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--from page 350.
Twice nominated for the Pulitzer Prize for investigative reporting, Mark T. Sullivan is the author of the critically acclaimed Ghost Dance, Hard News, The Fall Line, and The Purification Ceremony. His latest work of fiction, Labyrinth, featuring nonstop action and derring-do adventure, has "Hollywood" written all over it.
Ranging from the Descartes Highlands of the moon (in 1972) to a physics lab at the Univ. of Tennessee (in 2004) to the Labyrinth cave system of Eastern Kentucky (in 2007), this gripping and suspenseful novel, technically a sci-fi yarn, is basically a story of human endurance and survival in the bowels of the earth.
At the center of the story is moon rock 66095, which has the astonishing power of transmuting existing elements and creating new ones, and of releasing tremendous energy deemed essential to the economic and political well-being of the United States.
Federal troops are ordered into Eastern Kentucky to find the moon rock, which has been hidden in Labyrinth cave by Robert Gregor, a brilliant but psychotic physicist who, serving a life sentence in Kentucky's State Penitentiary at Eddyville, escapes and heads for the cave, along with several other hardened criminals.
Converging within the claustrophobic confines of the Labyrinth are the predators and the prey, including expert spelunker Tom Burke and his 14-year-old daughter, Alexandra "Cricket" Burke.
Whitney Burke, Tom's wife and Cricket's mother, vows never to return to a cave after one of her friends was drowned in a previous cave expedition. She must overcome her post-traumatic stress disorder, however, when she learns that Tom and Cricket are being held hostage inside the cave by escaped felons.
Ironically, the strength of Labyrinth may also be its weakness. Reading this novel, one cannot help comparing it to the cliffhanger serials shown many years ago at Saturday matinees.
Mark T. Sullivan pulls out all the stops. Virtually every chapter ends with an "impossible" scenario. Surely the "good guy(s)" cannot possibly survive this time!
Reading a constant bombardment of such cliffhangers, we plead for a breather; otherwise we shall hyperventilate. So much overkill causes crisis fatigue.
Although the novel's melodrama might play well on the silver screen, the book becomes almost comical. Sullivan has tried too hard to produce a blockbuster.
Nevertheless, Labyrinth has a redeeming feature. Cricket Burke's development from dependency to self-reliance is a remarkable rite of passage--a convincing coming-of-age story. This much of the story rings true.
A good read, though, with plenty to keep you occupied.
RECOMMENDED.
Three years later NASA hires Tom Burke and his daughter Cricket to escort them into Labyrinth Cave to find the missing rock. His wife Whitney suffers nightmares and though internationally famous refuses to enter the cave where last year her assistant died while she barely escaped.
However, Gregor escapes with some fellow prisoners and heads to Labyrinth Cave to collect the rock that will make him rich and famous. He and his associates capture the Burkes and the NASA team inside the cave. Only Whitney can lead a rescue party, but she has not entered any cavern since the nightmare occurred, but the stakes are the two people she loves most.
At times LABYRINTH seems more like a Hollywood thriller than a novel, but Mark T. Sullivan cleverly augments the plot with a personal crisis and an incredible underworld panorama. The story line is loaded with action on a global scale and on an individual level as the world is in trouble if Gregor regains the rock while Whitney battles herself. Mr. Sullivan provides a powerful tale that winks at the movie industry, which works fine for this novel.
Harriet Klausner
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Great break-neck pace, smooth plot, likeable characters, and a great narrative equal a nice little yarn of a read.
If u like novels that aren't wordy or too deep, this will fit the bill very nicely. This is a first novel that shows at times but it more than makes up for it.
If u have ever worked at a news-paper or want to know the inner workings of one, this is a MUST READ!!!
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I can't recall the last book I read where the writing was this awkward and forced. Everything from the name of the heroine (full name: Andromeda Nightengale... yeah, that just flows off the tongue) on forward seems the product of a writer trying desperately to replicate a successful formula without the benefit of real inspiration or, for that matter, an interesting story to tell. "Hmmm... what should I do next. I know: CIA assassins! No, no, wait -- I'll have my protagonists stumble into a cave and find some valuable piece of evidence... again. Or I could just give them another feverish, mystical vision. Nobody's tried that before!"
Why did I actually finish this book? I had 4 hours to kill on a plane, and it was either this or try to lipread "Gosford Park." I'm not sure I made the right decision. THE PURIFICATION CEREMONY was good enough to make me curious about Mr. Sullivan's future efforts, but GHOST DANCE is about as painful a mis-step as you'll ever encounter in print.
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