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During the course of his reading one can observe that Gibran is a fervernt and outspoken champion of the cause of human rights. He has waged a struggle to strengthen the recognition of youth's freedom of action in love, and abolish from the social structure some of the prevailing ancient marriage customs. He has a strong condemnation of traditions of pre-arranged marriages of children by their parents, in complete disregard of the wishes of those so betrothed.
The ill-fated story of Lyla in 'The Brides Bed' is an eye witness account recorded by Khalil. Lyla with courage, anguish and heroism broke in fury from this custom. She brought as a result on her self consequences extremely tragic. This is best described in Khalil's prose:
"... Come you cowards! Fear not the specter of death whose greatness will refuse to approach your littleness and dread not this dagger, for it is a divine instrument which declines to touch your filthy bodies and empty hearts. Look at this handsome youth, he is my beloved and I killed him because I love him. .... We sought a bed worthy of our love in this world which you have made so small with your ignorance and traditions. .... Then the bride lifted her dagger towards the sky, and like a thirsty person who brings the edge of a drinking glass to her lips, she bought it down and planted it in her chest..."
In the 'Vision' he describes the social convention issue faced by one:
".. I am a lost human heart, imprisoned in the foul dungeons of mans dictates; tied with chains of earthly authority, dead and forgotten by laughing humanity whose tounge is tied and whose eyes are empty of visible tears. ..."
With a nice harmonized blend of short stories and poetry, The Beloved is an important addition to both beginners' and the experienced's understanding of a very unique philosopher. It also includes some of Gibran's mystic artwork, for which he was almost as well known as for his writing. The translators/editors did an excellent job in portraying Gibran's style and gorgeous words as closely as possible to the original Arabic. No one has had the poetic rhythm Gibran did; hopefully appreciation for his extraodinary gift for language will grow. (PS, if you haven't read Gibran's The Prophet, do.)
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