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I deinitely recommend it.

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VS. "INFINITE JUSTICE"
The bitter irony of the life of Jonathan Jay Pollard, U.S. Navy spy for Israel, is the haunting, tragic message of Miscarriage of Justice: The Jonathan Pollard Story (Paragon House, c. 2001) by Mark Shaw. This former criminal defense attorney thoroughly captures the countless flaws in the judicial maze that has left the entire Pollard family distraught and millions of Pollard supporters worldwide desperate for justice.
More than any other human being, Jonathan Pollard is responsible for attempting to avert the current American war that was initially called "Infinite Justice." During 1984-85, Jonathan alerted American and Israeli military authorities to the looming threat of biochemical terrorism by militant Arab and Islamic factions. Years before the Iraqis used poison gas air raids in murdering and disabling over 10,000 Kurds, Jonathan brought the issue to the military leadership of the U.S., to no avail. He was told that the Jews were overly sensitive about matters involving poison gas, so he decided to save as many human lives as possible by providing Israel with U.S. intelligence on chemical weapons factories in Arab countries and plans for Arab terrorist attacks.
Jonathan Pollard potentially and intentionally saved millions of human beings in the Middle East and worldwide from excruciating deaths and painful lifelong physical disabilities. Although he never had a trial and was never convicted of a crime, he is the only person in U.S. history to receive a life sentence for friendly-nation espionage, a common practice of allies.
Jonathan's remarkable story begins with his extraordinary family, especially his devoted Jewish mother, Mollie, and his prominent father, Morris, a renowned international leader in prostate cancer research. Morris had sometimes assisted American intelligence agencies and has devoted his life to serving America as a preeminent scientist at Notre Dame University. As a boy growing up in an anti-Semitic town, Jonathan was the daily target of verbal and physical assaults, which made him resolute in his commitment to protect Jews everywhere, and especially in the Jewish homeland, Israel.
For decades, Jonathan's grotesque mistreatments in prison after prison have only served to highlight the malicious, malignant miscarriages of justice against the man who saved human lives en masse, at the expense of his own safety and personal health. For most of nearly 17 years behind bars, Jonathan has been locked up in solitary confinement, suffering countless and pointless "cruel and unusual" mental and physical punishments in prison cells two stories underground, with temperatures ranging from 30 degrees to 107.
At the hands of Iran-contra figures like Caspar Weinberger, the Secretary of Defense who was indicted on five felony counts, Jonathan's life sentence was a direct retaliation for his efforts to expose Arab threats to the world, while American officials were secretly engaged in supplying arms and chemicals to militant Arab and Islamic nations. Weinberger still insisted for years after Jonathan's life sentence had begun that Jonathan should be shot.
The essential question that Miscarriage of Justice answers is how much punishment is enough, no matter where you stand on the Pollard case. The book boldly concludes that "Enough is enough"; and when the judicial, political, and penal systems inflict gross mistreatments, the American conscience must intervene to demand restoration of the constitutional guarantee against "cruel and unusual punishment."
The aftermath of this miscarriage of justice is the needless deaths of thousands of Americans through merciless terrorist attacks on the Twin Towers, Pentagon, postal stations, media, and more because of heedless American leadership. The final image of Miscarriage of Justice is the pitiful mental picture of Jonathan wasting away in prison, as a political pawn of the Reagan-Bush administrations, which busily conducted the covert, illegal Iran-Contra operations with terrorists, and of the Clinton presidency, which bestowed a presidential pardon on billionaire financier Marc Rich instead of poor, penniless Pollard.

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a great book.

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The ROOTABAGA STORIES are unconventional in almost every way. Unlike traditional fairy tales, they have no perfect princesses and evil witches. They are American fairy tales with a rural flavor and, in fact, they have no evil characters. The settings, though fanciful, include images that defined America in the 1920s, when the stories were published: the railroad, which "ran across the prairie, to the mountains, to the sea," and the skyscraper.
In Rootabaga Country the railroad tracks go from straight to zigzag, the pigs wear bibs (some checked, some striped, some polka-dotted), and the biggest city is the Village of Liver-and-Onions. Characters in this fanciful world are equally peculiar: Please Gimme, Blixie Blimber, Eeta Peeca Pie, and dozens of others. Children and literary critics alike would be hard-pressed to explain (even symbolically) the events that occur in the stories. Nevertheless, meaning comes through and truth is revealed. For example, in "Three Boys with Jugs of Molasses and Secret Ambitions," ambition is defined as "a little creeper that creeps and creeps in your heart night and day, singing a little song, 'Come and find me, come and find me.'" Who would expect that "The Two Skyscrapers Who Decided to Have a Child" would have an absolutely poignant ending?
Although the events of the stories may not be explainable, the stories are replete with concrete images. Sandburg provides both visual and auditory description with musical, repetitious phrases and novel juxtaposition of words ("a daughter who is a dancing shaft of light on the ax handles of morning"). Occasionally he invents words, such as "pfisty-pfoost," the sound of the train's steam engine, and "bickerjiggers," the buttons on an accordion.
ROOTABAGA STORIES are wonderful for reading aloud. They provide an opportunity for readers and listeners to delight in language and revel in truths revealed in a fanciful world.


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Annotations should be done in the manner of Gardner's own annotations of Alice in Wonderland. Now those were annotations that made *sense*. Annotations that simply explained out of date concepts, gave relevant details from Carroll's own life, or obscure humour. That's all! That is what annotations should be like.
The pedantic geekery of these annotations remind me of the...games of Star Trek fanatics (or Sherlock Holmes fanatics).
The poem is brilliant, though; and the illustrations were funny, before the annotations over-analysed them.

Dr Jacques COULARDEAU

I noticed some confusion in the Amazon listings for this book, so let me clarify that the edition with Gardner's annotations is the paperback, and for illustrations it contains reproductions of Henry Holiday's original woodcuts from the 1800's. There are only eight pictures, and these are in old-fashioned style which may turn off some modern readers. This edition does not contain the illustrations - listed in the review of the hardcover editions - by Jonathan Dixon, nor the illustrations by Mervyn Peake also listed as available in hardcover from Amazon.
To Snark fans, though, I would unhesitatingly recommend both those editions as well. Dixon's is little-known, but excellent, the most profusely illustrated Snark, with pictures on every page in lush, gorgeously detailed and humorous pen and ink. It may still be available through the website of the Lewis Carroll Society of North America, who published it in a small edition. Peake's drawings are also in beautiful black and white, and capture his own rather dark, quirky "Gormenghast" take on the poem. (A good companion, too, to the recently released editions of "Alice" with Peake's drawings.)

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Teacher Note: Excellent opportunity to integrate language, music and rhyme. Students can also meet and greet jazz greats via musical listening/movement experiences. A real opportunity to submerge classroom experiences into "multiple-intelligences" mode. Another recommended book is Willie Jerome by Alice Faye Duncan.

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