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While certainly atypical, he is a reminder that even though the legal system was set up to the detriment of blacks throughout the slave states, it was possible for a slave with a careless or sympathetic master to become free -- and once free, to become wealthy. This is an inspiring story. Just don't read this one book and assume that you know everything you need to know about American slavery. This is the encouraging reminder that even a bigoted legal system wasn't enough to keep a hard worker from moving ahead in the relatively free market of the American frontier.
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There are plenty of programs and books for estimating, but when you get right down to it there's only one Walker's -- an authoritative reference that shows you how to work up your own costs.
The estimating guides I've seen amount to little more than unit cost catalogs. With a cost data book, you wind up with someone else's estimate for someone else's job. This book is much more thorough. It's a "how-to" approach. You can do custom bids that cost out the job you are faced with, with real accuracy, and allow yourself flexibility and control.
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I also love the honesty of Hummingbird and Taking the Stares. These two poems examine the state of our collective humanity. Affilacia is an autobiography, a claiming of space and identity and a lyric love story to family (African and Affrilachian).
The poems in Affrilachia are like the Southern pecan tree: enduring, real and tasty.
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After this we get to Vance's work with Lucille Ball, and at this point, if one has already read the growing number of books on Lucy and her television work, there is really only so much more to be said that hasn't been said before. This is not the authors' fault, however, and they more than compensate with fascinating information about Vance's two main marriages and her bout with depression.
If there is one flaw in this book, it is that the authors appear to lose interest in their subject after Vance leaves THE LUCY SHOW. Vance was quite distraught that she was forever associated with the Ethel character, and yet for the last fifteen years of her life, the authors -- belying that what they are at heart is Lucy fans who came to wonder what was up with Vivian Vance -- seem mainly interested in her life to the extent that it occasionally reconnected with Lucy's. Yet during this period Vance did several theatre tours and stock appearances and television productions. Things like this can make interesting reading as well -- witness William Henry III's book on Jackie Gleason, THE GREAT ONE -- but the authors seem to consider all of this mere "postscripts", not having gone to the trouble to view the TV appearances, dig up info on most of the plays. I now feel like I more or less knew the Vance of her New York days, but the post-LUCY Vance remains a kind of footnote.
However, overall, hats off to the authors for bringing this wonderful performer to light. Now it's time for someone to give Eve Arden similar treatment...