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This book is exquisite, to see and touch as well as to read, and the prayers are beautiful. Archbishop Tutu prefaces each chapter with a meditation on the topic: those alone are well worth owning the book. A wonderful collection.
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Simply put, this book that convinced me Alice is a Talent with a capital "T". She starts with a lovely preface, "In keeping faith with Poetry's honest help to me, I have not deleted or changed--beyond a word or two--anything I have written, though greatly tempted at times to do so. The young self, the naive promiscuous self, appear doubly vulnerable now, in light of my unexpected bonus of years, and the experience they have brought me. I embrace them all, as Poetry embraced me..." From there, she follows with some beautiful, beautiful poetry, speaking to the struggle to develop and improve as an artist.
There are mis-steps, irritations. "There are no tigers/in Africa!/You say./Frowning./Yes. I say./Smiling./But they are/very beautiful." doesn't do much for me. I prefer my evocations of Africa without this almost Disney-esque gloss of "all cool primitive things we'll embrace as African."
Cumulatively, however--the poems are terrific. It's not often that I read through an entire volume of poetry without putting it down. Read this book for all its warts and missteps--and glory in it for its terrific human achievement.
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Amazing photography and unique insight into far lands and distant peoples. "In Her Hands" takes you on a journey to the places you've always wanted to go and into the lives of the people you wish you'd meet when you travel. Women around the world, working to create art and improve their lives. No flashy get-rich-quick success stories, no explosive dot-com egos, but real people who truly earn their success, day by day. The book deals fairly and honestly with complex issues of traditional societies around the world, as women invest their own money in the education of their children and change their local economies.
Beautiful, color-rich images help tell the tale all along. Like photography from LIFE magazine or National Geo, the photos make stories of In Her Hands almost leap from the page.
I highly recommend this to anyone and will be buying many copies as gifts for the holidays!
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This tape includes an interview as well as poems that Walker recites with an occasional backdrop of Bluegrass/Folksy music. She discusses with genuine concern issues such as the creative writing process, religion, the repulsive act of Female Genital Mutilation (which she has researched and written about elsewhere), anger and rage, remorse, reunion, animals, racism, meditation, silence, personal identity, and many other topics.
This interview took place in Walker's home in Northern California and you can sense the utter peace, silence, and a very deep spiritual focus surrounding her dwelling. Her presence (from just hearing her voice) is deeply mysterious with a quiet power.
It is probable that only die-hard Walker fans will search this tape out. This is really a shame. But, I suppose (as Patti Smith once said) those who seek feel the glow.
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The pieces include book reviews, letters to various publications, autobiographical pieces, and other prose selections. Many of her essays and reviews represent Walker's views on a range of literary figures: Jean Toomer, Langston Hughes, Flannery O'Connor, Phillis Wheatley, Buchi Emecheta, and many more. Particularly interesting is her essay about Rebecca Jackson, a 19th century African-American woman who joined a Shaker community. Especially important are Walker's writings about Zora Neale Hurston, whom she reclaims as a black literary foremother.
Other highlights include articles about Martin Luther King and his widow Coretta Scott King, and an account of a trip to Castro's Cuba. She also includes an article about "Conditions: Five," the important collection of writings by black lesbian and straight women.
Alice Walker may be best known to general audiences for her novel "The Color Purple," but "In Search..." reminds me of her skill and passion as an essayist. This is a collection which is, I believe, historically important for the academic field of women's studies. But it is not just a scholarly artifact; it is also a book that holds power and relevance that go beyond its historical moment.