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This particular quote was significant to me: "Take an overall look at what you've clustered. Some of it may not make sense. That's okay. Wisdom has nothing to do with logic." I agree with the author about clustering. One must freely write down everything that comes to mind when prewriting. If one holds something back in the mind, one will not be able to brainstorm well. Clustering is vital.
From this book, not only have I absorbed ample concepts that I am not aware of, I have refreshed my memory on some topics I already knew. In "style", Steinmann states that one should form the possessive singular of nouns by adding 's. This shows that a noun is owned by another noun. Placing a comma before a conjunction introducing an independent clause. If there is a comma placed in the middle of a sentence before a word, such as and or but, there are two separate clauses in that sentence. When the comma is reached the second clause has the appearance of an after-thought. One should be careful on the rule because if there is not an and or but then the comma should be a semicolon. Steimann also emphasizes that readers to keep the writing in one tense because the reader may get confused if the writer keeps going to past to present or even future. The author also says that you should place the emphatic words of a sentence at the end. It is necessary because it makes the prominent position more emphatic if it is before the emphatic word.
I thought that this book was a very good guide to the "art of writing". It gave many examples and explained every possible subject. It should be greatly useful for teenage students or any budding writer.
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Maxwell, who lived with his wife and two daughters in NYC, is also good with domestic detail and affecting and funny observations. He relates a conversation in which his small daughter laments that he is bald."'Would you trade me in for a daddy with more hair?'" 'Yes," she says, teaching me a lesson."
And on his resuming piano lessons in middle age: ". . .And Mozart is sustaining though I cannot do it. I would rather not be able to do Mozart than any composer I can think of."
Townsend who lived in England with her companion, Valentine Ackland offers a number of home remedies for illness, my favorite being champagne for any ailment above the waist, brandy for anything below. And she writes with droll humor of her life in an English village: "Poor Niou (a Siamese cat) has just had her first affair of the heart, and of course it was a tragedy. As a rule he flies from strange men, cursing under his breath, and keeping very low to the ground. Yesterday an electrician came; a grave mackintoshed man, but to Niou all that was romantic and lovely. He gazed at him, he rubbed against him, he lay in an ecstasy on the tool-bag. The electrician felt much the same, and gave him little washers to play with. He said he would come again today to to finish off properly. Niou understands everything awaited him in dreamy transports and practising his best and most amorous squint. The electrician came, Niou was waiting him on the windowsill. A paroxysm of stage-fright came over him, and he rushed into the garden and disappeared.
He'll get over it in time; but just now he's terribly downcast."
The volume is filled with fine writing and the reader wants very much to know these two people personally.