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In these poems Stevens combines technical mastery approaching Yeats's with a cerebralness typically associated with Eliot. Yet Stevens's work is more emotionally complex than the Irish poet's and more nimble and sure than the English expatriot's. While Stevens is the only American of the three, his verse is unemcumbered by geography or nationalism.
Reading The Palm at the End of the Mind pleases on so many levels-the wordplay of The Emperor Of Ice Cream, the Zen feel of Thirteen Ways Of Looking At A Blackbird, the fertility of O Florida, Venereal Soil, the music of The Man With The Blue Guitar, the philosophy of Not Ideas About The Thing But The Thing Itself, the self-consciousness of Of Modern Poetry. Or one can enjoy virtually all of these things at once in masterpieces like The Idea Of Order At Key West, Notes Toward A Supreme Fiction, or The Sail Of Ulysses.
This definitive collection is not only essential poetry for one's collection but, more importantly, good reading as well.
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Readers that enjoy literary correspondence should also see One Art (the letters of Elizabeth Bishop).
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