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Young students reading this juvenile biography will wonder why it was that Pierce was ever nominated for the White House by the Democrats in the first place (actually it was about the 50th place once you counted all the Convention ballots it took). Although he served in the Mexican War, rising from private to brigadier soldier, he was not a war hero; at least, not in the same sense as General Winfield Scott, who was the Whig candidate in 1952. Pierce was selected because Southerners wanted someone who approved of slavery and Northerners appreciated the fact he had not made any enemies in politics, mainly because he had never done anything. However, this was not a good time to be in the White House and the story of Pierce's one time in office is that the slavery issue was threatening to tear the nation in two. His administration accomplished virtually nothing and his ideas for expanding the United States into Central America was rejected. When he sent federal troops to put down the abolitionist government established in "Bleeding Kansas," Democrats refused to re-nominate Pierce in 1956.
I am not sure why Pierce is considered a worse President than his successor, James Buchannan, who also did essentially nothing but put off the coming of the Civil War for a few more years. Ultimately, the personal tragedies of his family life overwhelm the story of his political career. Ferry provides a basic biography of Pierce and in the final analysis tries to focus on the fact he was an honest man who wanted to uphold the Constitution. However, the judgment of history is that Pierce was not able to solve the problem of slavery and probably made things worse.
This is a handsome look volume, filled with photographs and paintings, focusing on the life and times of Franklin Pierce. Each chapter has a sidebar and the fact that these are as likely to be devoted to topics in which Pierce was not involved, such as the attack by Representative Preston Brooks on Senator Charles Sumner in Congress, again speaks to Pierce as a political cipher. As always, the margins have all sorts of interesting facts, such as how the cabin in which Pierce was born is now underwater because a river was dammed to create a lake called Lake Franklin Pierce. This book provides basic biographical information about Pierce, but it is hard to come up with a really interesting book about a fairly uninteresting and extremely unhappy man.
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Apart from the spectacular views from the fifth and sixth floors, the Johnson Museum also affords the visitor a startlingly broad and deep permanent collection of many different genres of art. That collection is represented here in beautiful reproductions, along with excellent text, particularly by Museum Director Frank Robinson and Curator Nancy Green.
Of course nothing can really take the place of an in-person visit to the Johnson Museum (and to Cornell), especially because their seasonal exhibitions are almost always striking and interesting. But for everyone who might remember a rainy Thursday afternoon wandering the galleries, this book is an indispensible trip down fine art's memory lane.
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