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I really enjoyed this book because it was very exciting, even though there wasn't a lot of 'dodging missiles and bullets' action. There was a lot of excitement and suspense. For example Edmond gets in a duel and Edmond is dragged to the bottom of the ocean. One thing I didn't like about the book was that it didn't start out that exciting. It is though, a book you can't put down.
I believe this book has a very good message. The message is: 'help your friends and they will help you'. I think this because: Edmond helped an abbe` and the abbe` helped him, and Edmond saved Morrel's and Valentine's life and they were his eternal friends. I really enjoyed The Count of Monte Cristo.
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This one picks up 20 years after the first one, with only D'artagnan still in the musketeers and Athos, Porthos, and Aramis having gone on to different lives. I won't describe the plot much except to say that, as before in the series, it is an intriguing adventure full of unmaskings, betrayals, trickery, and so on. It's much longer then "The Three Musketeers", and it's not quite as fast-paced, nor as consistently exciting. It makes up for that, however, by having moments of such unbelievable suspense that I absolutely couldn't put it down.You should definitely read "The Three Musketeers" first, though, otherwise this will be hard to follow.
Overall, this is a spectacular novel, with a few small dull moments here and there but some truly moving points, too. It's a must-read.
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This book was originally serialized in a French magazine back in the 1840s. As a consequence, there are repeated cliffhangers at the end of every chapter. Now I don't mind cliffhangers (hey, they move the plot along) but after 116 of these it got a little old. In addition, some of the character transformations seem implausible and Dumas gets some of his facts mixed up from the early part of the novel (I probably would as well).
I could pick bones about some part. What was the purpose of the whole Cucumetto bandit story? Maybe Dumas was saving him for later but he never does. They plot also needs a miraculous set of confluences to happen in say, well, every part of novel. Entertaining, yup, but at times I just said, "Oh come on now!" The character of Monte Cristo is a very interesting one. If he could ever hook up with Hannibel Lector, another guy who has the highest level of expertise in nearly every field and endeavor, the rest of us would be in big trouble.
Buy this book and enjoy it. It's really quite fun and you'll learn a lot about French history and culture.
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The book starts it's story in early 19th century France in a small fishing village called Marseilles, where we first meet youthful Edmond Dantés who is engaged to the most beautiful woman of his village and is soon to be the captain of his own vessel. Though ignorant and naïve, he is beloved by all who know him and has amassed a great deal of friends, however, one with such good fortune also amasses many enemies. Through a series of events plotted by Fernand, who desperately covets Edmond's betrothed, Mercedes, and Danglars, a fellow sailor jealous of Edmond's new promotion to captain, Dantés finds himself in prison for a crime he did not commit. Still ignorant of the scheme that put him in prison, or the plotters who ruined his life, Edmond waits in prison. This changes, however, when he meets his cellmate, Faria, an ancient abbé who is considered mad. This "mad" abbé will reveal an amazing secret to Edmond that will change the course of his fate forever, and hope is finally in his view. Dantés emerges out of prison changed and worn cynical by a long and terrible imprisonment of 16 years. Though he assumes many identities, he gradually adopts the identity as the Count of Monte Cristo, an immensely wealthy and indifferent nobleman as he returns to Marseilles to wreck his much-thought over revenge individually on his plotters. His last words as the former Edmond Dantés after he rewards one of his loyal friends are:
"And now," said the unknown (Edmond) "farewell kindness, humanity, and gratitude! Farewell to all the feelings that expand the heart! I have been Heaven's substitute to recompense the good -now the God of Vengeance yields to me his power to punish the wicked!" At these words he gave a signal, and, as if only awaiting this signal, the yacht instantly put out to sea.
-The Count of Monte Cristo
However, Edmond cannot remain under the cover of the illustrious Count of Monte Cristo forever, and he will soon find that a heart even so indifferent and cold as his own cannot remain lifeless for long. This is an amazing novel of suspense, romance and betrayal. Alexandre Dumas weaves many stories into one enthrallingly suspenseful and complex story of love, hate, betrayal and loyalty. This book has no equal and I would recommend it to anyone who appreciates classic and elegant, while exciting and adventurous, literature.
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Although this novel is usually thought of as a story of revenge, it has an even deeper meaning than that. This story not only warns people who betray others, but it also promotes love, friendship, and most of all hope. When the Count of Monte Cristo comes back and seeks revenge, he also meets some friends on the way that move his heart. Some of his friends become poor and have a sad life because of his imprisonment long ago, but they still hope that he will return and they wait for him day by day. The count rewards them in a secret way, and shows how important it is to have hope in one's life even when there looks like no hope. So when you read this book, keep in mind that there is more to it than just vengeance.
This book is very pleasant and I finished it in a couple of sittings. It will definitely put you on the edge of your chair and you will hardly be able to put the book down. This book is for all kinds of people, but it is especially for people that think life is hopeless, because as this book will point out, nothing in life is ever hopeless.
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Alexandre Dumas's _The Count of Monte Cristo_ is one of the greatest novels of all time and in fact stands at the fountainhead of the entire stream of popular adventure-fiction. Dumas himself was one of the founders of the genre; every other such writer -- H. Rider Haggard, C.S. Forrester, Zane Grey, Louis L'Amour, Mickey Spillane, Ian Fleming, Tom Clancy, John Grisham -- is deeply in his debt.
The cold, brooding, vampiric Count (born Edmond Dantes; known also, among other aliases, as "Sinbad the Sailor," Lord Wilmore, and a representative of the firm of Thomson and French) is the literary forebear of every dark hero from Sherlock Holmes and the Scarlet Pimpernel to Zorro, Batman, the Green Hornet, and Darkman. And the intricate plot provides everything any reader could want: adventure, intrigue, romance, and (of course) the elegant machinations of the Count himself as he exacts his terrible revenge on those who have wronged him -- thereby serving, or so he believes, as an agent of divine justice and retribution. Brrrrrrrr.
The book is also a good deal _longer_ than many readers may be aware. Ever since the middle of the nineteenth century, the English translations have omitted everything in the novel that might offend the sensibilities of Victorian readers -- including, for example, all the sex and drugs.
That's why I strongly recommend that anyone interested in this novel read Robin Buss's full-text translation. Unlike, say, Ayn Rand (whose cardboard hero "John Galt" also owes his few interesting aspects to Monsieur le Comte), Dumas was entirely capable of holding a reader's undivided attention for over a thousand pages; Buss's translation finally does his work justice, restoring all the bits omitted from the Bowdlerized versions.
The heart of the plot, as most readers will already know, is that young sailor Edmond Dantes, just as his life starts to come together, is wrongfully imprisoned for fourteen years in the dungeons of the Chateau d'If as the victim of a monstrously evil plot to frame him as a Bonapartist. While in prison he makes the acquaintance of one Abbe Faria, who serves as his mentor and teaches him the ways of the world (science, philosophy, languages and literature, and so forth), and also makes him a gift of a fabulous treasure straight out of the _Thousand and One Nights_. How Dantes gets out of prison, and what he does after that -- well, that's the story, of course. So that's all I'm going to tell you.
However, I'll also tell you that the 2002 screen adaptation doesn't even begin to do it justice. The plot is so far "adapted" as to be unrecognizable, except in its broad outlines and the names of (some of) the characters. Pretty much everything that makes Dumas's novel so darkly fascinating has been sucked out of it. It's not a bad movie on its own terms, but if you're expecting an adaptation of this novel, you'll be disappointed. And if you've already seen it, don't base your judgment of the novel on it.
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Alexandre Dumas creates a fabolous tale of revenge and hate in which Edmond Dantes, a young sailor in love, is betrayed by three men of power. Edmond wastes 13 years of his life in the Chateau d'If, a terrible prison in which Edmond loses faith and all chances of ever being with his love again. While there, Edmond learns of a treasure buried on the island of Monte Cristo, and creates a master plan to seek revenge on his enemies, if and when he escapes.
I highly recommend this book, and if you're too lazy to actually pick it up and read it, at least go and see the movie!
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Each chapter includes a specific idea to the plot that keeps you wanting to read more. I would bring this book to work and read a chapter a day during my 15 minute break and would go overboard reading two chapters because it just keeps getting better and better! Each new idea came as a surprise for me, and so much is in it that I would recommend it to anyone who wants a good book.
Alexandre Dumas sure knew what he was doing when he read this, so I definitely recommend this.
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Overall it is fast paced, but long. I liked the action sequences and the author's creation of distinct personalities for his heros. While I had to read this over a long period of time, I found I enjoyed it most when I could put in a couple of hours at a time and fully submerge myself in the author's world. I would recommend picking this up for a vacation book or if you know you'll be able to keep at it night after night.
The author uses a convincing historical and period backdrop for his tale. It feels real which aids the story. The romantic nature of his heros leads to a wonderful story of comradship and loyalty, good versus evil, etc. Many things to like, but I did not find it deserves quite as lofty a pedestal as most of these other reviewers do.
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In the original French, there are only three (3) books - 1. The Three Musketeers 2. Twenty Years After and 3. Ten Years Later. But when translated, most English editions split the behemoth Ten Years Later into a Trilogy (and some four - which make it all the more confusing!).
The reading list should be 1. The Three Musketeers 2. Twenty Years After and 3a. The Vicomte de Bragelonne 3b. Louise de la Valliere and 3c. The Man in the Iron Mask. Five books - that's the total series!
I highly recommend this series from Oxford University Press containing the complete unabridged and annotated versions of all of these books. The notes are located in the back of each book so as not to slow down the flow of the text. Most of the notes give additional info on historic characters and places. And a few point out that Dumas was a better storyteller than historian, as keeping dates seems to be such a nuisance!
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He meets the Three Musketeers and they don't get off to such a great beginning as he finds himself preparing to fight a duel with all three of them. Eventually D'artagnan wins over Athos, Porthos, and Aramis and together the four set off on adventures to protect their majesty the queen (Anne of Austria) against the bad intentions of the cardinal.
It's all intigue and romance and swashbuckling! I loved it all, every sentence. And i love how M. Dumas twists history to his own literary devices.
I played hooky to finish reading this book!