"The Divine Initiative is an invaluable resource and a major contribution to Lonergan studies... Stebbins has laid out [the] material...with a thoroughness and clarity that will be extraordinarily valuable to many people."

From: Robert Doran, Lonergan Research Institute, University of Toronto

"The care with which Michael Stebbins has exposed Lonergan's method and its results...makes Lonergan's sometimes cryptic remarks accessible to all those who have the stamina to explore these issues, and so leaves both philosophers and theologians without excuse for attending to so demanding a synthesis."

From: The Thomist, 60, 1996, pages 484 - 488

"In my judgement, this book is wonderfully accurate as an account of Lonergan. Stebbins analyzes and synthesizes with great skill. In his treatment of the operations of intellect (in chapter 1), right through to his concluding remarks about Lonergan on actual grace (in the latter half of chapter 8), he is extremely sensitive to details and distinctions that others often overlook or misunderstand. Moreover, he not only explains accurately, he clarifies. He understands the material so thoroughly that he is able to link Lonergan's claim in fresh ways, offer original examples, and thus teach the reader what Lonergan really is getting at. Given the challenging technical character of the material, this is a stellar achievement."

"I deem the book to include features of interest to systematic theologians in general, historians of theology, philosophers of religion, metaphysicians generally, persons interested specifically in Lonergan, and persons interested specifically in Aquinas. I commend it to them all."

From: Method: Journal of Lonergan Studies, Volume 14, Number 1, Spring 1996 Published by the Lonergan Institute at Boston College

It's useless to dig for just one or two epigrams to stand in for the totality of Bacon's penetrating genius in the "Essays." Though it is perhaps fashionable today to detract from him in order to praise Montaigne, it should be clear that Bacon is at least as indispensable. As terse as Emerson is expansive, Bacon's "Essays" are perhaps the most truly Classical (in spirit) prose in the English language. Fans of the Leo Strauss school should have a fieldday reading between the lines of the essays "On Atheism" and "On Superstition"; for the rest of us, nobody can come away from even one of these essays without gaining invaluable insights. Though Bacon is rightly heralded for the radical newness of his pragmatic methods, he is ensteeped in history-- those mindful of Napoleon's dictum that history is the only true philosophy will certainly respond enthusiastically to Bacon's approach. From the post-Machiavellian insights of "Of Empire" to the pre-Enlightenment ethics of "Of Goodness and Goodness of Nature", one will find in reading Bacon's prose what the youth of Athens must have found in following Socrates: the presence of a benevolent, worldly-wise, supremely rational mind determined to show you the order of the world.

A collection of 59 essays by one of the shrewdest bipeds (some would say a brilliant rogue!) that ever walked this stale promontory of ours . Sir Francis Bacon offers his views on a whole smorgasbord of topics ranging from Truth,Death,'Adversitie',Marriage & the single life,Love,Boldness,Superstition,Friendship ,Health,Ambition,Youth,Beauty to Anger & Fame.These are short pieces (usually a couple of pages) but packed full of wit & timeless wisdom ____you can dip into them one at a time & chew them at your leisure .These essays are the quintessence of wholesome English common sense .Read them leisurely over a cup of tea(or coffee) on a crisp autumn afternoon (as the trees turn color) to savor their distinctly English flavor. I happen to have a Morroco-bound ,gilt-edged collection of these essays which was an added treat!

Along with Shakespeare's works, Bacon's "Essays" is the supreme achievement of the English Renaissance. Philosopher, statesman, author, Bacon made all knowledge his province, and in the "Essays" is to be found more worldly wisdom than in any other book. "My essays come home, to men's business and bosoms." And Pope penned the epitaph, "If parts allure thee think how Bacon shined, The wisest, brightest, meanest of mankind." These essays, though, need a gloss for the modern reader to understand Bacon's cramped yet erudite prose and Latin quotations, as is provided in Pitcher's edition.

Yes, there IS a calendar version of this book but the calendar just scratches the surface of this collection.

I intitially borrowed this book while looking for reference images for a video project. It became obvious to me in a very short time that I would HAVE to purchase this book. Even though I am a professional photographer and filmmaker, there are very few photography books I am willing to spend my money on. There are many I like but few I wish to own. This book, like all of the photo books I've purchased, moved me in a powerful way. These are beautifully executed, intimate black and white portraits. Most of the photographs are spontaneous and shot during recording rehearsals. Several of the images graced the covers and sleeves of the records produced by the jazz record label, Blue Note.

Francis Wolff was not just Blue Note's primary photographer (and quite talented), he was also the label's co-founder. His already skillful eye was that much more in tune (no pun intended) with his subjects and sensitive to the working environment. He was able to capture subtle moments few likely could. Most images are illuminated by a single light source, spotlighting the artists and capturing them in moments of thought, exhilaration, playfulness and intensity.

Seeing greats like Wayne Shorter, John Coltrane, Dexter Gordon, Sonny Rollins, a young Herbie Hancock and Hank Mobley in these intimate moments early in their careers is powerful. The design is outstanding and the printing if these photographs is impressive. This is a must have book for the music lover, photographer, or photography lover. If you don't fit into one of the above catagories, don't sweat it. You will love this book simply because it is beautiful.

I must admit I am a little confused as to why the other reviews list this as a book.....

Good, insightfull text, great photographs, oustanding print quality: a must have for all lovers of jazz, jazz musicians and photography. The photographer's empathy for his subject(s) just oozes from the pages of this wonderful book. There's a picture there of a dreamy John Coltrane, that just totally catches the sensitivity, the intelligence, the emotionality of a great musician and a great human being! A must buy !

I thought this biography was detailed mostly around this film. On page 262, first paragraph, I think Mr. Coppola would agree to mention the fact that "The Chief Phillips" made a life last attempt to end Willard after getting speared on the boat by Kurtz's mongrules. Overall, the book was a manificant biography of a Itailian-American film maker of our time.

...and I hope he stays that way. Francis Ford Coppola is one of the inspirations of my life. His energy and enthusiasm for what he does outshines even the projects many might deride. One thing you have to say is at LEAST he puts his all into what he does, and I'd imagine no one would doubt this. PS: WHEN is the UNCUT version of "One From the Heart" going to be issued on DVD?

I work for Francis Coppola today and know him pretty well. Michael Schumacher's book really captures the spirit and energy of this facinating and complex man. I have read most of the other Coppola books and none combines an understanding for both the human and artistic side of Francis.

This book, like no other I have read, reflects the passion, energy and chaos of the Coppola world. I can tell you from the inside there is no more exciting experience than being part of the Coppola energy. Francis loves to tackle the "impossible" and never gives up. I particularly like this book because it is clear that the author, like myself, has great respect for this whirlwind of a man.

This book is fantastic! Seemingly hundreds of gorgeous paintings including lots of discriptions of the paintings and their meanings. Beyond that, the book puts the art work in historical perspective with an explanation of the life and times of the people who created the paintings.

Want to know the greatness of this work, just open to pages 94 and 95. Opposite each other on the two pages are the following: "The Angels of Night" by William Degouve de Nuncques in which "angels kiss in a ghostly, supernatural park" and "Satan's Treasures" by Jean Delville where "luxurious bodies lie sleeping among the seaweed and coral as Satan, with a dancer's agility, bestrides and takes possesion of them."

In my opinion, symbolism in art is one of the most interesting topics in the world. This book is a fitting tribute to the topic.

I picked up a copy of Michael Gibson's wonderful book at the largest exhibtion of Symbolist Art a few years ago in Toronto, and found it to be an excellent and thoroughly accesible introduction and overview of this fascinating and haunting art and the period of the "fin-de-siecle". The reader from AZ wants to know if there are any "better" books on the subject-- perhaps-- Phillipe Julien's classic "bible" of Symbolist Art, THE SYMBOLISTS and the follow-up, DREAMERS OF DECADENCE. In the early '80s Rizzoli/Skira published SYMBOLISTS AND SYMBOLISM, and in the '90's, Rizzoli published THE SYMBOLIST GENERATION, and Abrams published, THE SYMBOLISTS. All of these titles are beautifully produced, lavishly illustrated hardcovers that are unfortunately hard to find (and in good condition at a good price). Mr. Gibson's book seems to be readily available (in hc and pb), and it is truly a vaulable addition to anyone's art library, or to anyone curious about this beautiful school of art.

I owned this book in hardback a number of years ago and somehow lost it (probably loaned it to a friend). I was so glad to find it again. This book has great color pictures and a wide variety of well-known (and obscure) visual Symbolist artists, with an overview of other Symbolist art as well (music, poetry). I highly recommend this book over any other on the subject. If someone knows of a better book, please let me know!

This is the finest collection of Jazz Photography ever assembled! If you're a fan of jazz, or Blue Note Records, you must own this book. As a co-owner of Blue Note, Francis Wolff had the opportunity to arrest time with his lens while the titans of jazz created quintessential music. All the faces you would expect are here, Thelonious Monk, Miles, Coltrane, etc. Yet so are others whose names have been unfairly excluded from the roster of jazz immortals, men like Hank Mobley, Sonny Clark, Lee Morgan and many more. This collection is tastefully assembled, carefully balancing a trove of color and black & white prints with aesthetic perfection. Its 176 pages are bursting with images that inebriate the eyes; many are published here for the first time. Along the way, written snapshots built on the visual perspective. You can hear the music pouring from these images. You can feel the excitement of it's genesis. The musicians were comfortable with Wolff and his lens. He captured their essence in a way that no other could. Pick this up before it goes out of print.

Even if you haven't heard the name Francis Wolff before you have probably seen many of his photos already. They can be found on many Blue Note albums. Some of them also became classics on their own. Francis Wolff is the co-founder of the Blue Note record label. Before becoming a full-time producer by the end of the Sixties, he spent a lot of his time taking photos of the artists while they were recording. All these photos are taken with a sort of simple equipment (just a camera and one flash) without posing. The photos were taken while the musicians were playing or composing of resting. There is an enormous depth and clarity in the pictures and you can nearly sense the personalities of the musicians. This collection of Wolff's photography is a must for every fan of classical photography and, of course, it's a must for die-hard Blue Note fans.

Great Book....even though the CRAZY PROFESSOR I HAD USED 15 of the essays and some poems. THE ESSAYS WERE INTERESTING AND FUN.

This book provides a good range of diverse materials for a teacher in a first year English course. There are multiple genres and themes, a section of famous paintings for discussions (useful for discussions on literature and art), among other helpful features. The Conscious Reader is an antidote to readers which have the same standard writing for student use.

Do not hesitate to purchase this book! A wonderful reflection on the lessons left to us by the life of St. Francis and how to apply them in our daily lives. One need not enter a monastery to enjoy the applications in this book. As a suggestion, this book is especially wonderful when read with one of the author's CDs playing in the background. Some good ones available from Amazon.com.

This is a wonderful book...very easy to read and quite helpful. If you want to learn how to live the Christian life; read this book and begin your journey.

A gentle compendium on bringing the Franciscan lifestyle into your world, this book will help you express the simplicity and faith of Francis in your personal life. For anyone who has "always loved St. Francis".

a variety of the treasured libertarian-laden articles and essays of Dr. Tim, displayed with interesting graphics and text. A little color with so many photos would have been nice but for twenty bucks you get a lot of Leary in a big book.

A great synopsis that should turn on a few more people to the Leary magic.

Essential for the Leary collection.

Leary does it again! That brilliant Irish neuronaut has once again travelled far into the future of humanity and come back to the past to tell us all about it. It is the first fun and scientific analysis of cyber-culture ever written. What's astounding about this book is that Leary conceptualizes Cyberia like no one before or since has done, with crystal-clear vision, irreverent wit, and razor-sharp insight. Many of his ideas in this book, and it was written a few years ago, have already diluted into the popular culture through magazines, television, and movies. This book is not just about psychedelic drugs, virtual reality, and questioning authority. It epitomizes the philosophy of the future which we are creating in the present. It is a manual of the future written by one man who has seen it. Forget Bill Gates, Steve Jobs, or Esther Dyson, when we look at computers today, and what they are fast becoming, remember that Tim Leary has been telling us all about it decades ago.

A wonderful feast for the mind and soul. If more of our books were like this, we wouldn't need--or even want--television!

I am not a Linguist, but this book helped me to appreciate all of the differing theories and various fields within what is known as linguistics. If you are seeking a book that is simple to read, yet very comprehensive, I recommend this volume. If you enjoy languages, speech development, regional dialects, language acquisition, theory of language, language trends, and more - this book is for you.

Major disciplines coverd include: phonetics, morphology, syntax, and semantics. Also included in this new addition are new chapters on second language acquisition and psycholinguistics.

One of the best features of this text is how well it is laid out. It is a pleasure to peruse and even study because of it's logical and user friendly format.

If you love anything about language- whether knowing it's origins, or what part of the mouth is used to create certain sounds, or how language changes over time and for what reasons, or a host of other curiosities, you will certainly enjoy the wealth of information within Contemporary Linguistics!

"Contemporary Linguistics" (CL) is a wonderfully clear and accessible introduction to the field of linguistics. The authors begin by introducing the methodological assumptions that underlie present day Chomskyan linguistics and then reserve a chapter each for almost all major research directions within linguistics.

One thing in particular that I liked about the format of CL was the treatment of more advanced material (marked "Advanced") in each chapter. The "Advanced" sections augment the material in the rest of the chapter and are placed in logical sequence with the rest of the material instead of appearing in an appendix at the end of the chapter. For example, a section marked "advanced" on X' (read X-bar) Theory appears fairly early in the syntax chapter. Having some knowledge of X' Theory allows the reader to proceed to examine the rest of the material with the knowledge that there exists an intermediate level of structure between lexical categories (N, V, ...) and phrasal categories (NP, VP, ...).

Most chapters in CL are pretty well written and technical tools to treat linguistic phenomena are almost always introduced at the correct juncture. However, CL does not treat Innateness properly (why Innateness and arguments for and against Innateness), and has a weak chapter on semantics. The reader would do well to augment the material in CL by reading Pinker's "The Language Instinct" or Jackendoff's "Patterns in the Mind" for a non-technical introduction to some ideas in linguistics, as well as sections of De Swart's "Intro to Natural Language Semantics" to get an idea of how semantics is done. If the reader is interested in looking at language from a cognitive science perspective, she would also do well to read most of Gleitman et al's "An Invitation to Cognitive Science: Language".

All in all, CL provides a relatively painless initiation into linguistics and I highly recommend it.

Speaking as a newcomer to the subject, I found this book to be an excellent intro. Very useful.