Bravo to William Schubert and William Ayers, for helping to validate the "insight and understanding" (p. vii) teachers bring to the world of education! Teachers need to take the reflective insights gained in the confides of their classrooms and help "give rise to communities of teachers who learn more from each other through writing, reading, listening, talking, and most of all reflecting" (p. 10). Every teacher who has a story to tell should read this book and follow its example!

"The Journey to Freedom" series educates children about the achievements and contributions of African American leaders, inventors, educators, scientists, entrepreneurs, entertainers and sports figures. This volume tells the story of W. E. B. Du Bois, an author and teacher who lived from 1868 to 1963. Du Bois was the first African American to receive a Ph.D. from Harvard, one of the founders of the National Association for the Advancement of Colored People (NAACP), a key member of the Niagara Movement, and an advocate of Pan-Africanism. This volume covers both Du Bois achievements and his controversial positions over his long public career. Du Bois was a radical thinker on racial questions who criticized the position of Booker T. Washington that blacks should "accommodate" the racism of the white majority in exchange for economic opportunities. All of the books in this series confront the racism of the times directly. In this volume there is a grim photograph of a crowd about to lynch an African American man in Texas and another of a "This Door White Only: Colored in Rear" sign above a door in the segregated South. Students will clearly understand Du Bois in the context of his times. Don Troy presents a lot of biographical details about Du Bois, but always within the historical and social contexts of the time. You never forget that no matter how much Du Bois achieved in his distinguished career he was still a second-class citizen in his own land. Ironically, in 1963 Du Bois became a citizen of Ghana, the land from which his great-grandfather had been taken away into slavery and died on August 27th, the day before Dr. Martin Luther King, Jr. gave his "I Have A Dream" speech. This is one of the most impressive volumes in a very impressive series of books.

The book is a collection of disjointed but interesting essays on the general topic of equity derivatives. There is a heavy US bias in the material and none of the topics are covered in much depth. Nor does there seem to have been much in the way of editorial control over the way that essays are linked to form a theme (the treatment of covered warrants is a clear case here).

One to get if the company are paying since, in a book this big on a sparsely covered topic, there is some interesting stuff here.

This is an excellent Anthology of an often maligned and misunderstood subject. The forward is written by Fischer Black who is a pioneer in the derivatives industry. These are clearly written essays on the multiple and intelligent methods of using derivatives in varying investment environments. This is a book about financial choices and the opportunities that abound for end users of these products to hedge, diversify, insure against disaster and customize investment positions. This book should be on the desk of every Treasurer or Money Manager who is entrusted with fiduciary responsibilities.

One of his lesser known works, Shakespeare's Trojan play is also one of his most intriguing. Not quite a burlesque, 'Troilus and Cressida''s lurches in tone, from farce to historical drama to romance to tragedy, and its blurring of these modes, explains why generations of critics and audiences have found it so unsatisfying, and why today it can seem so modern. Its disenchanted tone, its interest in the baser human instincts underlying (classical) heroism look forward to such 20th century works as Giraudoux's 'The Trojan War Will Not Take Place' or Terry Jones' 'Chaucer's Knight'; the aristocratic ideals of Love and War, inextricably linked in this play, are debased by the merchant-class language of exchange, trade, food, possesion - the passionate affair at its centre is organised by the man who gave his name to pimps, Pandarus, and is more concerned with immediate sexual gratification than anything transcendental. The Siege of Troy sequences are full of the elaborately formal rhetoric we expect from Shakespeare's history plays, but well-wrought diplomacy masks ignoble trickery; the great heroes Ajax and Achilles are petulant egotists, the latter preferring the company of his catamite to combat; the actual war sequences, when they finally come, are a breathless farce of exits and entrances. There are a lot of words in this play, but very few deeds.

Paris, Prince of Troy, has abducted Helen, wife of Menelaus, King of Sparta. Led by the latter's brother Agamemnon, and his Machiavellian advisors Ulysses and Nestor, the Greeks besiege Troy, demanding the return of Helen. However, Achilles' dissatisfaction at the generals' endless politicking has spread discontent in the ranks. Within Troy, war takes a distinct second place to matters of the heart. While Paris wallows in luxury with his prize, his youngest brother Troilus uses Pandarus as a go-between to arrange a night of love with his niece, Cressida. When one of the Trojan leaders is taken prisoner by the Greeks, the ransom price is Cressida.

There is only one character in 'Troilus' who can be said to be at all noble and not self-interested, the eldest Trojan prince Hector, who, despite his odd interpreation of the quality 'honour', detests a meaningless war, and tries to spare as many of his enemies' lives as he can. He is clearly an anachronism, however, and his ignoble slaughter at the hands of a brutal gang suggests what price chivalry. Perhaps the most recognisable character is Thirsitis, the most savagely cynical of his great Fools. Imagine Falstaff without the redeeming lovability - he divests heroes and events of their false values, satirises motivations, abuses his dim-witted 'betters' and tries to preserve his life at any cost. Written in between 'Hamlet' and 'All's Well That Ends Well', 'Troilus' bears all the marks of Shakespeare's mid-period: the contrapuntal structure, the dense figures, the audacious neologisms, and the intitially deferred, accelerated action. If some of the diplomacy scenes are too efective in their parodic pastiche of classical rhetoric, and slow things down, Act 5 is an amazing dramatic rush, crowning the play's disenchantment with love (with an extraordinarily creepy three-way spaying of an infidelity) and war.

The New Penguin Shakespeare is the most accessible and user-friendly edition for students and the general reader (although it does need updating). Unlike the Oxford or Arden series, which offer unwieldy introductions (yawning with irrelevant conjecture about dates and sources) and unusable notes (clotted with tedious pedantry more concerned with fighting previous commentators than elucidating Shakespeare), the Penguin's format offers a clear Introduction dealing with the play and its contexts, an appendix 'An Account of the Text', and functional endnotes that gloss unfamiliar words and difficult passages. The Introduction is untainted by fashions in Critical Theory, but is particularly good at explaining the role of Time ('When time is old and hath forgot itself...And blind oblivion swallowed cities up'), the shifting structure, the multiple viewpoints in presenting characters, and Shakespeare's use of different literary and linguistic registers.

Troilus and Cressida is one of Shakespear`s many romances, and, like most of his romances, is a tragedy. Since time immemorial, Shakespears` works have been used as plays, literature and (least often) just casual reading. While Troilus and Cressida is one of the less known plays, it is no less a good one. It is based in Troy(as the name might imply)during the much renowned Trojan War. The valiant Troilus, son of the Trojan king is enamoured of Cressida, also of Troy. Meanwhile, the Greek hosts have laid siege to the city, and the warrior Achilles refuses to fight, encouraging further interaction between the two sides. Cressida, however, is the daughter of a Greek sympathizer(if that is the correct word)and may not be able to honour her commitment to the Trojan prince...

I think this is one os Shakespeare's most underrated plays, probably because of all the uncouth characters. Based on Chaucer's rendition of the story, T and C are Trojan lovers, and she is then traded to the Greeks in exchange for captive soldiers. Aside from this, the women of Troy are wanton and lustful, and the men are prowess driven. If you can deal with this, you will really enjoy Shakespeare's ability to wrap this into all kinds of twists and turns. It delivers a mixture of satire, comedy, romance, tragedy, and a semi-historical (in that people at the time probably believed the Trojan War really happened). Interestingly, this mixture of laughs and tragedy is reminiscent of war novels I have read about Vietnam. The romantic dimensions give this play its edge, and somehow WS manages to make it plausible in spite of all the killing and deceit going on at the same time.