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Each biographer explains well how the life of the biographer becomes intertwined with that of the person they are researching. In each case, they stress that biography writing is both intense and time-consuming.
Lyndon B. Johnson biographer, Robert Caro, recommends Francis Parkman's "Montcalm and Wolfe" for two reasons. One, to show that the job of the historian is to try to write at the same level as the greatest novelists. Second, that the duty of the historian is to go to the locales of the events that will be described, and not to leave, no matter how long it takes...until the writer has done his or her best to understand the locales and their cultures and their people.
In the end, it means that the biographer must not only understand the person, but also needs to intimately know the area where the person grew up and lived.
McCullough created a detailed chronology, almost a diary of what Truman was doing from year to year, even day to day if the events were important enough. He also used primary sources, such as personal diaries, letters and documents from the time period. Truman poured himself out on paper and provided a large, wonderfully written base of writing for McCullough to sort through and "find" the man.
McCullough says that the magic of writing comes from not knowing where you are headed, what you are going to wind up feeling and what you are going to decide.
Richard Sewell's "In Search of Emily Dickinson," research process took twenty years and he says, "In the beginning I didn't go searching for her, she went searching for me." The process took him two sabbaticals, years of correspondence and meetings with Mabel Loomis Todd's daughter Millicent Todd Bingham to uncover the whole truth.
Paul Nagel's "The Adams Women," gives readers a sense of how important the women in the Adam's family were. Nagel said that contemplating the development of ideology is good training for a biographer. After all, he said, the intellectual historian takes an idea and brings it to life. For Nagel, working with ideas establishes a bridge into the mind and life of the people who had the ideas he studies.
Nagel said that he likes and admires women and this is why, after writing about the Adams' men, he wrote about the Adams' women. Nagel also said that he has learned and taught his students that our grasp of history must always remain incomplete.
Ronald Steel said, that the hardest job a biographer has is not to judge his or her subject, however, most fail to keep their judgements out of the biography.
In Jean Strouse's, "The Real Reasons," she explains that the modern biography examines how character affects and is affected by social circumstance. Biography also tells the reader a great deal about history and gives them a wonderful story.
In writing about Alice James, Strouse found that there was not an interesting plot line to her life other than that her brothers were writers Henry and William James.
Strouse, when asked by another writer about the descendents of the three James' children, she said that William's great-grandson in Massachusetts, tired of being asked whether he was related to Henry or William, moved to Colorado where he was asked whether he was related to Jesse or Frank. Strouse reported that he stayed in Colorado.
Strouse realized that in order to tell the story of the James' family, she was going to have to use her own voice to give life to the family, especially Alice. This is not recommended for all biographies, but in a case such as hers, it needs that biographer's voice to connect all the information for the reader.
In Robert Caro's, "Lyndon Johnson and the Roots of Power," he talked to the people who knew Johnson to get a sense of the former President from Texas and what made him worthy of a new biography. He wrote the biography to illuminate readers to the time period and what shaped the time, especially politically.
This book will help writers understand the steps he or she will need to take to write a biography. It shows the difficult research processes and makes the reader want to either write a biography about an interesting person or never want to write again. Either way, this book provides new insights that one may have never thought about before. I recommend this book to both beginning and seasoned writers
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THE GENERAL series is about a fallen interstellar society which has climbed it's way back up to the technological level of the American Civil War. The hero, Raj Whitehall, has to reunite the planet in order to reach the stars again some day. This involves a lot of fighting and empire building. What gives Raj his edge is the pre-fall computer he has linked with that can see through his eyes.
This series has outstanding character development, a solid and well thought out overall plot line, and good story resolution in each book. The two things that really make the series the top of its genre are the interaction between the computer and the hero, and the realism of the situation. The interaction is a delicate balance that the authors perform magically. If the computer (Center) contributes too much, then the hero has too much of an edge, he doesn't have to try, and the story becomes boring. Without the computer, the hero is just this god like superhuman character that can do no wrong. The computer assistance makes Raj identifiable to the reader, even after he overcomes overwhelming odds to defeat the enemy. The realism comes from the fact that Raj is based on the life of a real person. The whole story is very similar to the story of Byzantine General Belisarius who conquered most of the Mediterranean world for his Emperor after the fall of the Western Roman Empire. That makes it very believable. The characters are very real. Their actions really happened a millenium and a half ago.
This is a must read for any fan of military fiction or empire building.
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This book is extremely encouraging. He talks specifically about life's "pop quizzes" -- those trials we don't expect -- and how God uses these trials to shape our character and strengthen us. The problem is they're unexpected by nature, and we often can't really tell the positive effect until they're over with. Understanding that there is a purpose and reason behind such quizzes makes them more bearable.
Lots of examples from his own life, his friends, and the Bible make his points come alive and hit home in the best way possible. I liked it so much, I'm sending copies to a few friends that need to read it.
The evolution of folksongs and their many variants is a fascinating study. Add to this the lure of the railroad, put it all together in a study of dozens of such songs, mix in a healthy dose of scholarly research, and we have Cohen's book. It is not a casual read, but it is invaluable for research into practically every American folksong involving railroads.
For everyone interested in the human aspects of railroad history, in railroad folklore, or in the evolution of the American folksong, this book is well worth the purchase price. That it is back in print and again readily available is a godsend to folklorists, musicologists, and railfans. If you missed the first printing, don't miss this one! Also, while you're browsing here, check out Katie Letcher Lyle's "Scalded to Death by the Steam," a highly readable examination of Appalachian songs inspired by disasters on the railroad.
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