This was one of the first book i had read. i was a teenager then. and although gora being a very bullheaded guy had become my hero. he was a believer. he was a proud Hindu or at least he thought he was a hindu. he was a leader and believed that if he did anything not permitted in hindu society then everyone else wud do it too. he made it his responsibility awaken religious beliefs in society. and in the process he met a family consisting of all women of another cast. he tried to stay away from them but couldn't and fell in love with one of them. but being a responsible hindu he stopped himselves from taking any steps to come closer to her.
the best part was the end of the novel when he comes to know that his all beleifs were baseless. he was not what he had believes himselves to be and that just changed his outlook in life. and it suddenly opened up his heart to each and every human being. he had become a believer of humanism instead of any religion.
women characters were all too good and Lalita was my favorite. all the arguments in the novels teached me a lot about indian society and religion. i had read this book several times since then. This Is a true classic novel.... WE are proud of u Rabindra Nath Tagore.

To truly appreciate this book one needs to have some fair idea of the social, religious and political situation of India during the late nineteenth-early twentieth century. This book revolutionised the thinking and beliefs of the then contemporary modern thinkers and intellectuals, laying the foundation of the idea of a secular Indian society. The underlying theme is the essence of being a human, and very few in the history of mankind could find words that brings this out so beautifully (more so in the original Bengali, much of it is lost in the English translation). The reader undergoes the journey of self discovery along with the main protagonist, Gora. The beauty of Tagore's writing is that the unpredicatability and the vulnerability of the characters make them so natural and real, bringing out the inherent self-contradictions of human beings until they discover their true self and then all the cunfusions and the contradictions in one's own faith vanish. One finds one's place in this cosmos, realises the implication of being a human, experiences the beauty of life. And this makes the appeal of the book timeless.

Gora is inteligent, energetic and a strong believer. He believes in believing and acting for those beliefs. He is strong he is aggressive. He thinks that the strong belief can bring in all the good. Strong belief in God, Culture, country, ... will automatically make them self confident and will lead to progress. Which will eliminate the problems for the society. He subscribes to the beliefs, that he thinks are birth right to him. He is strong Hindu, He is strong Indian, Strong __, ... At the end he comes to know that his all the beliefs are baseless. He is devastated! The meaning of his existence was closely bound to his beliefs, but there is nothing to believe. What can he survive on? He gains new insights and so do we.

All the women characters are simply great!! Which is very characteristic of Tagore and Sharad Chandra.

This book changed me!

I am careful in spiritual pursuits--notions of spirituality have to win me by changing me with their beauty and honesty. Tagore's Sadhana does this time and again.

I fell in love with physics and mathematics because of my liking for their perfectness, exactness, and trimness; perfect form. (No large claims; a physics major and math minor, no graduate work.) For the same reasons, vague or inconsistent pictures of the universe are difficult for me to take in--I often take a statement, rework it, rework myself, think carefully, stay honest, and in the end sometimes come up with an expanded understanding of things; almost always the statement and I both must be reworked; there is no problem with that, it is just the natural metabolism of thinking.

But Sadhana is so honest and well thought through that my first reading of it was smooth, beginning to end. And it was expanding. And it was perfect. And it was beautiful because it was true; it was perfectly beautiful; however you want to put it, I was taken.

The book presents a perception of things which goes to their root; fortunately and unfortunately, I find no other words for this than "spiritual;" I must be careful to point out that this spirituality is grounded in the world; it is not pained to explain ugliness; it is honest about things--this honesty does not make it less beautiful; but a rather awe-filled more. The integrity of perception of things is wonderful, and makes it a joy to read; any inch of slack can be overlooked in loo of the expansiveness, truth, and depth of insight provided.

It is the only presentation of a cosmology I have found which seems (to me!) 1. entirely consistent with a physicist's beliefs of the nature of things, and 2. which even encompasses the physicists's awarenesses, without at all attempting to (at least not by the same route). And yet with all this, it is more a work of poetry of the heart than a work of philosophy or analysis. It successfully remains part of the *lived* world.

I would like to continue about how I came to *Sadhana* in the first place, but it is best read in quiet, absent commentary by others. Get to the book. Make it "yours" first, perhaps, and then talk with others (just a thought).

Perhaps I can say this final bit (it only clues you in to the table of contents):

I came to this book a few months after finishing Plato's *Republic*, and I know that Plato's work helped me develop the ideas and questions which led me to find Sadhana.

I felt--coming from my reading and response to *The Republic*--that there was something worthy to pursue related to such notions as beauty, self, soul, and consciousness. Unfortunately, keyword searches on these called up not much helpful; mainly, they were works arrived at with too much fear and desire pushing for a crystallization of philosophy, or which lacked depth of heart.

The best writings I didn't find under these searches, but instead under searches related to poetry, music, or art--nothing directly speaking of "soul," "self," and so forth. Yet I finally queried the library computer for any books which contained all four above words (the initial four). The fact that anything came up at all, with such 'different' notions, was unusual--I approached it warily, yet with subdued and slightly hopeful strides. My wariness soon evaporated away; dissolving. I read. It was Tagore's Sadhana, you assuredly have guessed.

Like the constancy of the great cellestial constellations, Tagore's Sadhana delivers the message of the human connection to universal transcendance in hauntingly beautiful English prose.

Perched as he was at the cusp of the Twentieth Century, Tagore saw with penetrating insight the fallacies of the age of science when he wrote,

" The man of science knows, in one aspect, that the world is not merely what it appears to be to our senses; he knows that earth and water are really the play of forces that manifest themselves to us as earth and water -how, we can but partially comprehend. Likewise the man who has his spiritual eyes open knows that the ultimate truth about earth and water lies in the apprehension of the eternal will which works in time and takes shape in the forces we realize under those aspects. This is not mere knowedge, as science is, but it is a perception of the the soul by the soul. This does not lead us to power, as knowledge does, but it gives us joy, which is the product of kindred things. The man whose acquaintance with the world does not lead deeper than science leads him, will never understand what it is that the man with the spiritual vision finds in these natural phenomena. The water does not merely cleanse his limbs, but it purifies his heart; for it touches his soul. The earth does not merely hold his body, but it gladdens his mind; for its contact is more than a physical contact, -it is a living prsesence."

When I first read these words over twenty years ago, they took my breath away.I have read and re-read Sadhana many time since then. Each reading or re-visting of favorite passages is as fresh as the first.He says much more that is worth reading in this 164 page gem.

Sadhana is also an excellent primer on classical Hinduism, as Tagore beautifully quotes the Vedas and Upanishads with Sanskrit transliteration to convey the lovliness of the vocal cadences of that ancient tongue.

Sadhana ranks with Psalms, the Tao De Ching, the Dhammapada, Zen Mind Begginers Mind and other enduring classics of world spiritual literature for its directness, simplicity and beauty of expression. My copy is beginning to fall apart so I am delighted to find it is again in print.

Finally, I thank Dr. Purshotam Lal of Calcutta for having introduced me to Tagore as Visiting Professor at Hofstra University in the 1960's. Lal, a Tagore Scholar, also produced a lovely translation (or as he preferred, a "transcreation") of the Dhammapada then published by Farrar Straus in New York. Thanks again, Lal.

Joel Freiser Hoboken, New Jersey

My grandfather bought this book in the 1940's while he lived in Japan, his copy was printed in 1919. I eventually inherited it. I read it last year sometime, and I thought that it was one of the best books that I had ever read. If you are fond of Tagore, or just like philosophical/poetic works I strongly recommend that you buy it! I hope that anyone who buys this will enjoy it as much as I did! Namaskar!

In prayers and poems of depth and simplicity,Tagore expresses his very soul...which is somehow the soul of each of us.

Obviously a spiritual master, he speaks for each of our hearts with a depth of compassion and honesty that embraces universal and timeless themes. Human struggle, delight, quest, hope, trust, joy, despair, and peace are expressed in a compelling commitment to Love which draws him only into deeper intimacy with the Beloved.

Tagore puts into words a love which surpasses understanding, time, or any methodology. He speaks in his writings a very human, very real, very tender love letter to the Divine.

I liked this book because it draws me also into the heart of God.

everyone will have something to worry about,some unfulfilled ambitions. This is a collection of the poet's mystic prayers.I am sure this will move anyone with a tender heart. He was the composer of the Indian national anthem and was also a social reformer and a romantic. This makes me wonder if he wanted to address these questions to god. My immediate goal is to learn bengali and read his poems in his own language. I am also looking forward to read his gitanjali which got him the nobel prize.

Nobel Laurate, poet, writer, philosopher, musician, painter, educator - Tagore was a multifaceted genius and a renaissance man par excellence! The section on philosophical meditations gives a cross-section of the cosmic vision of his legendary mastermind. Every page of this book resonates his own words; "The world speaks to me in colours, my soul answers in music". Can't recomment this enough for anyone who is interested in literature or philosophy in general or the works of Tagore in particular.

An excellent sampler of Tagore's work collected by his literary secretary. Contains poetry, conversations with Einstein and H.G. Wells, plays, fables, short stories, essays as well as educational, political and and biographical information. A must read for all Tagorophiles.

'Binodini' was my introduction to Tagore. It is about relationships in an orthodox Hindu family in Calcutta. Tagore's characters are so very captivating and convincing that they trancend temporal and cultural boundaries to become alive to us where ever we are. Those who love the traditional society will find this a beautiful and honest potrayal of Hindu Calcutta.

Binodini is here with all her beauty, her sexuality, her sensuousness, her longings - she's here in a traditional Hindu home cooking the daily meal, eating after the men have eaten, seducing the man of the house, realizing what true love is. She grows - they all grow - before our eyes. Their lessons are our lessons, their falls are ours. 'Binodini' grows on you - or should I say we grow for it!

A beautiful book. I would recommend it to anyone.

I have read several of Tagore's works but nothing has ever touched me as deeply as the lines in these poems about children and their loves. The one on the death of a child is my favorite. I lost my own child with leukemia several years ago and thought the tears had all dried up but these touching words of this great poetic master found some still tender areas. If these poems are so very beautiful in their English translations, I can only guess what they must sound like in the original rhythmic and lyrical Bengali language. Thank you for allowing me to review and recommend this book

Fireflies by Rabindranath Tagore is one of the most beautiful books that I have ever read. I am not an expert on Asian literature; so, I cannot give very much background on the poems presented her. What I can say is that every poem in here is a beautiful and is a perfect thought no matter where it came from or who is reading it. This collection by the Nobel Prize winner is made up of fireflies. They are each only three to six lines long and present a single thought. The poems flow together very cohesively. Tagore covers many different subjects. He speaks of innocense, nature, power, bigotry, freedom, death, and love. In short, Tagore writes about life. My favorite was the last:

"Before the end of my journey/may I reach within myself/the one which is the all,/leaving the outer shell/to float away with the drifting multitude/upon the current of chance and change."

I also liked:

"Love is an endless mystery,/for it has nothing else to explain it."

Few books flow as well as this one does. It enlightens the reader through the entire book and will express into words some feelings that all people have (as good poetry should do). Anyone who loved The Prophet by Gibran would love this book as well. It is somewhat forgotten among readers of today (I'm 18, and I guarantee that no other person in my high school has read this), but it should definately not be.

Gitanjali is a sweet collection of poems and songs from Nobel Prize winning poet Rabindranath Tagore. These are songs that touch on love, faith, truth, life in general. Tagore has written from the heart. The wisdom contained in these works is startling. This is Eastern poetry that is a wonder to behold. Tagore embraces the personal as well as the universal. He encourages his people to transcend. I refer to this book variably over the years. Its alluring beauty has not faded in any way.

The word and the deed were never far from each other in Tagore's life and not surprisingly he advocated the Universal Man. He was a polymath: a poet, fiction writer, dramatist, painter, educator, political thinker, philosopher of science. He was also a genius in music, choreography, architecture, social service and statesmanship. Over six decades Tagore gave the world some 2,500 songs, more than 2,000 paintings and drawings, 28 volumes of poetry, drama, opera, short stories, novels, essays and diaries and a vast number of letters.

I would enthusiatically recommend this book by my favorite author. Like the Psalms of David, Gitanjali is a soothing balm to the spirit. I read this entire book in less than two hours and has been my long-trip travel companion ever since. The introduction to the book by W. B. Yeats is magical and all the poems in this book transcend your imagination. The variety and quality of the poems are unbelievable!

"Gitanjali" is a collection of prose poems by Indian author Rabindranath Tagore. The Dover Thrift Edition contains an introductory note on the life of Tagore, who lived from 1861 to 1941. According to this note, Tagore, who wrote poetry in Bengali, translated "Gitanjali" himself into English. The Dover edition also contains a 1912 introduction by William Butler Yeats.

This English version of "Gitanjali" is a series of prose poems that reflect on the interrelationships among the poet/speaker, the deity, and the world. Although Tagore had a Hindu background, the spirituality of this book is generally expressed in universal terms; I could imagine a Christian, a Buddhist, a Muslim, or an adherent of another tradition finding much in this book that would resonate with him or her.

The language in this book is often very beautiful. The imagery includes flowers, bird songs, clouds, the sun, etc.; one line about "the riotous excess of the grass" reminded me of Walt Whitman. Tagore's language is sensuous and sometimes embraces paradox. Like Whitman and Emily Dickinson, he sometimes seems to be resisting traditional religion and prophetically looking towards a new spirituality.

A sample of Tagore's style: "I surely know the hundred petals of a lotus will not remain closed for ever and the secret recess of its honey will be bared" (from section #98). As companion texts for this mystical volume I would recommend Jack Kerouac's "The Scripture of the Golden Eternity" and Juan Mascaro's translation of the Dhammapada.

To review such a Tagore's work is a terrible task, though you've got the pleasure and adventage of going through pure still unknown masterpieces, a feeling that makes you believe that you've entered the Temple of Solomon delivering its secrets. Besides, to complete a biography of such a "myriad-minded" man, I believe that you need both to love the author, or at least his creations. I doubt that, although they have a high knowledge about the great man, Dutta and Robinson (this seems to be William Radice's opinion too) have preserved the bases of his syncretist and pantheist thought, they forgot the message and rather focussed on tiny anechdoctical passages of his tremendous life. I propose you to go through another biographies, such as Krishna Kripalani's or even E.J.Thompson's rather than focussing on such critical pieces of works that would tend to produce a negative effect on your love for Tagore's poetry --which I totally share with you. Take care though to the biased statement of Kripalani, who lacks objectivity being an in-law of Rabindranath and one of his rare truly close friends. However his report is both detailed and representative of the Bengali thought towards its greatest modern artist. I am working out on a thesis reflecting the influences on Tagore, and am ready to share my point of view. And best would be not to spend so much time on your computor but read once more one poems of Gitanjali. Just kidding.

With immense pleasure and great anticipation I read this Anthology. I feel the world is ready for Tagore's poems, short stories, and plays once more. His interest in world peace, his sensitivity for the human condition, and love of humanity is the kind of message the world needs, perhaps *even* more today than when the author first wrote his words. As with most translations of this author's famous work - there is a wonderful and necessary "Introduction" which gives many examples of his life experiences, interests, and achievements, helping one to sense the broad scope of knowledge and range of ideas to which the reader will be exposed.

Krishna Dutta and Andrew Robinson so wisely selected his play, "The Post Office" as the first chapter. This play is like a pearl found in an oyster shell ... the outside appearance gives no impression of the valuable gem to be found within. The message is breath-taking in its simplicity and sublime due to its universal message which transcends culture and time. The beauty of this Anthology is the wide range and depth of Tagore's writing to which the reader is exposed. His writing is awesome and inspiring, filled with love for mankind, by one who sees the complete picture, but nonetheless is filled with hope. We read Rabindranath Tagore's memoirs in "My Remininscences" - we learn about his relationship with his father, a journey into the Himalayas, and his boyhood days. Tagore's travel writings about Russia, Japan, England, Java, Persia, and a day at the spa in Balatonfured, Hungary are fascinating to read. We have the privilege of reading Tagore's personal letters to his neice, the poet Yeats, the poet Ezra Pound, many of his friends, the philosopher, Bertrand Russell, and many other people with whom he corresponded. From this one garner's more about the personality of the man whom Tagore was, a person who lived his values and beliefs, not one who merely just wrote about them. We read a fascinating exchange of ideas with Albert Einstein on "The Nature of Reality." Tagore's mastery of the short story has won him recognition in Bengal and throughout the world. He conveys social, political, and human relationships of the villager and city dweller with equal ability. He gradually exposes feelings and conflicts, and carefully builds suspense until the mystery is revealed or the situation is resolved often with unexpected consequences. Although fewer poems are included than one would expect, two important ones, "The Sick Bed" and "The Recovery", written toward the end of his life are included. Also, "The Ocean of Peace" a song Tagore himself planned to sing after a play, was instead sung for him at his funeral, which he requested while he was ill. If someone is unfamiliar with Tagore's writing this book is highly recommended as a starting point. It contains a full measure of the author's broad interests and truly represents the universal message, "the unity of mankind" which he attempted to convey in his writing.
Erika B. (erikab93)

As I flipped through the pages of this 400-pg assortment of Tagore's Letters, Essays, Anecdotes and other like items, I could not help comparing the same to Barbara Holland's "Endangered Pleasures". The parallells are quite striking; however, An Anthology is in a completely different league of it's own. It's always a welcoming experience to read about Noble laureates, but Tagore wasn't just another Noble prize recipient - a man whose works had left the indelible etching in the minds of millions of Indians and steered the country to independence, inspired hopeless souls and rekindled the hopes of victory in a god-forsaken land. Striking yet more are the personal letters of Tagore, letters to his nephew Indira Tagore which I must admit were humorous far beyond what we expect out of a man whom we usually associate with sterner and solemn works. The book clearly draws a calm and serene picture of Calcutta back in those days. Krishna Dutta and Andrew Robinson has produced a magnificent compilation of Tagore's works that appeal directly to the Westerners and Easterners alike. The book begins with a translation of 'Dak Ghar' (The Post office), and recursively descends down the various phases of his life through essays, letters and other small works. I'd recommend this book to anyone interested in learnign more about the man and his most interesting escapades and experiences in life - a truly refreshing journey indeed.

An excerpt - "In certain years in Calcutta, birds strange to the city used to come and build in our banyan tree. They would be off again almost before I had learnt to recognize the dance of their wings, but they brought with them a strange lovely music from their distant jungle homes. So, in the course of our life's journey, some angel from a strange and unexpected quarter may cross our path, speaking of the language of our own soul, and enlarging the boundaries of the heart's possessions. She comes unbidden, and when at last we call for her she is no longer there. But as she goes, she leaves on the drab web of our lives a border of embroidered flowers, and our night and day are for ever enriched."