It's hard to believe that James's theatrical turn of the late 19th century ended with his audience "booing" him off the stage. This novelized play reads quickly and delightfully. I've read more than twenty of his novels, and this was the quickest of them all.

The plot is simple enough (at least for James): two houses, apparently back to back, in Wilverley, a small English village, set the scene. One contains a widow, the other a young married couple. The young wife widows the young husband, and he becomes Wilverley's "most eligible bachelor," except for the fact that he promised his dying wife that he would never marry again, at least not during the life of his child. So somebody has to kill the child, right?

Enter James's genius for character. There's Paul, the huge, infinitely imperturbable son of the wealthy Mrs. Beever; the diminutive and impetuous Dennis Vidal; Tony Bream himself, a remarkably good-natured but insensitive fool; and the powerful Mrs. Beever, whose awful determination cows every one else before her. Like James's best writing, his characters become interesting on their own; his fictions become an opportunity to satisfy curiosity. I think that's what makes this book a "page-turner"; the characters are interesting enough that I want to know what's going to happen.

In the end, I suppose, what makes this book succeed is what would have made the dramatic version fail: James's endless fascination with the workings of the human mind must have become either painfully boring or just incomprehensible to a theatrical audience. However it came about, I recommend it unequivocally.

This book is a novelization of the play by the same name. And you can see the stageplay - the characters are continually coming and going - and there's stage business - all of which I think shows some stiffness - yet about half way through the novel I was startled at how much the characters were real, rounded - I could just about see them - they ached with life - I was always aware of the stage during the novel - the story itself is rather shocking - it's a mystery novel! - it's all very well done - it's short - and it's very psychological

I am impressed with The New York Review's revival of this unexpectedly non-Jamesian title. A truly unique James choice to bring back to life--it's been done so with a cover so compelling (I'm not a tradional James fan) I opened the book which I found locally in a brick and mortar as they are now called, book shop. The internet cannot do justice to the thoughtful sophistication of this book's packaging. (But I can purchase another copy here more easily!) The publisher's comments about the work were also compelling and complimentary to the cover art. The Other House is a mystery, a detective story, a love triangle with more than three angles--a true page turner--with a timelessly human plot and "modern" characters. Anyone thriller fan would be enchanted with it. And turning every page, holding the book, is a sensory thrill. Paper, writing, art--all representative of what any literary rebirth deserves. If it's worth bringing back--do it with quality, I say! They did--along with a whole marvelous collection of equally intriguing books, with well written new introductions. Good choices--the pieces themselves, the introduction authors and the book artist designers. Truly timeless in all ways!

Jane Austin was a Tory. She was born in 1775, the year of the American Revolution, lived through the French Revolution, the Jacobin 'Terror' and the Age of Napoleon, and died just after Waterloo. The quiet English countryside she knew and loved became imperiled by many factors during her lifetime.

Tanner, a reader at Cambridge, has written an insightful literary criticism about the seven novels Austen wrote (Sandition was incomplete at the time of her death). His book is written for the 'close' reader of Austen's work. I was introduced to his text in one of my courses on Austen.

For example, in his chapter on 'Mansfield Park' Tanner lays out the underpinnings of the story as one of conflict between the order of the rural countryside (Mansfield Park) versus the disorder of Portsmouth and the corrupting influence of London. Various characters stand for these places as well as the moral failings of society. The three sisters Mrs. Price (lust) represents Portsmouth, Mrs Norris (envy) and Mrs. Bertram (sloth) represent Mansfield Park on the verge of breakdown. The Crawfords (avarice) interlopers from London, reprent the alluring but treacherous ways of urban life. Fanny, Edmund, and Mr. Bertram represent the ordered rural life.

When asked what "Mansfield Park' was about, Ms. Austen replied it was about "ordination." The word ordination comes from the Latin word--ordo. Tanner says Ms. Austen, concerned "with the problem of how a true social order could be maintained, particularly in a troubled period, clearly considered the role of the clergyman as being of special importance."

Tanner says Mansfield Park is loaded with symbolism. For example, on a group walk Fanny stays on the straight and narrow path by remaining stationary on a bench, while Edmund and Mary Crawford walk the Serpintine path. Maria and Julia stray from the cultivated garden into the "wilderness" behind the iron gate with Henry Crawford.

Fanny Price wears an amber cross, a gift from her beloved brother William. She hangs it on a gold chain given her by Edmund. Wearing these two gifts over her heart gives her "inner peace."

Fanny is the center of the story. Although many readers may perceive her as a prig, she is a very complex character. She is Austen's source of Good Orderly Direction. At the end, Mr. Bertram the "lord" of Mansfield Park recognizes her as his "true" daughter.

This book is an interesting and insightful analysis on Jane Austen, her novels and her social and ideological milieu. After an introductory chapter on Jane Austen in relation with the Novel, Society, Education and Language, Tony Tanner dedicates the next chapters to a detailed study on Jane Austen's novels, including the incomplete Sandition. Tanner is highly effective in relating the historical, social and artistic circumnstances in Austen's time and how they influence the main themes and values present in her novels. As a result, the reader is able to have a clearer picture of Jane Austen and the evolution of both her writing style and her perspectives of society and the human person. Tanner has a clear style of writing, never losing the interest of the reader. A great work for the literary scholar and the general reader.

We all know about Shakespeare, so a review of his writing is not required. However, I would like to say that the Everyman's Library series are worth getting. Unlike omnibus editions (such as the Riverside Shakespeare), these are actually portable so you don't need a table to hold them up while you are reading. The Everyman's Library series have good hardbindings, are conveniently sized to carry around, and have illuminating and extensive introductions. The typeface used is old, but the letters are large and easily readable (something that is a concern with some other editions).

Tragedies, Volume 2 contains: Titus Andronicus; Troilus and Cressida; Julius Ceaser; Anthony and Cleopatra; Timon of Athens; Coriolanus

We all know about Shakespeare, so a review of his writing is not required. However, I would like to say that the Everyman's Library series are worth getting. Unlike omnibus editions (such as the Riverside Shakespeare), these are actually portable so you don't need a table to hold them up while you are reading. The Everyman's Library series have good hardbindings, are conveniently sized to carry around, and have illuminating and extensive introductions. The typeface used is old, but the letters are large and easily readable (something that is a concern with some other editions).

Tragedies, Volume 1 contains: Hamlet; Othello; King Lear; Machbeth

We all know about Shakespeare, so a review of his writing is not required. However, I would like to say that the Everyman's Library series are worth getting. Unlike omnibus editions (such as the Riverside Shakespeare), these are actually portable so you don't need a table to hold them up while you are reading. The Everyman's Library series have good hardbindings, are conveniently sized to carry around, and have illuminating and extensive introductions. The typeface used is old, but the letters are large and easily readable (something that is a concern with some other editions).

Comedies, Volume 1 contains: The Comedy of Errors; The Taming of the Shrew; The Two Gentlemen of Verona; Love's Labor's Lost; Romeo and Juliet; A Midsummer Night's Dream

We all know about Shakespeare, so a review of his writing is not required. However, I would like to say that the Everyman's Library series are worth getting. Unlike omnibus editions (such as the Riverside Shakespeare), these are actually portable so you don't need a table to hold them up while you are reading. The Everyman's Library series have good hardbindings, are conveniently sized to carry around, and have illuminating and extensive introductions. The typeface used is old, but the letters are large and easily readable (something that is a concern with some other editions).

Comedies, Volume 2 contains: The Merchant of Venice; the Merry Wives of Windsor; Much Ado About Nothing; As You Like It; Twelth Night; All's Well That Ends Well; Measure for Measure

This is one of the greatest books I have ever read. I know that many people don't like to read essays of any kind, but all I can say is that Ralph Waldo Emerson is simply different! Nobody has the gift to write essays and analyze life like him.

His words and ideas are so powerful and deep that we soon realize that they didn't come only from a brilliant mind, but also from a warm-hearted soul!

That's exactly what this book is about: Its sentences break through your brain and penetrate right into your soul! Emerson's optimistic view on human beings and life can only reinforce our courage in mankind and, especially, in ourselves!

What else can I say? His speech is direct, he defends all the good values, tell us to have confidence in ourselves and show us that passing through life with dignity is a matter of choice and courage, and that it simply doesn't change with time. It was like this a thousand years ago, it will probably follow the same rules a thousand years f! ! rom now.

This is the book I grab to comfort my spirit when I'm having difficult times... :) It is a guide that make us believe that anything is possible when we really want it! " Self-Reliance ", one of the essays inside this book, is a masterpiece in its own and I believe it should be studied in every high school, instead some of the crap we are usually obliged to read!

This book can shape your spirit and your mind. It is also possibly THE BEST self-help book you could ever own and, yet, a great literary work.

I would rate this book as ageless and I'm sure the future generations will be still interested in it, such as are we in those ancient Greek and Roman texts.

This is precious culture and food for your soul as a bargain! Do not waste more time. READ IT!!!

We all know about Shakespeare, so a review of his writing is not required. However, I would like to say that the Everyman's Library series are worth getting. Unlike omnibus editions (such as the Riverside Shakespeare), these are actually portable so you don't need a table to hold them up while you are reading. The Everyman's Library series have good hardbindings, are conveniently sized to carry around, and have illuminating and extensive introductions. The typeface used is old, but the letters are large and easily readable (something that is a concern with some other editions).

Histories, Volume 1 contains: Henry VI, Part One; Henry VI, Part Two; Henry VI, Part Three; Richard III; King John

Histories, Volume 2 contains: Richard II; Henry IV, Part One; Henry IV, Part Two; Henry V; Henry VII

We all know about Shakespeare, so a review of his writing is not required. However, I would like to say that the Everyman's Library series are worth getting. Unlike omnibus editions (such as the Riverside Shakespeare), these are actually portable so you don't need a table to hold them up while you are reading. The Everyman's Library series have good hardbindings, are conveniently sized to carry around, and have illuminating and extensive introductions. The typeface used is old, but the letters are large and easily readable (something that is a concern with some other editions).

Romances contains: Pericles; Cymbeline; The Winter's Tale; The Tempest

Nostromo is a novel much like War and Peace. Often seen as Conrad's greatest work, it contains clear - one might say appalling - insight into the human condition in the century that was just beginning. Conrad's father had served time in Siberia-like exile with his young family in tow, for participating in revolutionary, patriotic Polish politics. The experience had shortened his parents' lives and left Conrad an orphan at an early age, giving the writer a personal preview of what the new century was going to be like for so many others.

The novelist's modern insight was not only on the political and social front but also into man's sense of identity. With Godot-like despair, Decoud, the character closest to Conrad in Nostromo, "beheld the universe as a succession of incomprehensible images." Stranded by himself for several days he becomes suicidal, realizing that "in our activity alone do we find the sustaining illusion of an independent existence as against the whole scheme of things of which we form a helpless part." At the same time it is beautifully written and is a gripping adventure - so can work on many different levels. Anyone who reads novels should read this classic.

Revolution is a fertile ground for nascent ideologies, and neology is perhaps the richest algar on which emerging heroes feed upon. Costaguena is a territory existing only in the unparalleled imagination of Conrad, whose mind was perpetually stimulated by an abstract, unknown, and merely projected world. Nostromo is his instrument of oscillation; ultimately a pendulum caught in the momentum of change, he falls into the precipice that separates the glory of selfhood and the danger of vanity.

From the beginning, Conrad sheds equally heavy recognition on a string of characters. Charles Gould an European capitalist trapped in his father's tragic political enmeshment, Decoud an uprooted native who dies proving his credential, and Antonio Avellanos an audacious aristocrat who carries the torch of her generation are have the protagonist make-up. But following the Greek formula, Nostromo is the true hero who fumbles into falsity because of his one défaut: hubris. The enormous vanity develops into his temptress, and in a way, Nostromo makes the conscious choice to let his incorruptible pride corrupts his morale.

The fatality of Nostromo, very much like many of Conrad's protagonists, marks the inability of men, in the utmost bleakness of mental solitude, to reconcile to the goodness of nature.

The crisis in Somalia, the genocide in Rwanda, why do so many well-intentioned development assistance efforts fail so miserably? As America has been drawn in yet another asymmetric conflict with a collapsed state and Western governments are already discussing ways to implement democracy in order to prevent the conflict from escalating Conrad's timeless tale of idealism and greed suggests that changing the world is an almost impossible task. Many articulate magazine articles or specialized books have attempted to explain how a series favorable trade, free markets and respect for human rights can result in long term positive change. Yet, despite the abundance of information we're still left wondering; logical arguments and historical accounts have proved insufficient in satisfying the need to understand why the development process is so complicated. Although written in 1904, Nostromo: A Tale of the Seaboard represents Conrad's ultimate opinion of the world. It's a long book, 465 pages in the Penguin Classic edition, but it's rich in observations on human nature as well as Conrad's typical lively landscape descriptions. In the former regard, Nostromo is superior to Conrad's more famous novel Heart of Darkness as he tells the story of very believable characters that are familiar to most readers.

Nostromo is a novel that stands comparison with War and Peace. Widely seen as Conrad's greatest work, it contains amazing - one might say appalling - insight into the human condition in the century that was just beginning. Conrad's father had served time in Siberia-like exile with his young family in tow, for participating in revolutionary, patriotic Polish politics. The experience had shortened his parents' lives and left Conrad an orphan at an early age, giving the writer a personal preview of what the new century was going to be like for so many others. The novelist's modern insight was not only on the political and social front but also into man's sense of identity. With Godot-like despair, Decoud, the character closest to Conrad in Nostromo, "beheld the universe as a succession of incomprehensible images." Stranded by himself for several days he becomes suicidal, realizing that "in our activity alone do we find the sustaining illusion of an independent existence as against the whole scheme of things of which we form a helpless part." At the same time it is beautifully written and is a gripping adventure - so can work on many different levels. Anyone who reads novels should read this classic.

I have always loved the style and social politics of the Regency period (the time of Jane Austen.) But when I read "Sense and Sensibility" in 7th grade I found the first few chapters lifeless, dull and hard to read. Two years later I was encouraged by a friend to give "Pride and Prejudice" a try. I did and have since become a complete Janeite. I am now able to peruse joyfully through "Sense and Sensibility" with a new understanding and appreciation of Jane Austen. The reason? "Pride and Prejudice" is fresh, witty and is a great introduction to Jane Austen's writing style without the formality of some of her other novels (unlike S&S and Persuasion Austen does not give us a 10 page history of each family and their fortune.) If you have never read Jane Austen or have read her other novels and found them boring, read Pride and Prejudice. The characters, and the situations Austen presents to them, are hysterical and reveal a lot about Regency society and morality. This book perfectly compliments a great writer like Jane Austen and is essential to every reader's library. The Penguin Edition of the book is stellar and I personally recommend it not only for the in-depth and indispensable footnotes, but also for the cover that is non-suggestive of any of the characters' appearances. In summary "Pride and Prejudice" is a great book for beginner Austen readers and seasoned fans, and Penguin Classics is a great edition for fully enjoying and understanding the book.

Like all the other jane austen books i loved this one just as much. jane austen is famous for her characterisation and this book proves it to you even more.

elizabeth bennet and mr. darcy intertwined into their own fixed judgements and opinions make this book not just a must read for its witty satire and humour but for its indepth understanding of true love. eliza,prejudiced ....Darcy, too caught up with his high society unfold their true character gradually making you enthralled and wanting more.
mr. collins the cousin, catheran de bourgh his patron bring out the best in subtle humour.
mr. and mrs. bennet, both of them a class apart...their uniquely opposite personalities creating sparks. the four sisters: genuine, bingely:awesome...the story i leave for you to unravel. you'll love it to the best of your ability.

trust me; you're caught. you won't be able to get your hands off it. its the work of a great woman and a great writer, a true genius who to me is just as equivalent to shakespeare. but then thats just me.

a book that shows us how two minds can eventually meet and harbour friendship and love. YOU WON'T REGRET IT.

"It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife". That's how my favourite book of all time begins, and it just keeps getting better.

This novel deals with the pride and prejudices of the main characters Miss Elizabeth Bennett, and Mr. Darcy, as they try to find true love in pre-Victorian England. Elizabeth is a gentleman's daughter and Mr. Darcy is a gentleman, but Elizabeth, along with the rest of her sisters, are not good catches because, their inheritance is being entailed away to their cousin Mr. Collins, leaving them with very miserable looking dowries. Along with poor family connections, they stand little chance of marrying well or at all; they only have their charms to help them.

That is until Mr. Bingley moves into the neighborhood along with his sisters, and accompanying them his close friend Mr. Darcy. Mr. Bingley becomes captivated with Jane Bennett, Elizabeth's eldest sister, and Mr. Darcy has an eye for Elizabeth herself, but can he see past her poor conditions, and can she see past his pride in order for them to get together? That's the question that keeps the audience captivated right up to the end.

I try and find time to read this book at least once a year, and I've been doing that for a few years, and yet, it's always fresh when a get around to reading it.