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I found the concepts and skills taught basic to any human relationship. I think anyone wanting to take their communication to the next level will find this little primer helpful inspite of its strong business focus.
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But it has not been updated since 1998 and it is now somewhat out-of-date. Most of the information in the book is still solid, but since publication, new technologies and understandings have occurred and these new data make it imperative that a new edition be issued before this book can maintain its role as the "bible" on reproductive health and technology.
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The TCP/IP Exam Cram is a nice book. It presents most of the salient points for the MCSE exam in a nice compact manner. There are some errors, as with all of the MCSE books from all sources (except maybe Microsoft Press). But, once you get the concepts down enough to find the errors, you are generally ready for the exam.
The biggest shortcoming of this book is the limited subnetting examples. There is a enough information, but presenting how to set up a subnetting table would have been far more useful to passing the MCSE exam.
If you work with TCP/IP in an NT environment, this book and your experience should be enough to pass the exam. If you are going for a paper MCSE, it would be best to augment your education with further material.
On the other hand, Exam Cram was extremely orderly and offered the most concise and understandable explanations of the TCP/IP suite. They helped the reader build a framework or context to hang all the information on rather than the seemingly endless flow of disconnected information presented in Sybex.
Also, I have read what the OSI model is in at least 6 books. This was the first time it was explained in way that gave it some "reality" rather than a mysterious abstraction.
When learning any subject from a book, the reader must "select" a distilled set of facts and relationships to put to memory. This book has effectively condensed the subject to the essential basics, so much less energy has to be spent on reduction. Everything is pertinent, no filtering needed.
The 5th printing has corrected most of the errors referred to by other reviewers.
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Shelley, any more than movie goers would recognize the real Tarzan in ERB's debut book. For this 1818 novel introduces us to a surprisingly articulate monster--who is never named by his idealistic young creator. Its antique literary style offers a tale presented by three different first-person narrators. Letters (tales within a tale) are the inevitable legacy of suicide or premature death before the story is really over.
In contrast, the basic theme appears remarkably modern, especially in the light of 21st century scientific debate over the inherent dangers of too much knowledge (as in Dr. Jekyll and Mr. Hyde)or genetic tampering (The Island of Dr. Moreau). Man is simply not morally csapable to assume the role of creator. Lofty-minded but overwrought Victor Frankenstein conceives the blasphemous idea of creating a living being of gigantic stature. Despite his noble goal of benefitting mankind, the experiment goes grotesquely awry. The youthful natural scientist endures a few years of tortured, morbid existence, which swell to a crescendo of horror as a result of his cerebral "Hybris."
Frankenstein's obsession gradually dominates his life--spilling blood onto those around him, as the people dearest to him are viciously and deliberately murdered. Is there no way to stop the rampage of terror which he has inadvertantly unleashed upon a helpless, unsuspecting world? Linked inexorably by the bonds of unholy creation, both Victor and his monster live only for Revenge. But can either truly be said to be alive, if the other should perish? Are they not mutually dependent on each other to sustain the fires of the hunt? Despite uneven pacing, this thriller/chilller has captured the imagination of kids of all ages for almost two centuries. Bear in mind that Hollywood has transformed the original monster, spawning the idea that Frankenstein Is the monster!
Through the creature's own words, we hear of his confused awakening and search for understanding. From the start he recognizes that his appearance is so horrifying as to repulse anyone who sees him. Fittingly, once he has taught himself how to speak and read, his first attempt at communication is with a blind man. When he realizes the futility of his search for a friend, he focuses his efforts on another objective - revenge upon the one who brought him into this cruel world. The creature sets out to make Frankenstein's life the same sort of hell as his own.
The scientist Frankenstein goes to great lengths to complete his experiment, realizing too late that there are consequences for interfering with the laws of nature. He brings to life a most unnatural beast, and flees in horror from the being he has created. Feeling no responsibility to comfort the creature in any way, he instead wishes to completely abandon it and forget that it even exits, leaving it to struggle single-handedly in a world where it does not belong. Is it any wonder that his creation becomes slightly incensed at his abandonment and seeks to create for Frankenstein a life equal to his own in misery and isolation?
Who deserves the label of "monster"? First-time readers of Shelley's novel may have a hard time accepting that the creature is not a purely evil or demonic being; contrary to popular belief, he does not just wake up and start strangling people. The creature in the novel has qualities we more easily identify with, such as the desire to be loved and accepted. On the other hand, Dr. Frankenstein's actions are questionable at times. Is the creature justified in his revenge? Or does Frankenstein get the bad end of the deal, his originally well-intentioned experiment gone sour? Either way, reading Mary W. Shelley's novel presents to us the viewpoint of a very different "monster" than we expect.
For starters, the characters are far more subtle than any of the film versions: Victor F appears as a brooding and obsessed genius, but also as a great lover of life and nature. The monster, who is an articulate and literate creature who read Goethe, is even more interesting, from his hopeful beginning to his bitter reaction at rejection and his thirst for vengence. His eloquence was vivid and his pain horribly realistic.
But the work is also fascinating as a window into the mind of the Romantics, who at once strove to reject the rationalism of the Enlightenment yet reflected it. The creature starts off empty and what it becomes is due entirely to his experience. Knowledge is not always good, etc.
Finally, the themes are timeless and full of conflict: creativity giving birth to unimaginable destruction, tampering with nature as its necessities overwhelm even genius, and the like. THe book is a kaleidescope of philosophical reflection. The pain of the creator and the monster alike are inescapably linked like father and son.
I did find the style of the book a bit difficult. It is full of florid rhetoric and lengthy circumlocutions, as the doctor and then the monster tell their stories in almost identical prose.
Highly recommended.