I'm a dabbler in Ancient Egyptian history and this is a great buy. At under $15 I think it's a great deal considering it's hardcover and has a TON of full color pictures. It covers a wide array of topics from Geography to Pharoahs. The book is handsome enough to display on a coffee table, detailed enough to get a taste of ancient egypt, and still simple enough that it would make a terrific gift for a child of any age (I'm 23 and I think this book is fantastic).

Other topics include: daily life of the Egyptian (not just nobility!), tools, jewelry, mummification, writing system, agriculture, textiles, food, religion.

I think that Eyewitness:Ancient Egypt is an amazing book. I liked how they wrote about how the Egyptians built their pyramids. If you are thinking about reading this book you should,because you will learn alot. Belive me, it's a very interesting book.

this is a great book on ancient egypt. this book has 60 pages that are filled with lots of info. this book has a great overveiw on ancient egypt and is filled with lots of great colored pictures on every page. if you are into ancient egypt you will want to buy this book that is great for all ages.

Ichiro Sasaki
April, 16,2002
Humanities
Make four million dollars by next Thursday

I choused this story because I looked at this title and I thought this book might be fun and also when I reading this book I feel I want to know what will happen next so it is very interesting book.
Jason Nozzle wanted to be a multimillionaire. One day he saw a book called "Make four million dollars by next Thursday" He wanted to be multimillionaire so he followed the instructions of what book said. He followed instructions but all instruction were so crazy but Jason didn't give up. But this book didn't make him multimillionaire but this book tells him that you have more important things then money.
In conclusion I learned that we have more important things then money and also I learned that we could buy things by money but we couldn't by other peoples feelings.

Jason Nozzle wanted to be a multmillionaire. One day he saw a book called "Make four million dollars by next Thursday"He wanted to be multmillionaire so he followed the instructionof what book said.But this book dosn't make him multimillionaire but his book tells him that you have more important things then money.
In my oppinion this book is easy to read and also it tells me that money is not the best thing in the world.

I first read this book in the third grade and still love it!!! I am in the eighth grade now and still enjoy it. It is very funny,and easy to read. One of my favorites!!!

I own a copy of both the vocal score and the complete libretto and I should say it is worth owning both. The vocal score when played on piano gives lively music to make anyone dance to the beat. It never loses its Broadway touch. The notes when played by a skilled pianist would make it sound more like the orchestra accompaniment. I would highly recommend those of you who love Sondhei'm style to own one of these. This would definitely be a smash hit for your school or community theater.

I love Sondheim, and this show is the best of his works in my opinion. Full of challenging songs, and complex arrangements, it will surely please the pianist or singer who is looking for something a little outside the realm of Roger's and Hammerstein to sing. Go into your nest audition with "another Hundred People", or "Getting Married Today" and blow your director away! This book contains a lot of material that is not readily available in other volumes and it is definately worth the investment. songs of note "Being Alive" "Company", "Barcelona", "the little things you do togrther" and the immortal "Ladies Who Lunch"

When Mr. Sondheim and and Mr. Furth wrote the show they wanted to have something that would make the audience laugh all night and then stay awake the rest of the night thinking about it. And that is EXACTLY what they did! Mr. Furth developes his characters so well as does Sondheim. To fully get the show one might consider getting the cd (original cast album is the best and can be found here on Amazon.com as well) This is seriously the best libretto I own.. and I own MANY.

Agressively researched, beautifully written, and wisely presented, this is one of the best books of any kind I've ever read. History, particularly history of such a narrow scope, has seldom been presented in such a moving pageant. It is also fair, treating Native Americans and blacks, Catholics and Protestants with equal fairness and compassion. A truly great work.

I think there should be one of these for every state - a history book of how a state ends up with its religious mix. Luckily, I live in Tennessee and have this little gem of a book to reference. The authors present historic regional tidbits that elementary textbooks often leave out (all properly footnoted and indexed.) But the book doesn't get so far into religion as to forget history by sketching the role of the Indians, the wars and other key political events. And it doesn't get so far into Tennessee history as to overlook what's going on spiritually in the rest of the nation by including the likes of Wesley and Whitefield.

This is a state side version of Marshall's epic "The Light and the Glory." It's a quick read but perhaps goes too quickly through coverage of the last few decades leaving the reader wanting more (perhaps a sequel). Overall, a must read for the history buff and teacher or those wanting to spiritually map the state they're in.

This book is an inspiring account of the history of religion in Tennessee. Chapters like "Paths of Hope, Trails of Tragedy," will help the reader to understand the passions that forged a land---the passion of what people believed that drove them to make the history that is written about in this book. I highly recommend this book, especially for anyone with interest in Tennessee, but also for those from anywhere who love to see how history can be shaped from what people will live and die for.

This is a very good, well-made play. A social commentary in one sense, and Sondheim's stab at the seven deadly sins. It is very funny to read all of the bitchy quips being tossed back and forth by each of the patients. A dark atmosphere, keeping you on the edge of your seat, and you are always kept guessing. Finding out who the killer is at the end of the first act is a very daring device, and you are left to wonder what would possibly happen in the second act. It is hard for me to say anything more that the other reviewers haven't said, so I just suggest that all intellectuals out there buy this book and prepare to enjoy yourself. (You might even need a cigarette when you're done with this book, if you know what I mean . . . )

"Getting Away With Murder" is great, I enjoyed reading it very much. Not only for the mystery, but the plot, the thrill, the way it was written. I'm not big on Murder mystery's, although I do enjoy reading some. When I read the script I thought, WoW! This is really a great story. I would have loved to have watched it on Broadway. I adore it, the storyline is great from begining to end. For those who haven't read the book, read it! For those who have read it, read it again!

I picked up a copy of "Getting Away With Murder" because I enjoy theatrical works that Terrence Mann has been in,and I figured this would be yet another that I liked. I'm really glad that I decided to get it.

Besides being a theatre fan,I love a good mystery. I couldn't put it down once I picked it up. Sondheim and Furth do such a wonderful job of establishing the setting and characters that I could vividly imagine what the staging of the play may have looked like. Each character clearly has dimension,and you really feel like you understand their motives and convictions.

"GAWM" is also filled with little plot quirks and devices that enhance the story. While it has a dark mood,there are some light comedic moments and caustic remarks that loosen things up. It is also interesting to see the slight difference in the alternate ending.

All in all,I recommend it. I'm not overly familiar with Sondheim's work,but I've found that his cerebral approach is a nice escape. As a closing note,I suggest paying attention to the names of the characters - you might learn something about them!

The greatest thing to come out since the Musical itself, Wonderful, educational, fantastic reproductions of the 19th century musicals!

Richard Fawkes' The History Of The Musical is a flawlessly recorded, 4 cassette, unabridged audiobook showcasing the development of the musical, from its origins in European light opera and operetta to its it's golden age in the American theater. The great song composers and lyricists are presented including Jerome Kern, Irving Berlin, George Gershwin, Rodgers and Hammerstein, Lerner and Loewe, Lloyd Webber, and Sondheim. The wonderfully narrated text by the award-winning Broadway singer Kim Criswell is enhanced with almost one hundred famous musical extracts. The History Of The Musical is a "must" for personal, academic, and community library music history and audiobook collections.

Surely there must be a medal somewhere out there for Naxos records and for author Richard Fawkes. After two superb sets of tapes and CDs titled "The History of Classical Music" and "The History of Opera," there is now available Mr. Fawkes' "The History of the Musical" (NA422712). Here we have singer/actress Kim Criswell narrating on 4 CDs or tapes just under 320 minutes of exactly what the title promises.

Starting with "The Beggar's Opera" of 1728, the history of the genre is traced up to the time of writing, meaning "Les Miserables." Along the way, we consider operetta, the English Music Hall, American vaudeville, the review, the book show, the familiar, the off-beat, the dead ends, the highly influential. And the London stage gets a good deal of attention also, thereby introducing a lot of material not very well known to those better versed in the American musical.

As with any good effort of this sort, a strong connection is drawn between the changing times and the changing concepts of what a musical should be. The importance of "Show Boat" is not glossed over, for example, nor is the other shock caused by "Pal Joey." The reliance of Lloyd Webber on staging is mentioned but not his lack of more than one fairly memorable melody per show. In general, the tone is upbeat and positive.

But this is a recording. While it could never include all the information found in a book, its dozens of recorded examples are what makes this set priceless. Where possible, the oldest "original cast" recordings are used. On the other hand, there are some strange exceptions such as "Hey there" from "Pajama Game" being sung not by John Raitt but by Ron Raines on the Jay recording. I suspect this is because Criswell is in the cast of that set.

Again, this set is in tape and CD formats. For educational purposes, the CDs offer direct access to any show under discussion--and the CDs are very generously divided into nearly 200 tracks! Very considerate of the producers. The booklet offers a nice little personal essay by Criswell. So if I have any complaint about this set, it is that I wish it were twice as long.

This vocal score contains complete lyrics, dialogue, vocal line and piano accompaniment to the musical Sunday in the Park with George. The great aspect about the vocal score is that it contains ALL the music, even songs which are not featured on the CD. The arrangements are excellent and the melody has not been incorporated into the accompaniment, which is the case with many cheap vocal scores. Inside the score it is mentioned that it 'has been prepared from the composer's piano manuscript rather than the piano-conductors score so that it can be more useful to the rehearsal pianists.' As a result, when the orchestral parts are utilised, some small musical discrepancies will be found. Several of the musical themes are quite repetitive, however there are still almost 250 pages of music to enjoy. The music would be difficult to perform for someone who does not feel confidant playing piano. The difficulty lies in the modern rhythms and sometimes obscure tonal flavour of the music. The key signatures regularly change and g-flat and f-sharp major bob up often. As is characteristic of Sondheim's most recent musicals, the vocal lines would be difficult for singers. However, if you are a vocalist that could handle the music, it would be fantastic to own this book. I personally feel that this is an incredible vocal score of a brilliant musical. If you have a love of Sunday in the Park with George and you enjoy either singing or playing Sondheim I highly recommend this score.

This vocal score contains complete lyrics, dialogue, vocal line and piano accompaniment to the musical Sunday in the Park with George. The great aspect about the vocal score is that it contains ALL the music, even songs which are not featured on the CD. The arrangements are excellent and the melody has not been incorporated into the accompaniment, which is the case with many cheap vocal scores. Inside the score it is mentioned that it 'has been prepared from the composer's piano manuscript rather than the piano-conductors score so that it can be more useful to the rehearsal pianists.' As a result, when the orchestral parts are utilised, some small musical discrepancies will be found. Several of the musical themes are quite repetitive, however there are still almost 250 pages of music to enjoy. The music would be difficult to perform for someone who does not feel confidant playing piano. The difficulty lies in the modern rhythms and sometimes obscure tonal flavour of the music. The key signatures regularly change and g-flat and f-sharp major bob up often. As is characteristic of Sondheim's most recent musicals, the vocal lines would be difficult for singers. However, if you are a vocalist that could handle the music, it would be fantastic to own this book. I personally feel that this is an incredible vocal score of a brilliant musical. If you have a love of Sunday in the Park with George and you enjoy either singing or playing Sondheim I highly recommend this score.

At first glance, the price for this selection may seem a trifle hefty. It is worth every penny to be able to own the score to the most emotional musical written by Sondheim. The music is amazing to listen to, but the experience is heightened when one is able to study the score in conjunction with an excellent recording. This score serves as a resource for anyone needing audition music, and it is great as a teaching tool in an advanced Broadway piano class. Incredible buy!

I first read lives of the musicians when I was about 7 yearsold or so. Then, I thought it was terrific. I still do. However, I amnow 12 years old, and now that I have paid more attention to it, I see several faults, but overall it is still a very good book. First of all, their choice of musicians is not the best. I would have recommended Debussy and Schubert, like the Kirkus Reviewer. Some of the composers I have hardly ever heard of, like Igor Stravinsky or Nadia Boulanger. And while Clara Schumann was a great pianist, I think they should have focused more on her husband, Robert, a prolific composer, whose works are among the very best. Also, some of the parts of the biographies are questionable. Frederic Chopin may not have actually been romantically involved with Aurore Dudevant (George Sand), but in love with the Countess Delphine Potocka. The book states that the Waltz in D-Flat, or Minute Waltz, was written for George Sand's dog, when in fact it was probably written for Potocka. However, the book was still very well written, and I enjoyed it, despite the possible mistakes. I recommend this book to anyone who likes music, classical or not. So sit back and enjoy!

I loved this book because it made those musicians seem like real people instead of great-all-star-super-geniuses. It is full of strange little facts about all the famous musicians like Bach,Gershwin,Beethoven and Schmann.

---Megan W.

This book provides interesting insight into the lives of composers. I teach music to elementary and high school students and I read this book to all of my students. They all enjoy learning the details of the composers lives. The book presents the composers in such a way that the students remember the information about the composers. The book does not provide information about what the composers' music sounds like, and that is something I also like to teach. A great book to gain kids'interest in famous composers.

As a novice i found this book very helpful, it was very clear and the case studies gave realistic examples that i could apply to my experiences. The language isnt too technical. The content is in depth without being over whelming.

This book is a MUST for those wanting to learn the first steps in how to truly use Dreamweaver to create a quality basic site. From layout and images, to CSS tutorials, right up to PHP and MySQL lessons. It's right on.

Experienced developers or programmers may want to pass on this book since it really is a beginner title... hence the Foundation premise. ;-)

This book is an excellent starting point for anyone who has only just got to grips with other dreamweaver versions. It gives clear but creative information in a way that is easy to follow. It's very well written and gives some good examples

This is an excellent book. There are many topics covered in a straightforward manner that you won't find anywhere else. Many clever solutions - I learned a lot from using this book and I've been programming in Java for a while. One of the few computer books worth the steep price.

You will not be sorry if you buy this book. The book uses a straightforward approach to some of the complicated as well as simple issues. The book is very well organized, and explanations are very clear. I would not recommend it for the beginners, but even if you are just getting comfortable with Java, this book would be an excellent value. CD that comes with this book is also very helpful.

I really liked this book. It deals with very important topics from basic to quite advanced in a very straightforward manner. I use it all the time.