The book discusses the persistence of ideas and the ways that ancient belief systems can work their way right into our language and the way we perceive the world. This is certainly a major contribution to the philosophical literature architectural historians have produced.

A marvelous marriage of language and the language of Architecture. Finally, someone has had the courage and talent to take this thing back to the (bloody) beginning. I have read it a couple of times, and given it to about 6 friends.

Vitruvius is the most important architect in the history of western civilization. Though his theories and practices may seem simple or out of date considering modern techiniques, Vitruvius' influence throughout the past 2000 years since his time is immesurable. The great architects of Roman times pointed to Vitruvius as irrefutable source for their architecture. Throughout the Renaissance the architects built upon Vitruvius' Ten Books and wrote a few updates, though no revisions. Bramante, the architect of St. Peters in Rome relied upon Vitruvius for the proportions for this masterpiece. Today only a few architecture schools refer back to this work of genius, notable among these is U. of Notre Dame, an island in the stormy seas of modernity.

This book is the latest in a long line of translations of one of the worlds most important architectural treaties. It is a careful and thorough translation, in comparison to the former by Hickey Morgen, which misses many points due to the author's minimal knowledge of architectural parctice in the age of vitruvius, and before. I do recommend this book to all architects, and students interested in this pivotal book.

This is an incredible achievement. It absolutely must be in the library of every architect and architecture student in the world, because we have lost contact with the beauty and social glory of living urbanistically. The architecture we produce supports this suburbanized lifestyle, and the anti social results of this new pattern of living can be seen daily on the news in all manner of bizarre murders and cultist activity. Well then! Without advocating a style of architecture in particular, this book advocates a type of planning that, if we are intelligent enough to understand this book, could save this country, and save the world. I do not exaggerate. Buy the book. You'll be a different person for having purchased it.

This book is the latest in a long line of translations of one of the worlds most important architectural treaties. It is a careful and thorough translation, in comparison to the former by Hickey Morgen, which misses many points due to the author's minimal knowledge of architectural parctice in the age of vitruvius, and before. I do recommend this book to all architects, and students interested in this pivotal book.

I like Homer, Herodutus, Thukidydes, Plutarch, Takitus, Gibbon, Mommsen and many other ancients and their (relatively) modern interpreters.

But my latest read, recommended by Moses Finlay in "Ancient Econonomy", is Vitruvius.

And I like Vitruvius a lot. The only reason I gave him 4 stars rather than 5, is that he is not the greatest, in the sense of the above-mentioned.

Nevertheless, as far as knowledge and insight into ancient life go, at a level one removed from the "greats", Vitruvius is the greatest I've so far encountered.

Not only does one gain a feeling for life among the educated and capable strivers of the time immediately following the Ceasarian revolution, but also for the immense impact which Greek brilliance had upon the Romans.

One also learns much about aesthetic theory and is given interesting and practical lessons in building and architecture, from the beginning and development of dwellings, the general learning required of architects, the particular characteristics of different types of stone and wood, the design of cities, the three orders of temple architecture (Doric, Ionian and Corinthian), dwelling houses, the sounding vessels in theatres (dolby surround as already implemented long before Christ) and ingenious machines, including such inventions as the screw-pump of Archimedes (the Syracusan Greek inventor).

Vitruvius gives us the general principles of ancient aesthetic theory, the exact proportions of traditional architectural conventions and the geometric rules for determining the directions of the eight known winds.

Like all elegantly entertaining classical writers, he intermingles everything with relevant anecdotes from, and references to, the great Greek philosophers, fine artists and fine artisans of the past who were the exemplary authorities of his (and later) time.

As the title betrays, Vitruvius' work is divided into ten books, each of which contains an extemely relevant and interesting general introduction, followed by several chapters on theory and application, including very practical examples of the construction, proportions and generally applied mechanical principles relevant to the specific subject matter of the particular book.

This work is better, broader and more intelligently written than all of the books I've read on building which I've acquired at second-hand bookshops in England, and which were written anywhere from the end of the last century (1890-1900!) through the 1950s. No wonder that this fellow's work remained definitive through to the renaissance (not the Carolingian, but that of the 14th-15th centuries), a duration of 1,500 years!

I imagine that most modern day architects, adding a litte modern statics, materials and building code knowledge, and assuming enough practical building experience, could do worse than to rely otherwise on Vitruvius.

Basic raw materials and basic building skills have been around for a long, long time. Common sense and wisdom, too.

Furthermore, for the interested classicist, even though not specifically interested in architecture or building, this book gives a really immediate feeling for the gigantic influence not only of Greek thought but also of Greek applied artistic and technical skills (geometry comes to life!), aesthetics and craft work on the (Western) Roman world.

Again, I can only say, a refreshing, entertaining and informative read by a practical yet educated man of ancient times. Obviously a bestseller through the ages and, indeed, timeless in its relevance and actuality.

Highly recommended also for beginners in the study of the ancient Greek language, because of its many Greek quotes (in Greek letters, no less)!

Altogether a highly readable, informative, insightful and educational book with a rarely found mix (in ancient literature) of both the "higher" things and the eminently practical.

I feel privileged to be a privy party to this great inheritance of ancient learning. And I thank the Internet and Amazon for enabling those of us who are interested in learning to have access to this great library with its wonderful database, which makes everything not only easy to find but also to possess (and to own).

The humanist's dream! Your own infinite library. Cyber-Gutenberg!

Vitruvius' contribution was not as Ciceronian literature, but as a hands-on, researched, handbook of practical architecture. The explanations are simple with not a wasted word for the aesthetic quality of the work.

Vitruvius found what made the most ancient monuments such durable constructions. He found WHY they were built they way they were. For example, he explains in enough detail for the "then" architect to understand how to construct for best auditory sound enhancements using examples from Greek engineering and Roman building practices. (There is a detailed description on harmonics based on Pythagorean principles.) He also explains the true meaning of proportion developing constructs from the "golden mean" as seen in the various modes of ancient column design (as well as a description of "stasis" and other logical variants applied to columnal construction).

The book is often referenced in medieval documents explaining the training of medieval cathedral (especial gothic era) builders and the practical construction of these cathedrals that still stand and are useful today.

I highly recommend this book for any art history student or student of architecture at any level. It is a reminder that great thinking and analysis has no technical limitation.

This is an architecture book written by a Roman, during the classical period. It strongly influenced many of the great minds of the Renaissance. The historical significance of the book would make it worth looking over, for anyone interested in classical architecture.

This book contains an immense number of digressions from architecture that are perhaps of greater interest than the actual architectural content. There is a section on degenerate, abstract, modern art that could have been written today! Also, there is a good explanation of how architects have contributed to siege warfare, and instructions on the proper construction of siege devices such as catapults and tortoises. Other topics include how to divine water (without recourse to superstitious practices), and how the fundamental elements (earth, air, fire, and water) in stones influence their suitability as building materials.

First off, I should note that I find this version of Vitruvius far more useful than many others, especially in the clearly noted diagrams, explanations of measurement units, and so forth. The editor and translators have done a good job of this aspect of Vitruvius Pollio's work.

However, the translators appear to have taken a few liberties with the text. First, since Vitruvius is a historical work as well as a canon of Classicism, an honest modern-day translation must relate not only to its period, but also to subsequent periods in order to be understood in terms of the nearer to present and Vitruvius' own time. The translators' choice of ridding the text of the translation "the Orders" for Vitruvius' original choice of "genus" is bad enough, but when you observe that this translation has been rendered as "type" instead, it has the potential of blending in with unintended references in the text to type as well as being confused with common modern/Modernist discursions into what type is. The translators should have indicated their theories about what they thought would be a correct interpretation of the Roman word "genus" at the beginning of their notes, not by making a deliberate decision to diverge from the customary content of the text.

Second, this translation appears to fail to take into account some aspects of military culture which have influenced the text. Vitruvius was a military man and although he adopted the linguistic style of Cicero in some respects (who has been accused of using two words in the place of one or even none), sometimes a distinction he makes, albeit slight, is worth noting, especially in the context of his role in the Roman military and in the context of subtle gradations of meaning being just as notable as subtle gradations in style and form.

Third, and most telling, the translators and editors have missed an opportunity to note something very useful in Vitruvius, and that is that although he understood the what of the Orders, he may not have understood the why of the Orders. In some cases, he goes to great lengths to wave hands over certain aspects of the Orders, even devolving into a Ciceronian overuse of words and dense prose, in order to pull a Wizard of Oz-like "pay no attention to the unknowns behind this concept". The translators note the fuzziness, but they don't begin to question the nature of it and as a result, they may inadvertently paint Vitruvius in a little bit better light than he may actually deserve.

Otherwise, it is a well-rendered translation, although for serious readers and researchers it should be balanced with at least one other translation, such as Morgan's translation.

As a Penn State first year architecture student I have been studying Vitruvius line by line. It is the most inspirational, thought provoking, and interesting book I have ever read. I even hold my own Vitruvian study sessions to review the material and relate all of Vitruvius's topics to the outside world not even related to architecture. If you are at all interested in architecture, construction, philosophy, or if you just want a different type of book to read I urge you to give this a try. It is truly a remarkable book that has revolutioned and standardized many architectural details.

Excellent survey of architectural theory. Especially rich chapter on German XIX century theory. Weak connection to the contemporary theory (much better done by Nesbit and Hayes). It has a very useful set of illustrations at the end of the book.