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Definitely goes "beyond bbq and chili" to wonderful fusion of the traditional and the most up-to-date. You will not be sorry you bought this.
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Durrell was one of the first naturalists to develop the notion of captive breeding to ensure the survival of endangered species. He obviously cares deeply about the animals that he collects and goes to extra ordinary lengths to make them happy and keep them healthy. His descriptions of caring for a sick taper, even sleeping beside her to comfort her, are delightful. His wrangle with custom's officials are amusing, and his description of a plain trip in Argentina is particularly hilarious.
Also, Durrell's tireless work and observations were sometimes the first and best studies into how to care for these animals in captivity. When possible, he takes his specimens from private owners, rather than taking them from the wild. People like Durrell were not responsible for the endangerment of these animals. He worked for the salvation of many species and was probably responsible for the continued survival of some today.
The story of an Englishman who is on a trip through Patagonia to collect animals for his own private zoo, this book manages to bring out the animal lover in any reader. The descriptions of the land, the people, and the animals are beautifully crafted in well done, straight forward prose. I highly recommend it.
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Other books of interest: "Post Office," by Charles Bukowski, and "THe Electric Kool-Aid Acid Test," by Tom Wolfe.
It's worth a re-read if all that came through was the tripping and the halucinations. It is important to think of the characters as dedicated and well-educated activists who saw a political assasination, a terrible war, and Nixon (recall, the man who lost the election to their assasinated hero). Circuses, gambling, dusty tracks, and moronic Americans are part of a search for the American Dream - that's what's left when the decade of superficial cynicism and drugs overtook the decade of idealism and drugs.
The drugs remain and, more often than not, expose the frighful characters who purport to distribute the dream of quick wealth, individualism, and fame. They were already as west as it comes; going east is always a bad idea.
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He is heading to Las Vegas to cover the "Mint 400", a motorbike race where there is more desert dust than media story. Armed with a boot-full of drugs and his aggressive, slightly crazed Samoan lawyer Dr Gonzo, they rocket across the highway in their "great red shark" convertible in search of the fabled American Dream.
Thompson's graphically acurate descriptions of their drug binge across the buzzing lights and sounds of Vegas are truly remarkable and funny. He pokes fun at what is deemed the dream as they fraud their way through two 5* hotels and encounter many other fun and perilous adventures on the way. My favourite parts (the whole book is full of them) are when they pick up the hitchhiker, the bath scene with "White Rabbit" (a Jefferson Airplane song), the police anti-drug rally and the scene before entering and inside the Circus Circus casino.
A truly wacked out and crazy adventure story through the eyes of an original hippie tripper, whose analysis and derision of things around him is delivered in a fun and insightful manner. A thoroughly enjoyable read; laugh along at this audacious adventure. If you have seen the movie, you will enjoy the book; if you have read the book you will enjoy the movie. A mirror of each other...a total classic!
Hunter S. Thompson takes us through his drug-crazed reporting trip to Las Vegas where he was sent to take account of the year's Mint 400, a world famous off-road race, with his slightly more demented attorney Dr. Gonzo. Whether or not you are an avid drug user in no way affects your ability to enjoy this novel.
Thompson wastes no time getting into his story, especially from the novel's famous first line, "We were somewhere over the desert near Barstow when the drugs began to take hold." He manages to keep the reader's attention with his very human and detailed writing style, and doesn't let go. Though the story itself is very demented and deranged, his unique style alone makes the book a good read. He is never confusing and gets his point across smoothly, no matter how far off the subject he may be. Not that he writes about matters as time-tested as Shakespear or Hemingway, but in some obscure way I compare Thompson to these greats just because his intriguing ability to channel his thoughts directly to the reader.
I definitely recommend this book to anyone. Either you will love it or you will hate it.
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"The Curse of Lono" made me laugh so hard that tears filled my eyes. Hunter S. Thompson was paid to cover a marathon race by Rolling Stone or some other magazine. While the race is the usual bore, the antics of the journalist are not. Having drunk gallons of beer and liquor and consumed various illegal drugs, Thompson and his traveling companion sit at the edge of the race and jeer on the racers. "He fatso. What's wrong? That hill is too steep for you?"
Flying on a jumbo jet to the race in Hawaii Thompson gets his arm stuck in a chemical toilet. He put his hand down there because his marijuana, cocaïne, or whatever falls into the toilet bowl. When he comes out of the head his arm and his shirt and stained bright blue. The airliner's crew know at once what has happened.
The funniest part of the book to me is what happens when Thompson goes fishing. The captain of the boat drinks a quart of vodka and then takes some mescaline or some other hallucinogenic drug. A the boat bobs precariously close to the cliffs along the island the captain lets go of the anchor line and it falls overboard. The captain then dons scuba gear in his tripping, hallucinating state and dives overboard to retrieve it. As Hunter S. Thompson puts it, "No self-respecting captain would return to port without his anchor" for fear of being laughed at.
All of this talk of drugs and drink might be pathetic or sad if it was not handled properly. But Thompson is the founder-and maybe only participant in-the style of writing and journalism that he calls "gonzo journalism". His style is truly unique. I became convinced of his genius after reading "Fear and Lothing in Las Vegas", another drunken, stoned adventure tale and a memoir that he wrote in "The New Yorker" magazine. His New Yorker article deviating from his usual tone-perhaps owing to it's presence in that hallowed forum--was a well-written and very interesting look at his days living in Puerto Rico as a journalist. I think his books on presidential politics are less interesting than these two books. I haven't yet read "Hells Angels" but plan to do so.
This is a good book, full of funny moments and hard to believe stories. There is no slow build up or filler in the middle. The book grabs you from the beginning with the author's stories and keeps you laughing until the end.
This might not be a good first book to start with. Hunter's style and actions may be hard for some to read without getting offended. Sometimes Hunter will wander into side tangents before getting back on track with what is currently going on; this may annoy some people. I recommend starting with "Hells Angels" or "Fear and Loathing in Las Vegas" before paying the extra bucks for this out of print book.
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Ralph covers the various voice qualities in detail, and the impact these qualities has on audience perception. He covers how to add more variety to your voice via rate, pitch and volume - each are covered in detail along with when to vary these for effect.
Ralph also covers how to support your voice, and then goes into the technical aspects of voice production and phonetics (via the International Phonetic Alphabet - or IPA).
The book finishes with tips on dress, movement, eye contact, external factors, health and practice. It also includes 27 exercises designed to improve your voice and overall presentation technique.
Overall this book provides much information that can help take your presentation style to the next level.
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His stories have a incorporated a vivid energy and hilarity into his passionate memoirs of unique nature experiences that will entertain any nature-lover. While some of his scientific practices may now be considered obsolete, we are given a rare glimpse into the love and respect for all things living that has been a core aspect of any naturalist throughout the ages.
I have since bought as many of Durrell's books that I have been able to find, and treasure each and every one of them.