It's likely that readers who have watched many of Alfred Hitchcock's films can't help but have noticed how frequently he depicts fetishism, sadism, and voyeurism. Because Hitchcock was a reclusive man and a guarded interview subject, almost everyone who writes about him turns to his work for insight into his life. These writers generally conclude that the director himself was possessed by the very pathologies that resound in his movies.
But John Russell Taylor didn't have to go that route. He wrote this biography with the participation and blessings of the man himself. In Hitch, Taylor admits that his subject often projects his fantasies onto the screen. He also provides a good deal of insight into Hitchcock's domineering, obsessively courteous demeanor. But the focus here is on the details of Hitchcock's life, the preparation and production of his movies, and his relationships with the countless cinematic luminaries who worked with him, including Ingrid Bergman, Cary Grant, Grace Kelly, and James Stewart. --Raphael Shargel

Hitchcock is my very favorite film director, and I think he's definitely one of the best, if not THE best, directors ever, so I was very disappointed to read this book which only skims over Hitch's life, giving some films barely a page or two. Taylor looks at Hitch's many movies with neither a critical or even historical eye--and many, many details are left out, and many facts are just plain backwards, especially that "Notorious" was based on an idea provided by David O. Selznick, and that "Spellbound" started as Hitch's idea (it was in fact the other way around, with the recently depression-cured Selznick wanting to make a film about analysis; in fact, in the few paragraphs afforded to "Spellbound," Mae Romm, Selznick's therapist who acted as an advisor on the film--and set--isn't even mentioned!). Donald Spoto's two books about Hitchcock, one a film-by-film analysis and the other a straight biography, are much better than this slight volume.

Highly readable and informative. Recommended for all Hitch fans as well as anyone interested in the history of cinema. Beyond the basic facts,there are lots of telling anecdotes and perceptive observations, such as Hitchcock's famous distinction between shock and suspense. My favorite Hitch quip: a father wrote to Hitchcock for some advice. After seeing Les Diaboliques his daughter refused to take a bath, and now after seeing Psycho she wouldn't take a shower either. "Have her dry-cleaned" was Hitchcock's cheerful reply.

This book was a really easy read. With tales of Hitch's career and providing insight - I believe - into the man behind the much misunderstood myth.

"Hitch" is mostly filled with tales from behind the scenes rather than an examination of Hitch's craft and technique. I enjoyed it because I think knowing the PERSON behind a picture will often explain his technique better than any self-proclaimed "expert" who will often take technical necessity and make it symbolist bull.

Well written and very interesting subject matter. A must for anyone!