
have been a bit more thorough but were for the most part adequate. The sections on parasitic diseases were very well
written and appropriate for board review. Overall, I recommend
this text for ID fellows and ID practicing physicians but not for physicians in other fields.

I've seen some reviews that criticize the book for being too stream of consciousness and others for not being s.o.c. enough. The fact is, for the most part it's not s.o.c. at all. (See the Chicago Manual of Style, 10.45-10.47 and note the example they give...Joyce knew how to write s.o.c.). A better word for A Portrait is impressionistic. Joyce is more concerned with giving the reader an impression of Stephen's experience than with emptying the contents of his head. What's confusing is the style mirrors the way Stephen interprets his experiences at the time, according to the level of his mental development.

When Stephen is a baby, you get only what comes in through the five senses. When he is a young boy, you get the experience refracted through a prism of many things: his illness (for those who've read Ulysses, here is the beginning of Stephen's hydrophobia - "How cold and slimy the water had been! A fellow had once seen a big rat jump into the scum."), his poor eyesight, the radically mixed signals he's been given about religion and politics (the Christmas meal), his unfair punishment, and maybe most important of all, his father's unusual expressions (growing up with phrases like, "There's more cunning in one of those warts on his bald head than in a pack of jack foxes" how could this kid become anything but a writer?)

It is crucial to understand that Stephen's experiences are being given a certain inflection in this way when you come to the middle of the book and the sermon. You have to remember that Stephen has been far from a good Catholic boy. Among other things, he's been visting the brothels! The sermon hits him with a special intensity, so much so that it changes his life forever. Before it he's completely absorbed in the physical: food, sex, etc. After it he becomes just as absorbed in the spiritual/aesthetic world. It's the sermon that really puts him on the track to becoming an artist. One reviewer called the sermon overwrought. Well, of course it's overwrought. That's the whole point. Read it with your sense of humor turned on and keep in mind that you're getting the sermon the way you get everything else in the book: through Stephen.

After Stephen decides he doesn't want to be a priest, the idea of becoming an artist really starts to take hold. And when he sees the girl on the beach, his life is set for good. That scene has to be one of the most beautiful in all of literature. After that, Stephen develops his theory of esthetics with the help of Aristotle and Aquinas and we find ourselves moving from one conversation to another not unlike in Plato (each conversation with the appropriate inflection of college boy pomposity). In the end, Stephen asks his "father" to support him as he goes into the real world to create something. I like to think that this is an echo of the very first line in the book. The father, in one of many senses, is the moocow story. The story gave birth to Stephen's imagination and now it's the son's turn to create.

This is such a rich and beautiful book. I suppose it's possible for people to "get it" and still not like it, but I really think if you read and re-read, and maybe do a little research, the book will open up to you the way it did to me.

"A Portrait of the Artist as a Young Man" is James Joyce's autobiographical novel, first appeared in book form in 1916. After over 80 years it is still read and studied all over the world highlighting the place it has received in literature. It portrays the early and teenage life of Stephen Dedalus. This is the same character who later appears in 'Ulysses' (1922) as a matured adult.

Joyce walks us through the life of Stephen Dedalus in five stages written in a third-person narrative. Anyone interested in Joyce's intellectual, spiritual and physical journey of life should read this great classic which is the prelude to 'Ulysses', one of the best novels ever written in the 20th centaury.

As Ezra Pound correctly predicted 'A Portrait of the Artist as a Young Man' would "remain a permanent part of English literature" for centuries similar to the place 'Ulysses' has reached in literature.

A PORTRAIT OF THE ARTIST AS A YOUNG MAN does not so much solicit deep thoughts and great emotions so much as it wrings them out of the reader. To finish this book is not to feel uplifted and encouraged for Stephen Dedalus, but to feel that at least he has made progress and knows enough of his strengths and weaknesses that he may make something of himself. Is this not possibly where we are left at the end of all great coming-of-age novels?

Joyce takes us through five stages of Stephen's youth. As a boy in 1890's Dublin he hears his father arguing that Irish nationalism has been sold out by the Catholic clergy. Soon Stephen's hands are "crumpling" beneath the paddle of an unjust priest. He becomes a leader in his class, an intellectual in a world where many believe: "If we are a priestridden race we ought to be proud of it. They are the apple of God's eye." Later Joyce spends eleven inimitable pages on these apples explaining in colorfully exhaustive detail what it would be like to be baked in a hellpie (for God is loving but God's justice is harsh). Five pages on the physical tortures of the eternal fire, and six more after a break about the mental tortures--Dante himself would be impressed. Fear of hell scares Stephen sufficiently enough to repent from his teenage brothel-frequenting phase. He goes to rather interesting extremes of devotion, even considering the priesthood as a vocation. But his questioning nature is even too intellectual for the jesuits and he discovers another path for himself at and after college.

Joyce writes poetic, often urgent prose: "To live, to err, to fall, to triumph, to create life out of life!" becomes one of Stephen's clarion calls. A PORTRAIT OF THE ARTIST AS A YOUNG MAN should be read by anyone looking for one of the best tales of intellectual, physical and spiritual awakening we have. Its beauty is best savored slowly. The rhythms might be difficult to pick up at first, but it really won't take very long until you will have a hard time putting the book down.