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From reading these fascinating letters, it is obvious that these two old friends actually enjoyed talking and exchanging ideas and opinions.
This book, as edited, weaves a moving and extremely interesting story, reading very much like a good biography.
I highly recommend this book, a good example of history making exciting reading.
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". . . good philosophy was not supposed to shed light on everyday problems" says Prof. Martin. For those of us who can't live through the day without "good philosophy" reading her book provides the path to sanity. Educators are a lonely lot up there, out there, on the line of fire; just you and a whole class of whatever age, background, and ability. Take my hand, says this book. Let's go there together. I'm happy to continue the bridge-crossing begun, for me, with Prof. Martin in her seminal book,"The Schoolhome." I look forward, and across, to the other truly "essential" shore, when the next bridge beckons us to cross.
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This Steinem "refresher course" with a new twist provided the answer to my question through essays of the past introduced with reflective insights into that which inspired them and their relevance to now. Steinem's book offered me reassurance and validation as well as provided an impetus for continued growth and change.
Steinem tackles her primary subjects-- men, money and media-with spirit and candor. "The Strongest Woman in the World" is a striking essay in which Steinem beautifully illustrates the metaphoric physical versus inner strength. Women of Steinem's era--and mine-- never had a chance to express power. As Steinem points out through her example of bodybuilder Bev Francis's refusal to conform to the feminine stereotype and thus failed to be recognized for her athleticism, those who excelled were rewarded because of the image they portrayed, not the accomplishments they achieved. Steinem reminds us that the strong muscles rippling under the skin of dancers and gymnists were trained to perpetuate the illusion of fragile, weightless grace of society's view of femininity, much like the intellect hidden beneath carefully styled hair.
"Doing Sixty"--the reason the book was given to me-- is a timeless reminder that we must always be challenged to to radical and a bit outrageous. This chapter has undertones of Jenny Jones' classic poem "Warning" that has given birth to the red hat/purple dress symbol of freedom in the 2000's; in fact, Steinem's "original" poem in this chapter is almost a copy. The Steinem voice, however, is recaptured when she speaks of marriage avoidance as "death of choice," yet a more appropriate view based on her observations would be "death by choice" especially if women remain in the comfort zone of a marriage that lost its "fit" years ago. I find truth in Steinem's observation that men become more conservative with age as women become more radical, and she makes a valid case for change when she points out that "hanging on to the past brings more destruction than any other single cause." Each woman must face Steinem's "next third" of life by either accepting the challenge to emerge from the comfort zone or becoming incapacitated by the illusion of warmth under what may become a suffocating blanket.
Steinem's brief but powerful allusion to country and religion is even more relevant after 9-11 as the wave of nationalism crests. Steinem states that we must resist the destructive fiction of nationalism that becomes even more dangerous when it joins with religion. She compares the United States to a giant cupcake in the midst of starvation, and our unrealistic perception of country must be examined. Her duel message is clear; we must also examine our unrealistic views of ourselves if we are to discover--or rediscover-- our roots.
The weakness of Steinem's book lies not in the truth she reveals but in her continuing inability--or reluctance- to reach beyond a small audience. Steinem speaks directly to minorities of race, sexual orientation, and women who recognize that they have been vicimized; however, still now, as in the past, she tends to alienate those who are the strongest adversaries of feminism-- those women whose passive attitudes perpetuate sexism and discrimination. In addition, young people who are emerging into adulthood now could learn much from her rich web of experience, her intellect, and her challenge to be radical; however, her most recent books tend to hang on to the past, the antithesis of her advice to others.
The wisdom obtained from a life dedicated to overcoming the seemingly insurmountable barriers of sexism is conveyed effectively; however, I find it disappointingly ironic that the image of Gloria's ageless self graces the cover, an enviable glamor shot of sixty that is more intimidating than attractive to already insecure women like myself who are dealing with the havoc that ageism plays on the face, body, and spirit.
Steinem does do a remarkable job of setting the pace for the graying revolutionary. After reading this book, I see that the obligation of feminists of age is to cast a pebble and see how far the rings extend, and this book is a valuable tool for doing so. This seems to be Steinem's challenge to her reader-- whether "doing" sixty or sixteen.
There were three essays in this book that I particularly enjoyed. The first essay was called What If Freud Were Phyllis? In this hilarious satire, Steinem turns Sigmund Freud into a female named Phyllis Freud and starts reciting Freuds views as if they were biased against men instead of women. By the end of the essay, Steinem manages to rip Freuds remaining credibility to shreds as the reader sees Freud as he really was: a neurotic individual in sincere need of a dose of his own medicine. Personally, I think its time to defrock Freud as the champion of modern psychology as we realize that women, by nature of their gender alone, are not afflicted by sexuality-based psychopathy (as Freud had asserted).
The second outstanding essay in this book was entitled Sex, Lies, and Advertising, an article originally published for Ms. Magazine that received industry-wide attention throughout the magazine and advertising sectors. Within this article, Steinem details the trials of Ms.s attempts to attract decent advertising for their pages. Steinem points out that many womens magazines contain articles that supplement their advertisements by overtly mentioning and recommending the products being advertised. Since the Ms. staff prudently decided to publish material untainted by the influence of ad agencies, many advertisers refused to advertise in Ms. In addition to that, many mainstream advertisers felt that their products -- even common things like cars, credit cards, and insurance -- did not have appeal to a female audience. Therefore, Ms. had a doubly tough time of finding enough willing advertisers to support their liberal publication. Steinem says that she spent around 20 years just begging for ads to keep the magazine running until it was taken over by Australian feminists and then later became ad-free. Still, although the advertising industry has become a little more lax on where it will advertise and under what conditions, the practices that Steinem writes about are still very much in practice today and influence much of what you read in magazines that carry advertisements. This informative article stands out as a startling consumer alert to magazine readers everywhere.
Finally, Steinems closing article titled Doing Sixty contains some poignant thoughts from Gloria as she prepares to turn sixty years of age. She begins by talking about how she has grown more radical over the years as she has learned that it is far more refreshing and life giving to create your own experience rather than attempt to conform to societys prescribed gender roles. She continues by reflecting on how she never given much thought as to what she would do with this last third of her life since the media rarely pays much attention to people over the age of sixty. The prejudices of ageism, Steinem postulates, are almost as deep as the prejudices of sexism. All too often, we dismiss the elderly as having nothing to contribute to our fast-paced, ever-changing society. This is, of course, a counterfactual view rooted in our own fears of growing older. In the end, Steinem concludes that she will keep on living life fully, enraptured in the present while not worrying about the past or future. Steinems attitude towards growing older should be an inspiration to us all as we realize that there is no boundary that should limit our lives -- not race, gender, sexuality, or even age. Despite each of these factors, Steinem remarks, We might as well be who we really are.
One of feminisms main themes is teaching everyone, regardless of sex, that its all right to break traditional barriers. Steinem has lived out her life to illustrate this principle, and by refusing to be defined by societys idea of a woman, she has become a role model for men and women alike. Personally, Steinem has enabled me to let go of being pressured to uphold a traditional masculine stereotype, and in doing so, has allowed me to become a more confident, self-assured person. Speaking even as a man, feminism has given me a new freedom that will allow me to define my own life instead of having my life defined for me. The lessons that each one of us can learn from feminism, as presented in this book, are both limitless and invaluable. By transcending the boundaries of age, rage, sex, power, money, muscles, and gender, we become free to be the people that we really are inside. This process is, without a doubt, the deepest and most powerful revolution of them all.
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