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The translation, too, by Louise and Aylmer Maude, is exquisite. It is done with such authority that it feels spontaneous and seamless, as if one is reading the actual words of Tolstoy, rather than those of some lesser intermediary. The Maudes are by far my favorite translators of Tolstoy.
The book is well done in every respect. I love everything about it -- right down to the bright whiteness of the pages; the paper quality is very good.
I recommend this book highly. It is one of my most prized volumes.
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On a more technical note, the translation is more than adequate. While reading Tolstoy in Russian is best, this translation is seamless and does not interfere with the reading. I would enthusiastically recommend this collection to anyone who is intrigued by this influential and quirky author.
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This is the story of Martin. Martin is a Russian man who spends his days mending shoes and his nights in the pleasurable reading of the Bible. One night, after reading how a rich man invited Jesus to stay at his house, Martin wishes that he could invite Jesus to his house and wonders what he would do if Jesus actually showed up.
The rest of the book is the story of what happens when Jesus comes. It is a story told with wonderfully spare language. Mrs. Watts' beautiful illustrations add to the warm feeling of this wintery tale.
There are few things I have ever reviewed that I recommend more than Shoemaker Martin--get this book!
This is a wonderful book. I've used it often in Sunday school and vacation bible school classes. I highly recommend it.
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First, the caveat. If you already own a lot of Tolstoy's short fiction, you should preview this book to decide whether it offers enough new material to warrant buying. This anthology includes a number of familiar classics (mentioned in the other reviews), but you may decide it's still worth purchasing for the less common and early works.
Now for the complaints. _Kreutzer_Sonata_, or _Father_Sergius_? If I had to make an either-or choice, I think I would choose _Father_Sergius_. The editor chose _Kreutzer_Sonata_. A defensible choice, but not my preference.
A more serious complaint I have regards an omission. I would think that a Tolstoy anthology with "courage" and "conflict" in the subtitle would have to include _Hadji_Murat_. Its absence seems an oversight to me.
Despite these minor criticisms, I'm still giving this collection 5 stars on the merits of the works themselves. You will never regret time spent reading Tolstoy.
Some of his greatest short works are here. "The Recollections of a Billiard-Marker" is one of the early writings, and one of the bet descriptions of the effects of addiction (in this case an addiction to gambling) I have ever read. The Sevestopol Sketches (there are three of them) give one of the closest descriptions of men in war possible (the defense of Sevestopol during the Crimean War, which fell to the British and French). A group of religious parables. "The Death of Ivan Ilyitch" is a fantastic description of the internal battles waged when fighting with death. And "The Kreutzer Sonata" is a discussion of the place of men and women in society that should be required reading by anyone who thinks they understand the opposite sex.
There is enough in these stories to give the reader a chance to understand the author before attacking the larger and more famous major works.
These stories span a period of over forty years, from "The Invaders" (1842) to "Walk in the Light While There is Still Light" (1893). We get a chance to not only read great stories, but to see the growth of a talent that started out better than most ever achieve.
"Recollections of a Billiard-Marker" (1855) is a less well known example of Tolstoy's ability to show the degeneration of a character. In this case it is by addiction to gambling that destroys a man, and the boy who works in a billiard hall who narrates. If this was the only story in the book, it would be worth buying, but it is not. It's not even the best one here.
Has there ever been a better description of men at war than "The Sevastapol Letters"? All three are here. Has anyone caught loneliness and despair better than "The Death of Ivan Ilyitch"? It's here.
No one catches class difference in fewer words. No one describes the ways we look at each other, the words we use, the words we don't use, better than this man.
Since this is a foreign novel, one must also mention the translation (by Isabel F. Hapsgood for the Sevestapol Letters, and Nathan Haskell Dole for everything else). They are good, they allow the language the feeling of another time, while allowing it to sound also current and easily readable.
A great way to cover much of the short fiction of one of the greatest fiction writers of all time.
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It's told in picaresque style, and reminded me a lot of Proust's "In Search of Lost Time" (had Proust been influenced by Tolstoy at all?). As an example:
"It was almost dark in the room, and very hot; there was a mingled smell of mint, eau-de-cologne, camomile and Hoffman's drops. The smell struck me so forcibly that, not only when I happen to smell it but even when I recall it, my imagination instantly carries me back to that darkly stifling room and reproduces every minute detail of that terrible moment."
The novel is full of such fine descriptive passages - the approach of a thunderstorm being the one that sticks in my mind.
But the main strength of this work is, I thought, that Tolstoy does a good job of describing the sweetnesses of childhood but does not cover up the agonies of growing up. This is no sugary, romantic account. Childhood and adolescence are portrayed as immensely trying times, both for Nikolai himself and for his family and friends. All the emotions, anger, misunderstandings and disorientation are detailed by Tolstoy.
Fine Stuff.
G Rodgers
But beyond being similiar to David Copperfield, this book has moments in it that match parts of Karenin and War and Peace in beauty and texture if not in scope. What's amazing about Tolstoy is that his earliest work (this and his early war sketches) seem as artistically mature as his later, epic masterpieces. The death-obsession and intense philosophical and spiritual doubts that plagued Tolstoy later in life did not all of a sudden erupt while writing Anna Karenin; but rather they were always there in one form or another... an echo of adolescent sadness.
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Tolstoy's view of the war undergoes a change during the three sketches. In the first (and shortest) sketch, Tolstoy is patriotic, describing the soldiers, their cause and Russia as a whole in grand, heroic terms. By the end of the third sketch, the reader has been taken through the horrors of war, and Tolstoy is much more despairing, even disgusted at the whole sorry affair.
There are some constants, however: Tolstoy's descriptive writing is fine throughout - convincingly setting the scene against which the characters play out their parts. As the second and third sketches develop, Tolstoy becomes more interested in the human side of the war - that is to say, its impact upon the emotions and behaviour of individuals. These range through humour, excitement, stupidity, cupidity, heroism, cowardice and so on. When the reader gets to the story of Volodya Kozeltsov, the loss of innocence and idealism which war brings is exposed in full.
Fine, gripping stuff.
G Rodgers
The book is divide in three short stories stem from Tolstoy's military experience during the Crimean War: "Sebastopol in December," "Sebastopol in May," and "Sebastopol in August 1855."
During this time, the young Tolstoy gave himself over to the decadent life that was common for men of his class, catching a venereal disease as well as drinking heavily and sustaining enormous gambling debts which included the loss of some of his prized property at Yasnaya.
I really enjoy reading this book,Tolstoy's reactions to the fighting at Sebastopol are really crude, if you are interesting in The Crimean War but from the Russian side you may find what you are looking for in this great book
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To all who cherishes ethics and ethical living, this book is recommended.
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Being a lover of Tolstoy's literature and philosophy, and having read brief snippets of Tolstoy's life in the preface of his novels, I was interested in learning more about the man himself. Wilson has produced a well researched biography that is informative and interesting to read. What I especially like is its clarity on what is fact and what are speculations based on his erratic diaries, using painstaking quotes, footnotes, literary excerpts, and bibliography to back up the author's and literary community's theories.
The result is a portrait of a man at odds with himself, who like Dostoevsky was a living representation of the duality of man. No wonder these writers were so profound at portaying the the human condition, mind, spirit, and soul. If only we could go back in time and walk with these men and speak with them personally, how rich we would be.
Wilson's account is suffused with a deeply felt love of Tolstoy's writings, perfectly balanced by an appreciation for his absurdities. If you have read and loved War and Peace, Anna Karenina, or any of Tolstoy's works, this biography yields a rich and absorbing account of the life and history from which they sprung.
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