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Now the party crasher has arrived. "Dark Matter" not only bum rushes the party yelling, "We are here and things will never be the same!" It also informs the partygoers that we have always been here.
"Dark Matter: A Century of Speculative Fiction from the African Diaspora" is an important anthology that sends an important message. Sheree R. Thomas has compiled a wonderful collection of SF from all over the African Diaspora. Every aspect of SF is covered in the wonderful tales that are included in this book.
Steven Barnes' "The Woman in the Wall" is the best fiction I read from him. This story is definitely one of the emotional highlights of the anthology. Nalo Hopkinson has two stories and both are excellent. "The Space Traders" by Derrick Bell brings up many important issues concerning the role African Americans play in our society. This book is full on many more examples of thought provoking and emotional fiction.
The essays included in this book will give you a better understanding of racism within the science fiction community and hope for a more inclusive future.
I hope that every SF fan embraces this book.

Some of the authors - Butler, Delany - I knew. Any friend of Dahlgren's is likely to be a friend of mine. Checked it out.
Start to finish, this anthology introduced me to people I would likely never have read - only because I had no idea who they were. Now I have a whole new reading list from authors I met in this collection. I have yet to be disappointed in a novel from any of the authors I met here, and I continue to seek out their work at the library.
Thank you Sheree R. Thomas for putting these works together for me to sample many new-to-me authors of speculative/science fiction.


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The book is a wonderful coffee table volume full of wonderful photographs from the production, rehearsal, casting and out of town tryout. There are stories from the stellar cast such as Nathan Lane, Matthew Broderick, Roger Bart, Gary Beach, Brad Oscar and Cady Huffman. Madeleine Doherty relates her hilarious audition as a little "old lady" and Brad Oscar's rise from a swing/understudy to the permanent part of Franz Liebking when another actor was injured.
All of the lyrics and most of the book are included Act by Act. The lyrics for some of the songs that were deleted are hilarious. With Mel Brooks heavily involved in the book, we get to know how this valentine to Broadway was created and how the original 1968 film came to be.
Miramax Books is to be given a standing ovation for the gorgeous design on this publication.
If you have seen "The Producers" in New York as I did one month ago, this book is a wonderful souvenir and a necessary addition to your bookshelf. If you haven't seen it yet, it is still a wonderfully enjoyable volume. Anyone interested in Broadway or musical theatre will pore over the pages for hours.
I highly recommend it and it would make a great gift.

The Producers is by far the best book I have ever read about the development and staging of a Broadway show. Anyone who likes Broadway, comedy, or Mr. Mel Books will find this book to be irresistible! For those who cannot get tickets to The Producers (or have tickets for 2003), this book is your best bet to enjoy this marvelous musical in the near future. I strongly recommend this book as a gift item for those who don't mind some salty language and references.
This book contains reminiscences of the show's development from the first contact by Mr. David Geffen to Mr. Mel Brooks to encourage Mr. Brooks to create a Broadway musical version of the 1968 motion picture of The Producers by Mr. Brooks. Each personal statement is accompanied by beautiful, lighthearted candid photographs of the people involved. One of the most touching sections involves how Ms. Susan Stroman was chosen to direct and choreograph the show after her talented husband and artistic partner, Mike Ockrent died, and Ms. Stroman was still in mourning. The stories about the first reading for producers will leave you with a tingle of excitement. After the first act was read, Mr. Rocco Landesman offered the St. James Theatre. Fourteen producers present eventually invested in the show, after Mr. Geffen had to bail out due to other commitments. The accounts are full of one-liners to keep you laughing as you learn. For example, turning a movie with two songs into a musical with 16 more is described as being "not unlike trying to translate it from English into Serbo-Croatian."
Although the feedback was good all along, everyone kept waiting for something to go wrong. But it never did. The most negative thing anyone said about the show was Mr. Brooks. "It's not funnier than Blazing Saddles." When the New York Times Review came in, it was an amazing rave that began with "How do you single out highlights in a bonfire?" You then get some background on sets, costumes, and winning 12 Tony awards.
From there, the book presents the libretto of the show and the lyrics of the songs. The only thing that's missing is the musical score. But you can sing to yourself, and enjoy the many wonderful photographs of the 22 person cast (featuring Nathan Lane as Max Bialystock and Matthew Broderick as Leo Bloom -- with full allusions to Ulysses intended). This is an annotated version, so it includes notes about what the draft versions had called for and the reasons why certain changes were made. Having seen the changes, I must agree that the decisions were unerringly improvements. Some of the false starts are pretty funny, too, such as the planned beginning with a "Hey, Nebraska" spoof of a well-known Broadway musical.
If you are one of the few people who doesn't know the story line, let me give you a brief summary without spoiling it for you. Max has just had a flop ("Funny Boy" based on Hamlet). Accountant Leo notices that Max made a small profit and speculates that a lot of money could be made by over raising money for a flop on which little was spent. Max falls in love with the idea, and draws Leo into a plot to do this. They find a story called "Springtime for Hitler" which they feel will offend practically everybody, and hire a director to make an outrageous version. Max raises the money by romancing elderly female investors. The rest of the story takes a number of unexpected twists that will delight and entertain you. One of my favorite lines from the show comes in Act 1, Scene 1 when Max comments that "the reviews come out a lot faster when the critics leave at intermission."
The appeal of the story is that it ultimately upholds positive values while poking good-natured fun at everyone involved in the Broadway community. Since no one is spared by the satirical spear, no one can be terribly offended. There's a lot of cross-dressing to spread out the small cast that gives the show some of the sophomoric appeal of a Hasty Pudding theatrical, which is well captured in the photographs.
Creativity experts say that you can find improved solutions by trying to do the opposite of what you've been trying to do. So the notion of trying to make something bad . . . to find something good . . . is a well established one. Turning something from one form into another one is also advised. So you can learn new ways to solve old problems, even from Broadway musicals!

1. BUY THIS BOOK. It contains all of the lyrics, super pictures, and more important, not only the entire script, but the entire chronology, from its inception as a movie to creating the stage story to slapping together the first few songs to nervously hosting the first previews in Chicago to its blockbuster grand opening at the St. James Theater in New York! It doesn't get more comprehensive than this!
2. BUY THE ORIGINAL CAST ALBUM ON CD. This contains every song, from start to finish, sung by the award winning cast. The lyrics are here too.
3. BUY THE DVD/VIDEO, "Recording The 'Producers' - A Musical Romp with Mel Brooks." This is the closest you can get to seeing the musical, albeit not on stage. And don't be fooled by the liner notes. This isn't ONLY the 85 minute version that aired on PBS, it has extra footage that clocks the package at around 1 hour and 40 minutes!
I saw the show in October and I'm going back to New York to see it again in March. I've NEVER been this INSANE about any entertainment product (books, films, music, staged theater) in my LIFE.
With all three items -- the book, the CD and the DVD/video -- you get a pretty good idea of what makes "The Producers," with its spectacular mix of merriment and mirth, mayhem and satire, so great! It deserves all of its hype. You can't oversell it!
Every song is a show-stopper, a throwback to the riffs that feel like a "best hits" package from the greatest musicals ever made. A little bit of Cole Porter, Gershwin, vaudeville and classic dance melodies reminiscent of Fred Astaire and Gene Kelly (e.g., "Gotta Sing-Sing!" -- as in prison!), with lyrics that are so happily vulgar and irreverent that you're lucky you're not more doubled-over in pain from laughing so hard if you could only see the girls wearing pretzels on their heads and others doing the swastika "circle" march (visible via a tilted mirror toward the audience), done in Busby Berkeley style! Heck, there's even a bit of an homage to the Andrew Sisters (e.g., "He's a Hot-sie-tot-sie Nazi! Woo-woo, he's a hot-sie-tot-sie Nazi! Woo-woo! The Fuhrer...is in a FUROR!")...
Sadly, this original cast won't be together much longer, but the traveling show officially begins next year (it'll be in San Diego from December 2002 to January 2003)! So the wait won't be as long as we thought!
To recap -- get the CD, the DVD/Video and THIS BOOK! Then you'll save some big-time $$$ until the show arrives in your backyard! Whatta deal!

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I tend to like the I Can Read Books, anyway, but this one in particular helped my daughter, because she was so fond of the story itself.
Amelia Bedelia is loveable and absurd. Kids can really relate to the humor -- Amelia Bedelia finds herself in trouble over misunderstanding the dual meanings of words.
This is a good illustration of what not understanding the full meaning of a word can do to a person (and all the trouble that it can create) and it's something that every child has come across at some point or another.
It is ridiculous and funny, and what kid doesn't like ridiculous and funny?
This is a good one, particularly for girls, I think, since the Amelia is female, and there don't seem to be as many books out there starring women or girls as there should be.

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Based on hundreds of crewmember letters home, Wings of Morning provides insights that go far beyond the usual combat narrative. The combat experience is here to be sure, but so is the training, off-duty hours, weekend leaves, camaraderie, devotion to duty, exhilaration, boredom, bravery, fear, hope for the future, and the families back home. This book, more than any I've ever read, gave me an appreciation for the near constant tension that these men must have felt. I repeatedly found myself asking what I would have done in similar situations and realizing anew why those who fought World War II are rightly called the "Greatest Generation".
Wings of Morning does not end with the loss of a B-24 crew over Regensburg, Germany, in April of 1945 nor with the War Department notifications to the families waiting at home. Professor Childer's uncle was a crew member on that tragic flight and the final chapters of this extraordinary book detail his quest to reconstruct the final mission of a B-24 known as the Black Cat.
I've read and own many good books about World War II but none has had the impact of Wings of Morning. Thank you, Dr. Childers, for this insightful and thought provoking work...



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The story is funny and involves lots of jungle animals. It also has suspense. Will the elephant sneeze or not? This book allows the reader to use a lot of different voices and a lot of drama, something young children love.
Later, when my son had grown older, I joined an acting troupe, memorized this book and performed it in children's theater. It was always a hit.
I highly recommend this story to people who have or work with young children.

The story is funny and involves a variety of jungle animals. It is also filled with suspense. Will the elephant sneeze -- or not? This book allows the reader to use several different voices and a lot of drama, something young children love.
When my son grew older, I joined an acting troupe, memorized this story, and performed it in children's theater, with others acting out the parts of the various animals. It was always a hit!
Somehow my original copy was lost and I have searched for years for another one. No one ever seemed to know about this book. I never even found anyone else who had ever read it. I am so happy that I now have a chance to get another copy and to get additional copies for all of the nieces and nephews in my family and for! ! the children and grandchildren of my friends. It will make a fantastic gift that will be greatly enjoyed and remembered for years.
I highly recommend this story to people who have, know, or work with young children.


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Easy to read, but full of messages.



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Lion's life on-the-run is narrated openly and honestly. The book begins with an intensity that is maintained throughout. I thoroughly enjoyed and recommend this story and am looking forward to reading Lion's other book, "Chelan."



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