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Eden Express details the experiences of Mark Vonnegut as he comes to terms with a brain and a mind that no longer follow his dictates. It is a tale of hard lessons, filtered through expectation and dreams.A book of exploration, it ends on a note of healing; it encourages self determination with respect to treatment. It is a thoughtful examination of ability, hope, and healing.
I sincerely hope Mr. Vonnegut reissues this book, and offers his impressions since his earliest struggles with mental illness.
"It is no measure of sanity to be well-adjusted to a profoundly sick society" Krishna Murti
Thank you Mark... and best wishes.
Used price: $20.00
Twain completely dissects the "good ol' days" of Arthurian Britain by exposing the vicious social practices of the time: white slavery, le droit de seigneur, confiscation of property in event of suicide, the complete lack of impartial justice, the degrading influence of the Church on the mass, etcetera etcetera etcetera...
The Arthurian legends are wonderful tales, but they are a mythic literary production; Twain deals with the brutal reality of daily living in the Dark Ages, and points out that the good ol' days were not so good, anyway.
As for its applicability to modern America, I am not fit to judge. Perhaps it's there. But "The Connecticut Yankee" is a wonderful tonic for those prone to romanticizing the past. Twain seems to agree with Tom Paine that the English nobility were "no-ability", and simply the latest in a series of robbers.
And, of course, the book is stuffed with wonderful Twainisms... My favorite is his observation that a conscience is a very inconvenient thing, and the significant difference between a conscience and an anvil is that, if you had an anvil inside you, it would be alot less uncomfortable than having the conscience.
Twain also mentions the beautiful mispronunciations of childhood, and how the bereaved parental ear listens in vain for them once children have grown.
You'll never look at castles the same again...
The plot is a familiar one in our age of sci-fi and fantasy, though it was innovative when Twain conceived it: Hank Morgan, an enterprising 19th-century engineer, is knocked unconscious and comes to in King Arthur's fabled Camelot. Bewildered but determined to make the best of the situation, Morgan uses his knowledge of history and mechanical skills to convince everyone he is a super-magician greater than even Merlin. Once ensconced as the King's right-hand man, Morgan sets about reforming the country into a republic, a sort of prototype America. Most of the book follows Morgan through a series of haphazard adventures which Twain uses to illuminate the great but often forgotten evils of the Dark Ages, including the abuses of the Catholic Church, the ignorant and useless ruling body that inevitably arises from a monarchy, and the pitiful working conditions of the medieval peasant or slave.
Nor is Twain's critical eye trained only on the far-flung past. Though Morgan is essentially a sympathetic figure, he struggles to find anything the least bit admirable about the knights and nobles he must live with, and considers the chivalric code merely fit for derision. Meanwhile, Morgan's own capitalist code is in full effect, and he takes advantage of every opportunity to cash in his advanced education for the big bucks.
Colorful and sublimely written, Twain's time-travel masterpiece is both a magical fantasy and a stinging dystopian satire. Don't be fooled by the several movie versions of this story, some of which are great fun in their own right. Yes, the novel is funny, often riotously so, but the humorous skin hides a deadly earnestness beneath, and the finale is far less optimistic than one who has first seen the film versions will doubtless expect. A deservedly immortal literary gem.
BY: Christian J. Vazquez