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List price: $17.00 (that's 30% off!)
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When reading this picture book you will see that the Illustrations are colorful, lively and accurate in their support of the text at all times. The clearly defined illustrations also complement the mood and setting of the adventuring family along the changing terrain. You will notice the contrast between lighter and darker scenes as the storyline changes emotions and how they help develop the plot throughout.
Just like the illustrations, the text of the story is lively and fun to read. The themes are repetitive and easy for young ones to anticipate. (Another good thing for beginning readers) The page has text that imitates the sounds that the family makes while on the bear hunt. You will also notice that the text and Illustrations are not mixed up with the layout on the pages, thus avoiding the confusion that some books do have. The text is large enough to easily read and good for beginning readers. My oldest enjoyed reading it to his younger siblings.
Overall, I would say that We're Going on a Bear Hunt is a great way to teach your kids, in a fun way, a little about what not to do when you go on an adventure in the wild;-) It will provide plenty of good reading, laughter and silliness. I am sure you will have your little ones asking you to repeatedly read this charming, fun and well-done book.
Name: unknown Age: 12 almost 13
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Well, I have since learned about the "Jewish" stereotype. However, I was not suckered in by the error because my first experience with Jews came about through the All of A Kind Family books. I am convinced that I knew the truth about the Jewish people because of these books.
I strongly recommend that these books be added to all reading lists, as they help to teach kindness, love, and tolerance for all people, just like they helped to teach to me.
The story chronicles the lives of five Jewish sisters growing up in New York at the turn of the century. Four-year-old Gertie is the baby of the family. Six-year-old Charlotte is a daydreamer who is idolised by her little sister. Eight-year-old Sarah cannot be better described than by Taylor, who refers to her in the narrative as "always the practical one". Ten-year-old Henny is the impish, mischievous one of the bunch (and they need one, considering how docile the other daughters usually are!). Twelve-year-old Ella is the oldest daughter, a talented singer with a big crush on her father's friend Charlie, who is hiding a secret.
The story chronicles the lives of the family throughout their various trials and tribulations over the year. If my sister and I are any indication, any reader will want to read and re-read it!
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It is neat how the big bad pig takes the power tools and knocks down the houses instead of using his breath by huffing and puffing and blowing the houses down.
The wolves use their friends the beaver, kangaroo, rhinoceros, and the flamingo as there suppliers for the materials to build their houses. They do not have to pay for the supplies, they just ask for the materials and their friends give them what they need.
The rhinoceros was more than happy to give the needed supplies along with other supplies that they did not even ask for, to his friends because he was feeling generous and kind hearted.
The Kangaroo gave them some bricks that were yellow and red so their house would be strong. But that failed because the pig was able to smash the house down with his sledge hammer.
The beaver gave the wolves concrete so they could build a stronger house. But the Big Bad pig used his pneumatic drill and knocked the house down.
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It is a story about an old man who "try to attached both extremes of his life" on the own words of this character, Bentinho who explains his nickname, Dom Casmurro, on the first pages of the book. He tells the reader about his youth, his studies and mainly about his first and only love: Capitu.
However, if you are expecting another novel talking about love, reading the book will surprise you. It is not only about love, it is about insecurity and doubts. Better, this novel is about the human soul, its worst and best sides.
I would say that the talent Machado de Assis takes the reader into an investigation. But it is not an usual one. It is necessary to enter into Bentinho's mind looking for clues that could absolve him or his beloved, Capitu. The reader is overwhelmed by the doubts that disturbs Bentinho and which made him took drastic actions.
The most fantastic element in this book is that reading it over and over never guarantees the certainty about what it is right and what is wrong. If we suppose that there is some truth to be found. It is a game between the character and the reader!
"Dom Casmurro" is a first-person narrative about the life of Bento, a 19th century Brazilian man. Bento recalls his youth and adulthood, and tells about his friendships, education, romantic life, and family relationships.
The content of the novel sounds straightforward enough, but its execution is a virtuoso display of ironic playfulness. Machado's narrator addresses various potential readers, from the "'most chaste' lady reader" to young lads. The narrator comments on the structure of the story and plays with readers' expectations, and even at one point challenges the reader to throw the book out. Machado's narrative technique blurs the line between fiction and reality.
"Dom Casmurro" is an effective mix of comic and tragic elements. Particularly interesting are the gently satiric portrayal of religion, the tender evocation of youthful romance, and the many European cultural references. This is a story of love, jealousy, and loss, told with wit and compassion by Machado. Highly recommended for all those interested in Latin American fiction.
DOM CASMURRO is divided into 148 chapters. Obviously in a book of 277 pages, each chapter cannot be very long. Machado de Assis uses his chapter titles as part of his work, sources of humor, direction, and irony. The novel is arranged as a memoir written by an embittered man in his sixties about the period of his life from roughly ages 15 to 30. When you begin reading, you think that the theme is "coming of age in Brazil" as the author describes his early romantic attachment to the girl next door and his struggle to avoid the seminary and a priestly future. His family members emerge as complex, interesting and somewhat amusing characters. Machado de Assis is strong on irony, whimsy, and a kind of self-deprecating humor. He also likes creating or using aphorisms and epigrams, of which the novel is full. Slowly he weaves an amazing, complicated story of jealousy and bitterness. Though initially it seemed clear to me that Bento, the main character, was justified in his jealousy of his best friend, the author never takes sides. He allows Bento to write that his wife had betrayed him, but Capitú, the wife, never admits it. On reviewing all the evidence, I have to admit that everything is seen only from Bento's point of view. According to your nature, you will decide yourself on finishing this subtle and well-written classic that deserves a place alongside the best that Europe and America have to offer.
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I have to say that I am pleasantly surprised to see that you can still purchase this book, although in the original format I have no idea. It is too bad that libraries would think to ban a book like this----I am a "white" person who is totally colorblind and I have to say that reading and loving Little Black Sambo as a child never made me want to be racist or gave me racist thoughts. It is a work of fiction, and even as a child I knew that it was just a story.
Anyways--this is a great read for grownups and for reading to little ones--and it is a good thing, I guess, that you can also purchase a politically correct version to share with children of any color also--because the story line is the fun part of the book.
KT
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