_Sometimes the Soul_ contains two novellas set in Sicily. One, "A Knot of Tears", is a story about storytelling; the other, "Rusina, Not Quite in Love", is a Beauty and the Beast tale.

In "A Knot of Tears", the lovely Costanza, recovering from a vaguely hinted betrayal, has shut herself away from the world for a while, and is just beignning to feel stifled by her self-imposed isolation. As two wealthy suitors plot and scheme as to how they can get her to come out of her house, Costanza finds something much deeper with a young sailor who tells her a serial fairy tale about a strong heroine, which turns out to parallel Costanza's own life in interesting ways. A well-written novella about the power of a good story and about coming out of depression.

In "Rusina, Not Quite in Love", Rusina becomes companion to an eccentric elderly couple, and befriends their ugly and reclusive nephew, Sebastian. From her new family, Rusina learns about the beauty to be found in nature and art, and yet has trouble coming to terms with Sebastian's inner beauty and outer ugliness, even as the two become friends. The situation comes to a head when Rusina attends a costume ball and meets the most handsome man she has ever seen, and must decide what is really important.

Timpanelli's prose is lovely and well-written. Sometimes I felt like I was being lectured, as if a Major Life Lesson was being imparted to me in a less-than-subtle manner, (especially in "Rusina") but overall both novellas were interesting, romantic, and worth reading.

It has been a long time since a story was able to reach inside and grab my heart, but Sometimes the Soul by Gioia Timpanelli did just that. I found myself in both novellas, in Costanza and Rusina... When is the last time you neglected to love someone deeper because you were focused on thier outer self? Have you ever felt isolated from the outside world and had one person change it all for you? Do you enjoy viewing "the unseen world", alive in "the world's details"? If you do, this book is for you. It's a special relationship, sentence by sentence, between you and the finely woven tale... ENJOY!

Sometimes the Soul is one of the most literary, mythological, and magical books I have ever read.

The two old Scilian tales are given a contemporary and yet, timeless treatment, spun expertly into a web of colorful characters surrounded by surprise, love, nature, and eternal truths. Written by a 'supreme' storyteller, author Gioia Timpanelli gives us a fresh look at some very worthy, old stories.

Sometimes the Soul is a triumph of the oral story tradition set onto the written page by Timpanelli's artful prose.

These are not just fairytales but reminders to us all of the value of a 'worthy' tale. There are lessons to be learned on these pages, and reminders of what we have lost in our too-fast contemporary lives...myth and soul.

I was enchanted by both stories as a result of Timpanelli's unique and powerful feminine voice carrying the reader into unfamiliar worlds, just as in the second novella, "Rusina, Not Quite in Love" sweeps young Rusina far from the comfort of her family to meet her special destiny.

At first, Rusina agrees to leave, simply so that she can fulfill her father's debts. As Rusina says with the wisdom of anyone accepting their fate..."do not judge my father too quickly...for what child does not inherit parents debts? Debts from character and disposition. Debts from unlived life, sickness, unremembered dreams, poor work, hungry stomachs, stingy imaginations, or little love. It is a rare and blessed child who comes into this world without debt. Besides, when duty and love are two sides of the same coin, then payment is not a burden." And so, off Rusina goes to live with the Beast, and in doing so, discovers who she really is, and what really matters in life and in love. Ah, there's the beauty of this new twist to the Beauty and the Beast tale.

This week, I shared Rusina's story with a group of Kosovo refugees now living in Vienna, only two short subways stops from my flat. English is their second language, so they welcomed reading the story, and it brought up their own recent, sudden, and violent move away from their own homes and all that is familiar to them. It was a gentle way to allow them to open up, share their personal stories with me and the others in the group; beginning the process of sorting out just what this change means to them, and the challenges and even, opportunities that such a change offers..if looked upon correctly.

18-year-old Manika from Pristina added at the end of Rusina's story, "Like Rusina, I've got to keep looking for the good in all of this, and not be bitter, not be filled with hate...hating is easy...it's forgiving that's hard...and loving...even people who kill my people."

This then is a worthy story just as A Knot of Tears is as well. This little volume is packed with the simple truth of life...all in 185 pages!

Sometimes the Soul is a masterful piece of literature written by one who is well-acquainted with life's mystery and magic. It is deep and moving.

I also write and produce the book reviews for Blue Danube Radio, an English radio station in Vienna. You can be sure this book will find its way onto my summer recommended reading list! It's a great find.

Good luck Ms. Timpanelli on a brilliant new career as a writer based on the most ancient of all art --the art of oral storytelling--which you are obviously, a master. Thank you for telling a wider audience your stories, and thank Norton Publishing for having the wisdom to recognize your talent.

Beverly A. Davis writer Salmgasse 1/7 A-1030 Vienna, Austria

I, too, say "Thank you" to Eva Hesse and to the people who mounted the show and produced this catalog. I went to SFMOMA to see the major Edward Weston show and spent most of my time being captured by Eva Hesse. I've been back twice for each show.

The Sixties were full of new ideas in art and most were more noisy than Eva Hesse. So, we didn't see enough of her and she really didn't receive the recognition due her in this country. This book is a small step to redress that oversight.

Eva Hess was out on a limb and her work is about as easy to show as a rainstorm. It is a measure of how good she is that the show for this catalog was done so well. This catalog is up to its task.

A very moving and thought provoking show. This catalog will help keep her delicate adventure alive and spawn more Eva Hesses. If you are lucky it will get you to the show, then back to the book to think about this very "material girl", her personal life and perhaps what you should be doing with yours.

It is worth mentioning to those who don't know Hesse's work that this current show will most likely be the last that some of her work will survive. If you want to see it, do it now.

I have just viewed a beautiful Eva Hesse retrospective at the San Francisco Museum of Modern Art, and this book is a catalogue of that exhibit. Eva Hesse was exceptionally talanted, innovative artist, associated freely with what is described as Minimalism. She considerably expanded horizons of our thinking of modern art, introducing new textures, such as latex and fiberglass, presenting her highly original, personal vision with rare integrity and also intensity. The exhibit provides a fascinating survey of her carreer: from early Expressionist paintings to collages made from found objects to mature sculptures which challange viewers' notions of artifact, museum space and artistic performance. I think the book preserves the best experience from that show and combines it with interesting, sometimes thought-provoking essays on Hesse by observant art critics. It is invaluable as a source on Hesse, Minimalism and, more broadly, international artistic scene of the 60s, of which Eva Hesse was one of the prime, crucial figures.

Eva Hesse was a strong figure in the development of postwar international art and created a variety of works in different mediums. While her life has received prior focus, this title provides critical attention to her art with a lavish catalogue which reveals her working methods, materials, philosophy and works: the first comprehensive examination since her last exhibition in 1972. A 'must' for libraries featuring catalogues of modern artists.