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Well written, this is a highly reccomended book.
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For the others, just like me, not really specialized in physics and maths, but maybe just curious, this book can bring you a lot of fun too. It reminds you of what you may have studied a few years ago... And more than that, you cover with this book other fields of mathematics that are not taught to non specialized students like Hilbert space, quantum physics, theory of analytic functions, Green's functions and integral equations.
To conclude, if you're curious about mathematics and physics, you should buy this book. If you're good at maths and physics, you should already own this book.
And now, with this special price, do the maths!
If, though, you have this background, then this book is may just be for you. It is concise, to the point and presents a clear and well written discussion of mathematical physics.
I just felt that before you dive, head first, into the world of mathematical physics, somebody needed to warn you about what you were getting yourself into.
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In this golfer's book you will find instruction, philosophy, and history - all woven masterfully together in the form of stories. Whether it's the lengthly section where Harvey gives his thoughts in the grip, or the extremely terse paragraph explaining why he never joined the tour, Penick uses the right words at the right times.
I've read it several times and often take it with me on long trips. It's broken into several very short segments, sometimes two or three on a page, sometimes two or three pages. This means you can always pick it up, read a quick snipit, and walk away from it.
Lastly, I've found that whenever my golf game is struggling, I read this book and it always somehow gets back on track. I don't know if it's from the lucid instruction or the comforting philosophy, but either way this book has become an integral part of my golf regimen.
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I read it a long time ago, and I dont have it with me right now, so I cannot recall the names of the characters, (I have read a lot of books since then.)
A wolf needs to become a manwolf I guess you could say, so he stays out alone one night by himself.
He runs into a bad wolf, and they fight, eventually, after a lot of tense action and fighting, the Good wolf wins. He goes home battered and bruised. The hare is a very wise rabbit, and his colony comes under attack.
The bad wolf attacks the hares, and they have to make a run for it, and the head hare has to fight the bad wolf and distract him away from the rest.
Well I have given away too much already. So I'll just say that this book will keep you on the edge of your seat. This is the book where you want the underdog to win, and the underdogs are the good guys.
Have fun reading this book, and I hope you read the rest of Mr. Huggins books, Cain, Hunter, and A Reckoning.
This is my one of my favorite books. Of course, I love all of James Byron Huggins' books, but I treat this one with care. Wolf story is about a brave, silver wolf named Saul and and a large, wise hare named Windgate. Both are warriors. Both lead their clans with strength and honor in the ways of the Lightmaker, and against the forces of the Dark Council.
This story is similar to the Redwall series, in that it uses fantastic animals as the charactes to tell a tale to touch the hearts of men and women - boys and girls. Huggins uses fantasy to bring to life that their is a difference between good and evil, and in whom you put your faith, does matter. This is a book for all ages. I am 28, my friends son is 13, and we both loved it.
This isn't a mussy, gooshy story of love (although that theme is present also). No, these are courageous animals with the will, the faith, and the fight in them to battle the forces of evil to the end.
One drawback to the book--there are no footnotes or bibliography so we are left guessing where Mr. Farwell culled all these wonderful stories, tidbits and insights from. The book is so readable though and I am not a tracking down sources to write something myself, so this is easily forgiven. Enjoy!
They were a peculiar lot these Soldiers of the Queen, who cherished all their old traditions. The army was extremely conservetive in outlook, from Prviate to General. The regiment was the key element which kept it all together. The British army has always been a regimental army, and this was never more so than in the 19th Century. The army proved extremly adaptive to fighting in all the varied conditions within the Empire, and while this abundance of expereince gave it a unique espirit-de-corps, it did not prepare it well to fight any European conflicts. The British only barely managed to field a few full strength Corps at the beginning of the Great War in 1914. This was in no small way due to the Reforms of Edward Cardwell who created a reserve by linking many of the single battalion regiments together in the 1880s thereby establishing some form of reserve pool of manpower. The system just managed to hold the army together, but created many animosities between time-honored regiments who disliked being linked to each other in adinistractive fashion.
The book goes to great lengths to explain the huge social gulf between officers and enlisted men. The British army was stratified to a degree that no other army of the period entertained. It was an 18th century notion which struggled on into the next century. Farwell brings out these and many other fascinating details as he illustrates the daily life of the Victorian soldier. Those interested in the period of Queen Victoria's Little Wars won't want to put this one down. Its full of fascinating tid-bits of people like Kitchener, Charles Gordon, Wolsley, Frederick Roberts and Churchill, as well as the common soldiers and officers that made up the army. Also, anyone interested in the social anatomy of an army and the society to which it belonged should also find it most rewarding. There are many such Victorian studies out there, but few address the army, which perhaps reflected the age more directly than any other English institution of the time.
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"The New Dinosaur" has information in it that helps to answer some of the nagging questions that surround dinosaurs; whether they were warn or cold-blooded, did they have feathers, how did they live... and many more questions.
About the best we can hope for, without going back in time and observe the dinosaurs first-handed, is knowledge with get from the fossil remains and through observation of the animals today and extricate the desired information through extrapolation. This takes a keen sense of observation from the information that you have available and a good sense of imagination, as well.
"The New Dinosaur" is a wonderful book as it answers some of the questions and fills in gaps about the dinosaur lives and times. This book will put your imagination in over drive, making for a most engaging read. The narrative moves quickly, but always it is mindful that the reader is not a paleontologist, making it a read that is pleasurable.
It's been said by many critics that this was the book that sparked the public resurgence in its interest in dinosaurs. I think it most certainly helped; Michael Crichton was nice enough to list my work as an inspiration for his book JURASSIC PARK.
The styles of the book's pictures change from illustration to illustration and are influenced by the great children's book illustrators of the past, artists such as Arthur Rackham, Edmund Dulac, Edward Detmold and N. C. Wyeth. THE NEW DINOSAURS not only gave me a chance to update the 1981 book's information and include exciting recent finds (like Giganotosaurus and the Chinese feathered dinosaurs), but to update readers as to my progress and development as an artist as well, displaying what I've learned in the last twenty years.
My "Sue" mural for Walt Disney's Animal Kingdom is included in the new book. This is the very first depiction ever painted of the famous Tyrannosaurus rex "Sue". It is also what I consider to be a "breakthrough" picture in that it is also the very first painting ever made of a specific dinosaur. I consulted with the chief Field Museum paleontologist overseeing the preparation of "Sue" to learn the nature of her pathologies. I incorporated "Sue's" wounds and injuries into my painting so that what the public would finally see was not just a painting of a Tyrannosaurus representing "Sue", but an actual portrait of "Sue" and only "Sue" --- that very specific Tyrannosaurus rex.
In the past twenty years a lot of people have come up to me and told me that they are now paleontologists because they received a copy of THE DINOSAURS as a child. My hope is that THE NEW DINOSAURS influences and inspires another generation of budding scientists.