Used price: $0.59
Collectible price: $3.43
Buy one from zShops for: $2.95
Used price: $1.06
Collectible price: $11.50
Buy one from zShops for: $2.00
Used price: $5.94
List price: $15.00 (that's 30% off!)
Used price: $0.92
Collectible price: $7.29
Buy one from zShops for: $7.30
This insightful, lyrical, and moving book provides a vivid account of being an alien doctor in rural America dealing with a terrifying disease that was (and is) also perceived as alien, as something that, in the view of many, other kinds of people contract and probably deserve. Acute analyses of American (including Asian-American) arrangements and assumptions underlie a poignant narrative of AIDS coming to the northeastern Tennessee hills. Verghese shares Oliver Sacks's ability to engage readers in the horror and the mystery of sufferings for which physicians have no magic bullets. As Paul Farmer, another physician who made a difference, showed in _AIDS and Accusation_, how a society responds to AIDS illuminates much about the society, not only how medical services are organized and financed in it. Verghese shows strengths as well as weaknesses in rural Southeastern American backwaters. He also illuminates connections from such seemingly isolated places to the larger society and ties of blood to distant urban centers where gay men sought refuge.
This beautiful book relates his experience as an "outsider" doctor (ethnically Indian, raised in Ethiopia) in a small city in Tennessee, dealing with the beginnings of the AIDS epidemic. He's brave enough to admit that he's uncomfortable setting foot in a gay bar to talk about AIDS prevention and brave enough to do it anyway. He's brave to admit that many medical professionals consider his specialty (infectious diseases) a second-class citizen to specialties involving invasive procedures. He's also brave enough to admit that he's a little bit jealous of the surgeons whose work is emotionally simpler and way more lucrative than his own.
There are no real happy endings in this book. There are noble, even happy, moments. Verghese is not afraid to say that people with AIDS (like anyone else) are often not heroic. Some of them are selfish. Some of them smell awful. But some of them use their illness to find appreciation of life and to cross social boundaries and befriend people they never thought they'd like.
I've always loved the writing of doctor/poet/author William Carlos Williams, who vividly captured the beauty and despair he found in the poor people he served in Paterson, New Jersey. Verghese writes more personally, less poetically than Williams. Reading his book, though, I think of the greeting that many a yoga student uses: "Namaste." ("I bow to the divine in you.") Verghese writes of the divine he sees in the angry, the sick, the old, and the young. He helps you to see it, too.
List price: $18.00 (that's 60% off!)
Dr. Verghese, the author and narrator (although cited as fiction the book obviously is heavily autobiographical) and a fourth-year medical student named David Smith, encounter one another while working at the local teaching hospital in El Paso, Texas. Both are in the midst of breakups in their marital/significant other relationships and desperate for some sort of trusting, stable emotional bond. When they discover a mutual love of tennis-David has had limited semi-pro experience, Verghese has been enamored with the game all his life as an escape mechanism from his childhood loneliness-the basis is found for the beginning of the development of a relationship.
Both bring substantial emotional baggage to the relationship. It develops that David is a "recovered" drug addict. Verghese, stigmatized by his minority status and unable to relate to anyone except through very limiting roles (patient, neighbor, boss) is divorcing and managing it very badly. That the relationship seems to work at all is due to the role reversal it requires-David, the student and receiver of medical knowledge becomes the teacher of tennis wisdom and Verghese the receiver of same.
This is a deep, complex & ambitious book that fails. It fails because the central story, the relationship between David and Verghese never really exists-they never truly bond on an emotional level at any point. By the end we are supposed to be moved by the somehow deeply moving effect David has had on everyone in sight-Verghese, David's women, the other hospital folks, the local addict community and, presumably, the reader. Yet the man never really, at any point, truly touches anyone in the book at any sort of human level.
There are worthwhile elements to the book. One does get a genuine feel for what teaching hospital life is like. Also, one gets a feel for what life in El Paso, Texas, a very unusual community I like a lot, it like. Verghese's love for tennis is genuine and his prose about the sport is almost poetic. There are little historical snippets-mini biographical pieces, really-about the lives and quirks of some of tennis' great players that are interesting and informative. And, finally, Verghese is a gifted writer with an engaging and riveting writing voice.
In the end, I was really disappointed, though I was glad I read the book. But, the failure to deliver a convincing central story left this as much less of a book than it could have been.
The author may strike some readers as a bit of a showoff where his medical skills and tennis are concerned, but I see his descriptions of these skills as realistic self-assessments: he's good at what he does. My only complaint is that Verghese (the author) seems humorless and not especially likable. But I guess I should cut him some slack here, considering that the book covers a dark period of his life. In reading his "New Yorker" pieces, Verghese has not struck me this way. I recommend this book.
In the years that have elapsed since "My Own Country," Verghese's marriage has collapsed, and he has moved to a teaching hospital in Texas. One of his students is a young man named David Smith, who had briefly played pro tennis before beginning medical school. Verghese, an avid tennis player, hesitantly asks if they might play together.
Smith, like the younger brother in "A River Runs Through It," is charming, lovable, smart, and supremely gifted in his chosen sport; on the tennis court, he seems to be transformed into a different, and better, person. But his gifts aren't enough to save his life; he's an intravenous drug abuser, in and out of recovery and rehab. When the two men play tennis together, their support for each other, and their anger and frustrations, are all played out on the tennis court.
As in "My Own Country," Verghese reveals his fascination with people from all walks of life. His emotional inquisitiveness leads him to take risks, as when he accepts a junkie's offer of a tour of "his" world. Yet for all his curiosity and his desire to learn to see the world through the eyes of others, Verghese was unable to save his friend, and he was even unable to save his own marriage. Sadly, he wonders if his marriage might have survived if he had invested himself in it as deeply as he invested himself in the minutiae of tennis.