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I'd give it ten stars if I could! You learn so much about her life and career from it.
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Known for her breathtaking work in the films "Gone With the Wind" and "A Streetcar Named Desire", Walker's story reveals a woman who was, in essence, both Scarlett O'Hara and Blanche DuBois: a charming, stubborn, headstrong woman and fragile, uncertain human being. Leigh's story is chronicled from her early childhood years in India, to the pretty young girl who passionately desired to be an actress, to the woman who left a husband and child to court Laurence Olivier, to the movie star that the world fell in love with.
Leigh's success as a Hollywood actress and storybook romance with Olivier would prove temporarily satisfying for a woman who craved more than she had: more love, more adoration, to be more sure of herself... and both would become catalysts in the snapping of her delicate mental balance. Leigh's fragile state of mind bewildered the husband whom she lived for, and the costars who could never speak more fondly of her. Ultimately, Leigh seems never to have had the security that she so desperately wanted, but somehow managed to make it as long as she did.
And the book reveals a lighter side of Leigh, an intellectual, witty lady who was charming and indeed beautiful to many who knew her, and could also have a very tart sense of humor when it suited her. She was an actress always expanding her range, from London melodramas to Hollywood epics to Broadway musicals.
Yet through it all, Leigh retained her quiet dignity and serenity until the day she died, leaving behind an extraordinary legacy of films, appearances, and memories... shared for the first time in this extraordinary, meticulously researched biography, which perfectly captures the essence of the woman who was Vivien Leigh, the woman, Vivien Leigh, the movie star, and Vivien Leigh, the human being. As enchanting and unforgettable as Leigh herself, "Vivien: The Life of Vivien Leigh" will be enjoyed and savored by those touched by Leigh's talent and who will always love her.
It starts from the beginning of her life in London where her mother's strong willed attitude pushes Elizabeth forward. Alexander focuses on her success in many movies such as National Velvet, A Place in the Sun, and Cleopatra. The Oscar winning performance she gave in Butterfield 8 and the two academy awards that made her a legend are depicted.
Along with all the positive aspects of her life also came the long downfalls that have intrigued us over the years. Elizabeth's eight marriages are uncovered along with her conniving personality that broke apart other people's marriages. Her obsessions of jewelry, clothing, and sex are exposed. The truth behind her ongoing drug and alcohol abuse is revealed. Elizabeth's suicide attempt at age 29 along with the 73 total hospitalizations throughout her life is publicized. This book shows us the real Elizabeth outside of the glamour. The dramatic experiences with facing the public with the on going scandals and personal tragedies is drawn out for the readers.
This book gives a true insight in Elizabeth Taylor's life. From the high points to downfalls, her life is captured by Alexander Walker to its fullest. Elizabeth's life has been an often-tragic fairytale that people have followed throughout the past 50 years.
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But this is a book review and I'll put aside old feelings to say that this is a literary gem that brings to life a way of life on which so many stereotypes of the South are built. And Will Percy is amazingly honest in his descriptions of his society. However, a society this simple and yet this complex takes more than just one book to grasp.
Thus, I also recommend "Rising Tide" by John Barry and "The Most Southern Place on Earth: The Mississippi Delta and the Roots of Regional Identity" by James Cobb to balance your view of this time and place in history.
Bottom line: This is a wonderful, beautifully written story that is refreshingly candid with none of the defensiveness and politically correct breast beating of many of the works of southern writers of recent years.
If you're only going to read one book about the South, or about this elite, read John Barry's Rising Tide, a truly brilliant and magnificently-- almost breathtakingly-- written book. There you gte all of Percy's story plus more perspective and deeper understanding-- indeed, RT may even give you a deeper understanding of Percy than his autobuiography does.
If you're going to read 2 books on the South, then read RT and Mind of the South by Cash. Cash focuses more on the mindset of the rednecks, while Percy is very much an aristocrat. To a certain extent the Percy and Cash books complement each other. In fact, to Percy the word "anglo-saxon" was an insult. He considered himself descended from the Norman conquerors of the Anglo-saxons, and saw them as serfs. That little insight comes from Rising Tide.
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To date, this is the only major book made with the cooperation of Kubrick himself. The photographs in each chapter are taken from still frames from the actual films. The author provides brief summaries for each photograph, showing its use of lighting, camera placement or relation to another Kubrick film (Slow Motion shots, light used is from the light source one would expect at the actual location).
According to the author, anything in Kubrick's movies has symbolism or some meaning to it, and this is where the book's only flaw is. Camera angles, lighting, set design and decoration even phrases numbers and placements of objects can be interpreted to have some meaning. He also has interesting ideas about the movies (One of my favorites is his belief that the soldiers in Full Metal Jacket's boot camp are lab mice being experimented and reconditioned on). However, this can also be very, very helpful to understand the films more. The author shows that each Kubrick film can have more depth than meets the eye (If you still think "2001" is only about boredom, you need this book). Just make sure you have seen the movies before reading for there are major plot spoilers.
On the whole, Walker's analyses of Kubrick's films are good, not great: I think he is really off-base in praising Tom Cruise's acting in 'Eyes Wide Shut' and in denigrating Kubrick's use of the occult in 'The Shining.' However, his analyses of 'Barry Lyndon' and 'Full Metal Jacket' were astute, and he successfully links certain themes and motifs throughout all of Kubrick's films.
Finally, although normally I don't like a huge amount of pictures in a book because of how they always jack up the price, here the pictures are well-chosen and either help jog your memory about the films or help you understand them if you haven't seen them. I will say that some of the pictures were much larger than they needed to be - I didn't need a full two-page spread of the atomic bomb exploding in 'Dr. Strangelove' - but that's a minor criticism.
All in all, a generally fun book.
comprehensive" book yet written on Kubrick. And it's clear the
author's personal relationship with him enhances understanding of his
films. But it's also obvious that the book was rushed onto the shelves
to capitalize on the publicity surrounding Kubrick's last film and the
director's death -- unless, of course, the typos and printer errors
are an artistic statement about mankind's pointless quest for
perfection...
The strongest part of the book is in finding subtle
similarities among the films, both in style and content, and in
tracing the evolution of the director's ability to put his ideas
onscreen.
But the writing is occasionally overblown, presenting
obvious points as if they were major revelations. The section on
'Kubrick's Use of Color' is almost laughable, looking like a
four-color decoy for the rest of the book's cheaply done b/w. its
analysis pretty much boils down to 'He used a lot of red.'
An
editorial description above refers to 'frame-by-frame' analysis, but
that's pretty misleading. There is some detailed technical insight,
but not for every film. And in sections that discuss particular
sequences, the accompanying photos are often on different pages. The
section on EWS is pretty splapdash.
But there is also some really
interesting stuff here. It's just too bad they didn't spend a little
more time sealing the cracks.
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He writes authoritatively about Davis' career: from her early days in stock companies to her super-stardom and decline. As a celebration of her career, the book charms.
But what makes this book an above-avarage bio is the hundreds upon hundreds of carefully chosen stills of her films from the extensive Kobal Collection.
As entertaining as it is hard to put down. A must for anybody who has a keen interest in Hollywood history.