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Despite all the hardships that Siddhartha go through, you always feel at ease, relaxed .. totally enjoying the story.. It is full of wisdom .. extreme measures .. but as Siddhartha said no one can feed you his/her experience you have to try and learn .. you can choose to be a falling leaf or a star?! searching and looking for answers .. we can make our own future .. depending on which path we choose .. but fate and luck are part of this future ..and Love conquers all!
Siddhartha is fine literature and deeply insightful. It traces the life of an intelligent, sensitive young man of Eastern (Buddhist?) spirituality; from his youthful studies with the masters, through a period of self-conscious asceticism and self-rejection, through a period of self-indulgence and sensuality, ultimately to self-knowledge and peace as he becomes a ferryman living humbly in a small hut beside a river which teaches him many of the ultimate truths of life.
Siddhartha has a shortcoming that I did not see when I was young but I see now. This book is always and only about the self. Even when he finds salvation - Siddhartha finds it in himself. The path towards salvation is only internal - coming from self-denial, self-examination, self-discipline, self, self, self... Where compassion, charity, humility, and love exist, they exist as by-products of self-knowledge.
There are a great many truths in Siddhartha. Young people who are seeking should read this book. Siddhartha looked into the river and saw that life does not change. I suggest that things do change - and they change as a result of what we do. Like the young Siddhartha, the young reader of this book should pause for a while, then grow and move on. There are bigger things outside the self. You will find that Robert Frost spoke more truly when he said "[you] have promises to keep."
As the son of a Brahmin, Siddhartha would naturally have enjoyed access to all of the finest lessons and things of life. Knowing of his natural superiority in many ways, he becomes disenchanted with teachers and his companions. In a burst of independence, he insists on being allowed to leave home to become a wandering Shramana (or Samana, depending on which translation you read). After three years or so, he tires of this as well. Near the end of that part of his life, Siddharta meets Gotama, the Buddha, and admires him greatly. But Siddharta continues to feel that teachers cannot convey the wisdom of what they know. Words are too fragile a vessel for that purpose. He sees a beautiful courtesan and asks her to teach him about love. Thus, Siddhartha begins his third quest for meaning by embracing the ordinary life that most people experience. Eventually, disgusted by this (and he does behave disgustingly), he tires of life. Then, he suddenly reconnects with the Universe, and decides to become a ferryman and learn from the river. In this fourth stage of his life, he comes to develop the wisdom to match the knowledge that direct experiences of the "good" and the "sensual" life have provided to him.
Few will find Siddhartha to be an attractive character until near the end of the book. Hesse is trying to portray his path towards balance and understanding by emphasizing Siddhartha's weaknesses and errors. But, these are mostly errors that all people fall into. Hesse wants us to see that we make too much of any given moment or event. The "all" in a timeless sense is what we should seek for.
There is a wonderful description of what a rock is near the end of the book that is well worth reading, even if you get nothing out of the rest of the story. The "mystery" of what Gotima experiences when he kisses Siddhartha's forehead will provide many interesting questions for each reader to consider.
I recommend that you both listen to this book on tape and read it. Hesse's approach to learning is for us to observe and feel. You will do more of that while listening than by simply reading. I was able to find an unabridged audio tape in our library for my listening. I encourage you to go with an unabridged tape as well. You will get more out of Siddhartha that way. I read the Hilda Rosner translation, and liked it very much.
After you finish listening to and reading the book, I suggest that you think about what you have not yet experienced that would help you get a better sense of life. If you have tried to be a secular person, you could try being a spiritual one. If you have focused on being a parent, you could focus on being a sibling. If you have focused on making money, you could pay attention to giving away your time. And so on. But in each case, give yourself more opportunities to experience and learn from nature. That is Hesse's real message here.
Ommmm
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So go improve the quality of your life and buy this book!
I look forward to additional books by Dr. Hutcherson.
I would strongly urge women to give this book to their male sexual partners.
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Kuhn's love and admiration Gertrude is everything he always wanted, Gertrude's character has been described beautifully, although I felt it should have been introduced at an earlier stage in the book. She did change Kuhn life, he saw hope and connection in her, she inspired him, and and he found a better reason to compose music so he can hear her sinning. Kuhn's life took a major turn when Mouth was introduced to Gertrude, and from then on things were never the same.
The kind of story that is applicable all the time, and makes you think again of what priorities are all about?
It is the story of a man possessed by two passions: music and love. In the uncomplicated and lovely language that marks all of his works, Hesse describes with wonderful accuracy the heights and depths of romantic love and the bonds of true friendship. He falls a little short, in this book, at giving us a truly emotional look at the protagonist's passion for his music. It is in this area that the character of Kuhn, as well as that of Muoth, rings just a little false.
The pivotal character of Gertrude is beautifully drawn, but she is introduced far too late in the story for the reader to develop any sort of emotional bond with either her or her dilemma, a mistake Hesse did not repeat in his later works.
Readers who are familiar with the works of Hesse will recognize the early development of his themes of isolation and uniqueness in Gertrude in the character of Kuhn.
Like all of Hesse's works, this book is understated and restrained, yet full of emotion. The prose often feels as though there are undercurrents just about to break through the surface. Hesse, though, writes with his usual restraint and, although the book is one of obsession and tragedy, the author completely resists the temptation to let the story desolve into melodrama.
Gertrude is not Hesse's very best work, but it is certainly a lovely one and one that anyone interested in Hermann Hesse cannot afford to miss.
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House. Hilda writes an honest, extremely interesting, straight forward tale of her own life, and the part Jane Addams played in it. At times I felt as if I was there at Hull House with her, so clear was her portrait. I walked the streets of turn of the century Chicago with her, and shared her joys and sorrows. The only thing I wish the author had included was more about members of her family and their day to day life. But otherwise, a highly interesting portrait of a remarkable woman.
An immensely gifted storyteller, Polacheck's strong, intelligent voice makes I CAME A STRANGER a riotous romp through the Progressive Era, studded throughout with celebrity cameos from all the major figures of the age. From Jane Adams, Polacheck's own personal mentor, to Emma Goldman, Dr. Alice Hamilton & too many others to mention, there are hardly any figures of import in the socialist movement of that time whom do not appear at least once in this amazing memoir. A story which is at once mundane & extraordinary, she mingles her matter-of-fact descriptions of immigrant life in a less than magnificent Chicago with unbelievable, yet true tales which illustrate the greatness, and great energy of the times in which she lived. Her life spanned a great many significant historical events, & Polacheck weighs in on ALL of them, offering her opinions with great candor & wit flavored by her own life experiences.
Hilda Satt Polacheck emigrated from Poland, fleeing the terrible Pogroms which forced her family to drop their affluent lifestyle & become faceless, nameless Jewish immigrants in 1890s Chicago, she becomes fully a product of the Jane Adams aesthetic, & through close association with the woman herself, and Hull House, comes to exemplify all the good that came of Adams' dream. It is also the only such accounting of the inner workings of a settlement house from an immigrant herself, & as such offers an inestimable glimpse behind the scenes, through the untutored eyes of one who experienced it from the inside.
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At death, Sapphire is hastily buried in a shallow grave, but her tormented soul cannot rest. In spirit form, she approaches each of her female descendents and evokes memories and visions for them to discover, awaken, and use their inherent inner strength to love themselves, gain self-respect, and obtain inner peace to survive in a cruel and difficult world. For the next two hundred years, Sapphire touches the bewitched Sister, the prostitute Vyda Rose, the lovelorn Jewel, the artistic Clovey, and truth-telling, outspoken, shameless Rae'ven who embodies Sapphire's spirit completely and thus allows Sapphire to return to the grave satisfied and fulfilled.
The author writes in a thoughtful, lyrical prose which educes a myriad of emotions and reader empathy for the characters. Gurley-Highgate offers the reader an introspective look inside the lives and minds of the lead characters and their lovers. She clearly illustrates how Sapphire's spirit changes, fortifies, and empowers her daughters regardless of their station in life. There is a valuable lesson in this book for all women regardless of race and/or socio-economic class.
So touching and well written that this book has earned a place on my best reads list. Bravo, Ms. Gurley-Highgate! A job well done...I cannot wait until the next release.
Reviewed by Phyllis
APOOO BookClub, Nubian Circle Book Club
Sapphire's Grave was a book that buried me deep. I was entranced by the immortal legacy of a slave woman who passed gifts and burdens to her daughters, foreordaining them to her unrest.
Reviewed by CandaceK
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The title character is the younger daughter of a poor family, who seeks employment as a governess in order to help her parents make ends meet. This noble act of maturity on her part earns her nothing but disillusion, humiliation and hardship in the hands of the tyrannical children and over-indulgent parents of Wellwood House (Note the intriguing initials W.H., which stand for Wuthering Heights and Wildfell Hall in other Bronte books) and, later, Horton Lodge. For several chapters, Anne Bronte does not do much but--dare I say it?--complain about the lot of the Victorian governess. Though her portraits of the children and their parents were obviously drawn from reality, which certainly won sympathy from me, I wanted to tell her to "Get on with the story" many times.
The plot does pick up after the artful and exasperating Rosalie Murray has her "coming out" ball. Thoughtless rather than tyrannical, Rosalie has the most well-drawn character of all of Agnes' charges, which makes her such a great foil for Agnes. Rosalie delights in thinking that she could have any man she wishes and enjoys nothing more than toying with men's hearts. When she finds out that Agnes might be in love with the curate, Edward Weston, she makes every attempt to make Mr. Weston fall in love with _her_, thinking that it would be a grand joke to make Agnes miserable. Yet it is impossible to hate her, somehow. She steals every scene she is in; half the story is truly hers.
I am happy to say that both Rosalie and Agnes get what they deserve, which is, fittingly, what each explicitly asked and worked for. (Read that any way you wish--or better yet, read the book.) "Agnes Grey" has left me believing that we truly do sow what we reap and receive what we ask for.
I myself believe that Anne was in love with William Weightman, her fathers curate and seeing that she lets het own heroine Agnes win Mr. Weston, makes me feel that she tries to show us her dream, if she could have had it. It is simple, but happy. And that is exactly what this book is about. It is not to say that love is a never ending passion and all hardships end when one finds THE ONE, but simply to state that joy and wisdom can be found in a happy union.
And now, after I have read it many times, I still cry when Agnes tells Mr. Weston that she loves him. That one word "Yes" says it all.
Although this book was ok, it was not particularly gripping, page turning or especially unique. If your going to read a holocaust book, I would recommend Number the Stars by Lois Lowry, or The Devil's Arithmetic, by Jane Yolen as much better choices. Happy reading!